Month: August 2023

Billie Eilish is the new queen of Australia’s singles chart with “What Was I Made For?” (via Interscope/Universal), for her second leader.

Lifted from the soundtrack to Barbie, which, like elsewhere, is a monster hit at the Australian box office, “What Was I Made For?” climbs 2-1 on the ARIA Chart, published Aug. 4, for its first stint at the top.

The low-key number is the first single from Barbie to hit No. 1 on the Australian chart, and becomes the U.S. pop phenomenon’s 15th top 10 appearance, which includes a two-week run at the summit for “Bad Guy” in 2019.

“What Was I Made For?” dislodges Dave and Central Cee’s platinum-certified “Sprinter” (Virgin Music/Universal), down 2-1 on the latest survey, ending a seven-week streak at the peak, and is one of three Barbie singles in the top 5. They include Nicki Minaj, Ice Spice and Aqua’s “Barbie World” (Atlantic/Warner), holding at No. 3, and Dua Lipa’s “Dance The Night” (Atlantic/Warner), which lifts 6-4. Meanwhile Olivia Rodrigo’s “Vampire” (Geffen/Universal) continues to show bite, dipping 4-5.

Sinead O’Connor makes a posthumous return to the ARIA Chart with “Nothing Compares 2 U.” Originally a No. 1 hit for eight weeks back in 1990, when it finished the year as the best-selling single Down Under, “Nothing Compares 2 U” returns to the chart at No. 62, following the Irish singer’s death July 26 at age 56.

Over on the ARIA Albums Chart, Travis Scott takes the crown with Utopia (Epic/Sony). The followup to 2018’s Astroworld, Utopia propels 18 tracks onto the national singles survey this week, led by “Meltdown” at No. 6.

Utopia leads an all-new top two on the ARIA Chart, as Post Malone’s fifth and latest studio album, Austin (Universal), starts at No. 2. Posty, who toured Australia earlier in the year in support of Red Hot Chili Peppers, and is set for another solo visit later in 2023, previously hit No. 1 in 2018 with Beerbongs & Bentleys and again in 2019 with Hollywood’s Bleeding.

Meanwhile, Barbie: The Album (Atlantic/Warner), last week’s leader, slips 1-3.

With three trophies, King Stingray was the big winner at the 2023 AIR Awards, held Thursday (April 3) at the Freemasons Hall Adelaide.

The Stingers, as they’re affectionately known in these parts, cleaned up with three of their four nominations, winning for best independent rock album or EP, independent album of the year (both for King Stingray) and breakthrough artist of the year.

The hattrick continues an impressive winning streak for the Yolŋu surf-rockers, who’ve already collected the 2023 Vanda & Young Global Songwriting Competition, and best song at the 2022 National Indigenous Music Awards (both for “Milkumana),” the Australian Music Prize, the Michael Gudinski breakthrough artist award, presented at the 2022 ARIA Awards, and best new artist at the 2022 Rolling Stone Australia Awards.

Meanwhile, the coveted independent song of the year went to Genesis Owusu, a multiple winner at last year’s AIR Awards, for “Get Inspired.”

Now in its 17th year, the AIR Awards are a celebration of the best and brightest from Australia’s independent music community.

Other winners on the night included former Silverchair frontman Daniel Johns (best independent pop album or EP for FutureNever), Donny Benét (best independent jazz album or EP for Le Piano), Northlane (best independent heavy album for Obsidian), Confidence Man (best independent dance/electronica album or EP with TILT), and Cub Sport (best independent dance/electronica or club single with Always Got The Love).

Performers included Andy Golledge, Wanderers, Yours Truly and Jem Cassar-Daley.

The emotional moment of the night belonged to Dr. Catherine Crock and her work with the not-for-profile label Hush, which collected the outstanding achievement award. A quiet achiever, Crock established the award-winning label more than 20 years ago through the Hush Foundation, a charity that transforms healthcare through the healing power of music.

Hush now boasts 20-plus album releases featuring over 170 compositions, recorded by hundreds of homegrown artists and ensembles including Lior, Meg Washington, Missy Higgins, Kate Miller-Heidke, and many more. Addressing the audience from the podium, Crock explained that she’d begun the day, like so many others, in her surgery in Melbourne.

This year’s ceremony was once again bookended by the Indie-Con Australia conference, a gathering that focuses “on issues that are specifically relevant to the independent music sector,” say organizers, the Australian Independent Record Labels Association (AIR). The South Australian Music Development Office is major sponsor for the annual awards.

2023 AIR Awards Recipients

Best Independent Blues And Roots Album Or EP: Dope Lemon – Rose Pink Cadillac
Best Independent Hip-Hop Album Or EP: Jesswar – Life’s Short, Live Big
Best Independent Country Album Or EP: Andy Golledge – Strength Of A Queen
Best Independent Jazz Album Or EP: Donny Benét – Le Piano
Best Independent Classical Album Or EP: William Barton / Veronique Serret – Heartland
Best Independent Children’s Album Or EP: Teeny Tiny Stevies – How To Be Creative
Best Independent Dance, Electronica Or Club Single: Cub Sport – Always Got The Love
Best Independent Punk Album Or EP: Teen Jesus And The Jean Teasers – Pretty Good For A Girl Band
Best Independent Heavy Album Or EP: Northlane – Obsidian
Best Independent Dance Or Electronica Album Or EP: Confidence Man – TILT
Best Independent Rock Album Or EP: King Stingray – King Stingray
Best Independent Soul/RNB Album Or EP: Felivand – Ties
Best Independent Pop Album Or EP: Daniel Johns – FutureNever
Breakthrough Independent Artist Of The Year – Presented By PPCA: King Stingray
Independent Song Of The Year: Genesis Owusu – Get Inspired
Independent Album Of The Year: King Stingray – King Stingray
Independent Marketing Team Of The Year: I Oh You, Mushroom Marketing – Confidence Man, TILT
Independent Publicity Team Of The Year: Genna Alexopoulos – Teen Jesus And The Jean Teasers, Pretty Good For A Girl Band
Outstanding Achievement Award – Sponsored By Merlin: Dr. Catherine Crock
Independent Label Of The Year – Sponsored By Moshtix: Chapter Music

It’s here! Just hours after announcing the collaboration, LE SSERAFIM unveiled the English version of its single “Eve, Psyche & The Bluebeard’s Wife” featuring Demi Lovato on Friday (Aug. 4).

“I see it written on your face, yeah/ I know you want a little taste, yeah/ You know I’ll put you in your place/ You’re crawling on the floor/ Begging me for more, ooh/ I’m sicker than the flu/ Come put me in the mood/ My body touching you, do you like that?/ Ooh, just watch the way I move,” Lovato belts on the sultry, rock-tinged track.

Lovato joins a string of “Eve, Psyche & The Bluebeard’s Wife” remixes, following Rina Sawayama’s version released on July 28, and UPSAHL’s on July 14. “Eve, Psyche & The Bluebeard’s Wife” is the second single from LE SSERAFIM’s first studio album, Unforgiven. The track peaked at No. 1 on Billboard’s Hot Trending Songs chart dated June 3, while the album it’s on peaked at No. 6 on the Billboard 200.

Lovato, meanwhile, is prepping to release an entire album featuring rocked-out versions of some of her biggest hits. REVAMPED is slated for release on Sept. 15 and it will feature the reimagined guitar-heavy versions of “Sorry,” as well as the previously released “Heart Attack (Rock Version)” and “Cool For the Summer (Rock Version).”

Listen to “Eve, Psyche & The Bluebeard’s Wife” featuring Demi Lovato below.