Month: June 2023

SZA achieves her second No. 1 on Billboard’s R&B/Hip-Hop Airplay chart as “Snooze” ascends to the summit of the list dated July 1. The song advances from No. 3 after a 20% surge to 17.6 million in audience from 14.7 million in the prior frame, making it the week’s most-heard song on U.S. monitored R&B/hip-hop radio stations in the week ending June 22, according to Luminate. Thanks to the nearly 30 million audience gain, the song nabs the week’s Greatest Gainer award for the largest increase among the chart’s 50 titles.

“Snooze” brings at least a temporary halt to the reign of Tems’ “Free Mind,” which logged its 22nd week at No. 1 last week, the longest-running champ by a woman in a lead role in the chart’s history.

Before “Snooze,” SZA scored her first R&B/Hip-Hop Airplay leader with the four-week champ “I Hate U” in 2022.

In addition to leading R&B/Hip-Hop Airplay, “Snooze” also captures the No. 1 spot on the Mainstream R&B/Hip-Hop Airplay chart, which ranks the most-played songs at U.S. monitored R&B/hip-hop radio stations. There, the single rises from the runner-up rank due to a 15% rally in plays in the latest tracking week.

“Snooze” likewise is SZA’s second career champ on Mainstream R&B/Hip-Hop Airplay. She first led with the two-week No. 1 “Shirt” in February.

Elsewhere, “Snooze” is eyeing a third radio chart conquest as it moves 4-3 on Rhythmic Airplay through a 14% boost in plays. The track is also progressing on Pop Airplay, with a 19-18 bump on the new chart and an 18% swell in weekly plays at monitored mainstream top-40 stations.

With increased support from the R&B/hip-hop, rhythmic and pop formats, “Snooze” jumps 13-9 on the all-genre Radio Songs chart. There, it improved 20% in total audience, to 47 million in the tracking week, up from 39.2 million in the previous frame. Radio gains, in turn, push the single to new peaks on multiple multimetric charts, which combine radio airplay with streaming and sales for their calculations. Most notably, “Snooze” lifts 7-6 on Hot R&B/Hip-Hop Songs and 15-13 on the Billboard Hot 100.

SZA achieves her second No. 1 on Billboard’s R&B/Hip-Hop Airplay chart as “Snooze” ascends to the summit of the list dated July 1. The song advances from No. 3 after a 20% surge to 17.6 million in audience from 14.7 million in the prior frame, making it the week’s most-heard song on U.S. monitored R&B/hip-hop radio stations in the week ending June 22, according to Luminate. Thanks to the nearly 30 million audience gain, the song nabs the week’s Greatest Gainer award for the largest increase among the chart’s 50 titles.

“Snooze” brings at least a temporary halt to the reign of Tems’ “Free Mind,” which logged its 22nd week at No. 1 last week, the longest-running champ by a woman in a lead role in the chart’s history.

Before “Snooze,” SZA scored her first R&B/Hip-Hop Airplay leader with the four-week champ “I Hate U” in 2022.

In addition to leading R&B/Hip-Hop Airplay, “Snooze” also captures the No. 1 spot on the Mainstream R&B/Hip-Hop Airplay chart, which ranks the most-played songs at U.S. monitored R&B/hip-hop radio stations. There, the single rises from the runner-up rank due to a 15% rally in plays in the latest tracking week.

“Snooze” likewise is SZA’s second career champ on Mainstream R&B/Hip-Hop Airplay. She first led with the two-week No. 1 “Shirt” in February.

Elsewhere, “Snooze” is eyeing a third radio chart conquest as it moves 4-3 on Rhythmic Airplay through a 14% boost in plays. The track is also progressing on Pop Airplay, with a 19-18 bump on the new chart and an 18% swell in weekly plays at monitored mainstream top-40 stations.

With increased support from the R&B/hip-hop, rhythmic and pop formats, “Snooze” jumps 13-9 on the all-genre Radio Songs chart. There, it improved 20% in total audience, to 47 million in the tracking week, up from 39.2 million in the previous frame. Radio gains, in turn, push the single to new peaks on multiple multimetric charts, which combine radio airplay with streaming and sales for their calculations. Most notably, “Snooze” lifts 7-6 on Hot R&B/Hip-Hop Songs and 15-13 on the Billboard Hot 100.

Queens of the Stone Age launches atop all four of Billboard’s rock albums charts with In Times New Roman…, which begins at No. 1 on the Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums and Top Hard Rock Albums surveys dated July 1.

The set begins with 40,000 equivalent album units earned in the June 16-22 tracking week, according to Luminate. Of that sum, 36,000 units are via album sales.

The album is the Josh Homme-led act’s third leader on all four lists. The band first reigned with 2013’s …Like Clockwork, followed by 2017’s Villains.

On the all-genre Billboard 200, In Times New Roman… is Queens of the Stone Age’s fourth top 10, starting at No. 9. The band first reached the top 10 with Lullabies to Paralyze, which debuted and peaked at No. 5 in 2005. The group boasts one No. 1, …Like Clockwork.

Concurrently, three songs from the album appear on the multimetric Hot Hard Rock Songs chart. “Paper Machete” debuts at No. 11, thanks to 961,000 official U.S. streams and 386,000 radio audience impressions, followed by “Emotion Sickness” (No. 21) and “Obscenery” (No. 24).

“Emotion Sickness” peaked at No. 31 on the Alternative Airplay list dated June 10, with “Paper Machete” having since become the album’s new radio single. The band has 12 entries on Alternative Airplay so far, first appearing with “The Lost Art of Keeping a Secret,” which peaked at No. 36 in September 2000. Of those, three were top 10s, including four-week No. 1 “No One Knows” in 2003.

Billboard has more than 200 different weekly charts in its menu, encompassing numerous genres and formats.

While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.

Here’s a look at 10 titles by artists who appear on charts for the first time on the latest July 1-dated charts.

The Last Dinner Party

The London-based quintet arrives on Billboard’s charts with its debut single — and only release so far — “Nothing Matters.” The song, released April 19 via Island/Republic Records, enters at No. 39 on the Adult Alternative Airplay chart (up 19% in plays June 16-22, according to Luminate). The group got its start performing at club shows around London in 2021, despite having never released a studio recording.

The band, which performed at Glastonbury Festival last weekend, is currently on the road on a string of U.K. tour dates set to run through October, some of which are in support of Florence + The Machine and First Aid Kit. Last year, the act opened for the Rolling Stones, Courtney Barnett and Sam Fender in Hyde Park in London. The Last Dinner Party is comprised of Abigail Morris (vocals), Georgia Davies (bass), Lizzie Mayland (guitar), Aurora Nishevci (keys) and Emily Roberts (lead guitar). The group’s second release, “Sinner,” is due this Friday, June 30.

Ludmilla

The singer-songwriter from Rio de Janeiro, Brazil, debuts on Billboard’s charts with her song “No_se_ve.mp3” with Emilia. The track, released May 3 through WK Records, debuts at No. 177 on the Billboard Global Excl. U.S. chart (11.4 million streams outside the U.S.) Ludmilla has been releasing music for more than a decade, including five studio albums, most recently Vilã in March (released through Warner Music Brasil, with which she signed in 2014).

‘Ludmilla is already a household name in her native Brazil – fans refer to her as “Rainha da Favela” (or “Queen of the Favela”). “I come from the favela here in Rio de Janeiro, where funk is a very strong genre,” she said in a February interview with Billboard. “In these communities, you have a lot of connections with funk and Black music. I started singing and began appearing in the media through funk. I saw that my musical range was wide, that I could do everything I dreamed of, everything I wanted to do. So, I started to invest more in this, and now I am at this moment.”

October London

The R&B/soul singer-songwriter, from South Bend, Ind., reaches Billboard’s charts for the first time with “Back to Your Place.” The song, released Feb. 3 via Death Row Records, debuts at No. 22 on Adult R&B Airplay (up 121% in plays). The song appears on London’s new LP The Rebirth of Marvin, released Feb. 10. On June 22, he released a new four-track EP, Jackpot. London has seven additional album releases to his name, dating to 2016. Outside of music, London acts in Snoop Dogg’s 3D animated children’s series Doggyland.

Skilla Baby

The Detroit-based rapper (real name Trevon Gardner) enters Billboard’s charts for the first time with his new LP, We Eat the Most. The set, released June 16 through Geffen Records/IGA, debuts at No. 16 on the Heatseekers Albums chart with 3,000 copies sold. The set features high-profile collaborations with G Herbo (“B-CUZ”), BabyTron (“Dogs–t Militia”), Luh Tyler (“Millionaire”) and Rylo Rodriguez (“Fear of God”). The album is Skilla Baby’s second LP release of 2023, after his collaborative effort with Tee Grizzley, Controversy, in April. Prior to that, he had released six albums, dating to his 2019 debut, Push That S–t Out Skilla.

ALWZ SNNY

The dance DJ/producer — who is recognizable by his sunshine mask — scores his first Billboard chart appearance thanks to his new song “Every Thought of You” with GT_Ofice. The song, released May 19 via CAINE Records, debuts at No. 26 on the Dance/Mix Show Airplay chart (up 65% in plays). The Annapolis, Md., native has previously opened for Imanbek, KSHMR and Madeon, among others.

Voices of Fire

The gospel choir, from the 2020 Netflix musical documentary series of the same name, is officially a Billboard­-charting act. Its single “Joy (Unspeakable)” featuring Pharrell Williams and released June 16 on Columbia Records, debuts at No. 8 on Hot Gospel Songs with 483,000 official U.S. streams in the latest tracking week. It also starts at No. 3 on Gospel Digital Song Sales. The six-part series followed Pharrell and his uncle, Bishop Ezekiel Williams, as they travel to the former’s hometown of Hampton Roads, Va., to form a world class gospel choir.

“Working with Pharrell is always an amazing experience that not only inspires you, but drives you to dig deep within yourself for the best you have to offer,” Bishop Ezekiel Williams recently said in a press release. “When the dream team finally came together on this song – Pharrell, Voices of Fire, Pastor Larry George and yours truly – I knew that moment in the studio was one of destiny.”

Mike Dimes

The San Antonio-based rapper and singer (real name Michael C. Goode) lands his first Billboard chart appearance, as his new album, Texas Boy, debuts at No. 21 on Heatseekers Albums. The set, released June 16 via CAMP BILLY/SinceThe80s/Epic Records, is his third release, after his debut studio album In Dimes We Trust in 2022 and his mixtape DLOG in 2021 (both self-released). Texas Boy features high-profile collaborations with Denzel Curry, Wiz Khalifa and Joey Bada$$, among others.

Busted

The English pop-punk band from Southend-on-Sea, Essex, lands on Billboard’s charts with its new collaboration with Hanson, “MMMBop 2.0,” a revamp of Hanson’s classic 1997 hit, which spent three weeks at No. 1 on the Hot 100. The new version, released May 26, debuts at No. 33 on the Digital Song Sales chart with 2,000 downloads sold. Busted, which is comprised of James Bourne, Charlie Simpson and Matt Willis, has been influential in the band’s native U.K., with the group having released four studio LPs: Half Way There (in 2019), Night Driver (2016), A Present for Everyone (2003) and Busted (2002). The group recently announced its 20th anniversary Greatest Hits Tour, which is set to kick off in September across the U.K. and Ireland. Hanson is slated to support the group on tour, along with New Hope Club and The Tyne.

S3BZS

The Brazilian dance artist (real name Sebastian Cordova) makes his first appearance on Billboard’s charts with his song “Montagem – PR Funk.” The track debuts at No. 28 on the Hot Dance/Electronic Songs chart with 854,000 official U.S. streams in the latest tracking week.

Karthik, Sachet Tandon & Parampara Tandon

All three artists achieve their first Billboard chart appearance with their collaboration “Ram Sita Ram” from the new film Adipurush. The song, released May 29 ahead of the movie’s June 16 premiere in India, debuts at No. 149 on the Global Excl. U.S. chart (26.4 million streams outside the U.S.) The Tandons, who married in 2020 and release music under the name Sachet-Parampara, are renowned composers, lyricists and vocalists; they’ve composed and recorded music for dozens of Indian films since 2017. As for Karthik, the playback singer and composer has recorded thousands of songs, both independently and for film and TV over the past two decades.