One of the men charged in the death of Cassidy Rainwater appeared in court Tuesday afternoon.
Timothy Norton faces charges of murder, kidnapping and abandonment of a corpse.
His court appearance comes four days after the other man charged in the case, James Phelps, entered an Alford plea.
The judge scheduled another hearing for June 27.
Prosecutors plan to leave the trial in Dallas County.
IVE arrived on the K-pop scene in November 2020 and quickly became the industry’s next reliable hitmaker with three addictive yet distinctly unique singles: the exotically intriguing pop of “Eleven,” the snappy, runway-ready throbber “Love Dive,” and the Gloria Gaynor–sampling disco update “After Like.” But through the differing sounds, the girl group’s identity connected with K-pop fans thanks to undeniable cohesion and confidence to pull off whatever genre or concept that came next. That spirit stays strong in their first full-length album, the multidimensional I’ve IVE, which sees the K-pop stars to watch taking the next big step of their career alongside a new U.S. label partner in tow.
Even before IVE’s official debut, anticipation was already high for the six-piece led by Yujin and Wonyoung, two of the most popular members from the sensational-but-temporary girl group IZ*ONE (who earned three entries on the World Albums chart and six on World Digital Song Sales during their two-and-a-half years together), as well as fresh faces in eldest member Gaeul, Japan-born Rei, power vocalist Liz, and youngest member Leeseo. From high kicks off the ground to simultaneously spinning and singing, the group developed under Korean super-label Starship Entertainment stood out for moving equally as one, even with varying degrees of original star power between members.
The same substantial stability comes through in I’ve IVE as the girls previewed their LP with the fun and rowdy chant-a-long buzz track “Kitsch” before dropping the power-pop bomb lead single “I Am.”
Within the LP, IVE is keen to present themselves as whatever kind of girl group the listener may enjoy but with their own added bite of self-assurance. The first listen of the sunny “Not Your Girl” recalls any flirty, feel-good ditty until the lyrics make it clear they’re not staying unless there’s a commitment and intention from the love interest. Plus, the opening track, “Blue Blood,” takes a common belief in South Korea that one’s blood type predicts their personality for IVE to declare themselves pure-hearted and exceptional over a dark, marching beat. Other standouts include the bossa nova influences through a plead for honesty on “Lips,” while “Heroine” is an invocation of self-assurance written by Yujin told through quirky electro-pop production, and “Mine” explains adorable infatuation through angelic harmonies and candy metaphors penned by Wonyoung.
Yujin, Wonyoung, Gaeul and Rei all boast writing credits through the LP that IVE says spotlights their belief in self and one another above any style or sound.
“Power and confidence are, outright, the most key concept,” Wonyoung says during an evening Zoom interview with Billboard. The member most comfortable with English, Wonyoung’s warmness is palpable through the screen as she’s eager to speak about the group’s dreams and her perspectives on fame. As untouchable as IVE appear on stage, there’s an undeniable relatability from sitting down to talk with them. Liz has a hilarious, no-bars-held candidness to her responses. At the same time, Gaeul uses her perspective as the oldest to fill in any missing details from her members and ensures everyone gets due credit, including shouting out their leader’s abilities when Yujin prearranged schedule didn’t allow her to join this chat.
“We are very excited to show such a variety of music styles in IVE’s first album,” Yujin says in a statement to Billboard after the interview. “This album is super meaningful to me as it’s our first full-length album and also because I participated in writing the lyrics for the first time. This album is like a package of different versions of IVE, and it has the unique color of IVE. I hope you look forward to our album and many other plans.”
Learn more about IVE’s colors, plans and more below.
Congratulations on this impressive full album, IVe. What’s everyone’s favorite song on the album?
Wonyoung: Mine is “Mine,” I wrote the lyrics too, so, I love it.
Liz: My favorite song is our title track [single], “I Am.”
Gaeul: I like the song “Hypnosis” because me and Rei wrote the lyrics to it, and it was the most fun to write the lyrics for that song.
Leeseo: “Shine With Me” is my favorite song because Wonyoung wrote the lyrics to it to link us to our fans, DIVE. It’s a message to their fans and the melody is especially very emotional to me.
Rei: “Cherish” because when we first listened to the demo, I could imagine how the members would be able to sing the song. And then once I listened to the completed song, I really loved the way it turned out.
We’re only with the five of you today. Does anyone know Yujin’s favorite song?
Wonyoung: “Heroine” or “Kitsch,” maybe?
As you mentioned, you were very involved in a lot of the songwriting on this album, some of you even the sole lyricist. What are your songwriting processes like?
Wonyoung: At first, I just listen to the song, just to get the feeling and set my mind right, usually at my home or in my room. If I get a certain feeling, I just write the whole song first and then just make little mixes, little changes. I love the process and I really love writing lyrics.
Rei: Once I receive the song, it’ll will have a blank portion without the rap, so I just kind of imagine a story and write lyrics according to that.
IVE has been successful with just three singles, but now it’s a full-length album with many more songs. Why was now the right time to make a studio album with “Kitsch” and “I Am” for singles?
Wonyoung: We’ve always had the desire to show a full album and our full power. For “Love Dive,” “After Like” and “Eleven,” I think we just made steps and strides with little-but-strong energy between us and DIVE. Now, we just thought this is the time to show our full-length and full energy to them. We really prepared a lot for this season and, now, we are ready.
Gaeul: We chose “Kitsch” as the pre-release single because we want to show a side of IVE that we haven’t shown before and kind of break free from the image that we’ve always had as a group. We wanted to challenge ourselves. And I feel like “I Am” is the lead single because our album title is I’ve IVE, and we thought that “I Am,” as a track on its own, would fit the most to the concept of the album.
I’ve heard debates about this but, in your own words, what is IVE’s concept or main message?
Wonyoung: I think the most important concept of us is of self-loving and self-love. But not just for us, we always want to say, “Please love yourself” to all of the listeners too. The power and confidence is, outright, the most key concept for us.
There are great messages in the “Kitsch” video too: The “You’re so weird, don’t change” neon sign. Or your jackets with “Books, not gun. Culture, not violence” patches. Can you talk about other messages you’re embracing?
Wonyoung: Mainly, we wanted to say, not just for us, but that you can change like us and can do everything and anything like us. The main [point] was, it’s not just about us—join us, join our culture and join in on everything. We just wanted to give listeners the power of believing in themselves. If we’re honest, the sentence and mottos were a little in cooperation with our director and the director’s ideas too but we worked on it all together.
I want to also congratulate you because IVE just signed with Columbia Records. What can we look forward to with this partnership?
Wonyoung: We’re really honored for that. First, we are really excited to work with another label and with other places like Columbia. We are, right now, really excited, and we’re really looking forward to that right now. For the start with Columbia, we really want to reach out to global fans all over the world. We are, right now, preparing a lot for our global fans.
Are there any plans you can share right now? Any planned visits to the U.S.?
Wonyoung: First, our “Prom Queens” fan-meeting tour will start with the Asia tour, and, hopefully, in the future, we really want to reach out In America, and everywhere else overseas. And not just for fan concerts, but we really want to visit the world to perform our own concerts. So, just keep cheering for us and hopefully you all can join us soon.
I’ve IVE is your first record eligible for the album charts on Billboard. Do you have any chart dreams?
Wonyoung: Even from our first song, we are really honored to have our name on the Billboard chart and really thankful for that. Hopefully, one day, we really want to visit Billboard in America with the six of us. We will prepare a lot in preparation for that day.
You are all very strong and charismatic personalities on your own but also very cohesive as a team—your choreography is seamless even when you spin and kick. What’s your teamwork secret?
Wonyoung: I think it’s the power of believing in each other; we just have a strong sense of belief between us. I let them do everything they want and they let me do everything I want. I think that makes the best cooperation between us; the belief.
Rei: During dance practices, we’ll use counting to match each other. For a really important part, we’ll stop and repeat that part and keep repeating it so that during the actual performances, we’ll think of the practice in our minds. That’s also how we stay so in sync with each other.
Wonyoung: Dance practices are pretty intense. For a long time, we would make and work on the choreographies every day for six hours or something. I think it’s pretty intense, but we’re always enthusiastic to show our fans and DIVEs the performances so I think that is the motivation for us.
Gaeul: Also, Yujin really helps with the details during dance practices and is willing to teach individual members different parts. She really does her part as the leader of the group.
Similarly, how do you stay well? Fans can see you so busy but may also worry about your physical, emotional, and mental health. How do you stay strong?
Wonyoung: If there’s nothing scheduled for the day, I spend time all by myself, just recovering on the outside and, of course, on the inside. Actually, I love to work out and do a lot of different exercises. On an off day, I’ll concentrate on my inside by listening to music; just hanging out by myself and working out helps me too. It feels like I’m healing myself.
Leeseo: I make sure I’m sleeping a lot, making sure I’m taking my vitamins, and taking care of my body physically.
Liz: I believe that you have to be mentally strong, or internally strong, in order for you to be physically or outwardly strong. For me, I really focus on believing in myself and believing in my decisions.
You do show such strength and confidence in yourselves. Wonyoung, you’ve spoken about this in the past, but what would IVE’s advice be for people needing that extra confidence?
Wonyoung: I want to say, you have more of the good times than tough times. Tough times and bad comments do not take away everything that is good: just believe the good, know you’re a good person, and just concentrate on yourself, your positive relationships and the good times. I think that is the important thing—just don’t mind them.
Liz: I like to just focus on the nice people who are saying good things rather than giving attention to the haters or negativity. I think that you have to be certain in yourself so that you don’t get sidetracked by any hate.
Do you have any other messages? Maybe to the international fans hoping to see you soon?
Gaeul: We’re working really hard to reach our global fans, so I wish they’ll just wait a little bit longer for us.
As Academy of Country Music CEO Damon Whiteside prepares for the 58th edition of the ACM Awards to return to Amazon’s Prime Video on May 11, he says lessons learned from the 2022 edition are guiding this year’s show.
Last year, the ACM Awards became the first major awards ceremony to switch from broadcast to a streaming platform. “There was a chunk of people that didn’t know we moved from CBS,” Whiteside says. “What we’ve learned is we have to really lean into our core country audience and make sure they’re aware the show is happening. For anybody that is not a regular Prime Video user, we need to bring them into the Prime Video ecosystem and show them how simple it is.”
To make it as accessible as possible, Amazon is offering the show for free to subscribers and non-subscribers alike across more than 240 countries and territories via Prime Video and the Amazon Music channel on Twitch. The full show will stream the next day for free on Amazon Freevee.
(Though rare, Prime Video has offered livestreams in the past, including for Kanye West and Drake‘s “Free Larry Hoover” benefit concert in 2021. Amazon could not be reached for comment by press time.)
It helps that this year, the show’s co-hosts are two of the biggest stars in the world: Dolly Parton (who hosted last year with Jimmie Allen and Gabby Barrett) and Garth Brooks. Whiteside says he’s still “pinching myself” that the music icons are emceeing the two-hour show, which will stream commercial-free from the Ford Center at the Star in Frisco, Tex.
After Parton hosted last year, “Our goal right away was ‘How can we get Dolly back involved again?’” Whiteside says. Once she was on board, the idea came to pair her with Brooks, who has never hosted an awards show before. “They’re close friends, admirers of each other, so it was actually very organic,” he continues. “We couldn’t have a better pair than the two of them to be the face of the show because we’re a global show and they’re global superstars.”
This year’s show has been thrown the curveball of the Writers Guild of America strike against the Alliance of Motion Picture and Television Producers, which started at midnight Tuesday (May 2). However, a source tells Billboard that the script was completed before the strike began and the show is not expected to be affected even if the strike is still ongoing.
This year marks the ACM Awards’ return to the Dallas-Fort Worth metroplex for the first time since its 50th anniversary show in 2015 (last year’s ceremony was held at Las Vegas’ Allegiant Stadium). The show’s host venue, the Ford Center at the Star, serves as the world headquarters for the Dallas Cowboys, who are partners for this year’s event. “Ever since I took this job [in 2019], my board said we need to work with the Cowboys again,” Whiteside says. “They’re amazing partners and Texas is a great market.”
HARDY leads all nominees at this year’s show with seven nods, followed by Lainey Wilson with six. Cole Swindell, Kane Brown, Luke Combs and Miranda Lambert each have five, while Chris Stapleton and Morgan Wallen landed four.
This year’s awards will feature several changes. The songwriter of the year category has been split into songwriter of the year and artist-songwriter of the year awards, while the criteria for album of the year eligibility shifted from 51% to 75% previously unreleased material. Most notably, the entertainer of the year category has expanded from five to seven nominees.
“We have so many amazing entertainer nominees that we’d like to showcase more of a breadth of them and [the expansion] gives more opportunity for more artists to have that spotlight,” Whiteside says. “It gives seven artists now the opportunity to say, ‘I’m an entertainer of the year nominee.’ So, it was to diversify, but also to give more artists the opportunity to be able to wear that badge of honor.”
The show, which is produced by Dick Clark Productions, also has a new executive producer in Raj Kapoor, who takes over for R.A. Clark, who “was ready to pass the baton,” Whiteside says. “We love him and never want to see him go, but we’re really excited about Raj,” who has worked on projects including the Academy Awards, the Grammy Awards and numerous Las Vegas residencies. “He’s got a really good sense of what country is about and who the artists are, but at the same time, he’s also got this experience from all these other shows,” Whiteside adds. “He’s got his finger on the pulse of pop culture and what the public wants.”
Kapoor is joined by fellow executive producers Barry Adelman and Fonda Anita as well as co-executive producer Patrick Menton. Whiteside serves as executive producer for the Academy.
Performers slated for the event include Jason Aldean, Brown, Combs, Lambert, Wilson, Swindell, Wallen, Jelly Roll, Keith Urban and Bailey Zimmerman.
For the first time since the pandemic began, the ACM Awards will return to a full slate of activities for the week. These include the ACM Lifting Lives benefit on May 10, featuring Wallen, Wilson, HARDY, ERNEST and Zimmerman and hosted at the golfing green of Topgolf the Colony.
For the streaming audience, another goal was figuring out how to enhance the show’s ability to push viewers to participating artists’ Amazon Music accounts. “There’s going to be this uber-location where we can push our viewers to discover everything about the [participating] artists,” Whiteside says. “We can literally within the show push people right into streaming music. I’m excited to see how that’s going to lift artists’ streaming numbers and sales numbers after the show.” Ahead of the ceremony, Amazon Music is offering an ACM Awards playlist celebrating this year’s nominees.
This year’s show concludes the ACM Awards’ initial two-year pact with Amazon, but Whiteside is optimistic that the two partners will find a way to move forward. “Streamers are very much about the metrics, and they do a lot of evaluating around how the show performs,” he says, but adds, “[Amazon is] hugely excited about this show. It’s a tentpole priority for them. We’ve been having discussions about ’24 and ’25. We’re really just focused on another stellar year and growing from last year. We’re hopeful this is a long-term partnership.”
The 58th ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldredge, a unit of Billboard’s parent, Penske Media Company.
G-Eazy is back. The Bay Area artist caught up with Billboard about his time away from the music scene, his come-up and his upcoming album.
“I went through some personal things with losing my mom and there was just a bit of an overall burnout,” he told Billboard R&B/hip-hop reporter Neena Rouhani. “We started aggressively trying to tour and release music independently. That level of grind catches up to you.”
After a soul-searching hiatus, the 33-year-old rapper is back in motion and has no plans of letting up. “I just needed that step back. Once that spark hit it was like, ‘Yeah, it’s over. We found it. Now y’all are in trouble.’”
His latest single “Tulips & Roses” is all about giving flowers while someone is still here to receive them. The track centers on “human vulnerability,” G-Eazy says, adding, “People put artists on this pedestal where you’re supposed to be the superhero and invincible. But at the end of the day, anybody could have a bad day or catch an L.”
The rapper is pleased with the fan reaction to “Tulips & Roses,” which has over 1 million views on YouTube. “When you make music, you’re making it in the studio with your closest team. When you put it out, all of a sudden, it has this life because it’s impacting all these people,” he says.
G-Eazy reflected on his journey, from a 13-year-old kid who bumped Too $hort, Mac Dre and E-40 in his bedroom to a world-famous artist playing arena shows. “I started making beats and the beats were trash. I started like writing little raps in my notebooks, I didn’t know how to like structure a song or even how to count bars,” he explains of his early years. “I’m just 14 in Oakland, in size 36 jeans and baggy white tees.”
But one day, while listening to Jay-Z’s critically acclaimed The Black Album, everything changed. “I was like, if we’re gonna do this, I want to chase him. I want to aspire to that,” he says today. “If I could go back in time and tell that 14-year-old version of me that we’d be sitting here doing this or that I’ve done these arenas, that’s unfathomable.”
It feels like Hot Girl Summer is just around the corner, and Megan Thee Stallion is kicking the season off with some sizzling selfies.
The “Savage” rapper took to Instagram on Tuesday (May 2) to share a slew of photos in which she’s seen posing in a sleek crochet two-piece set, a colorful maxi dress, a bedazzled cut-out gown, a tropical swimsuit and so much more, all while rocking a gorgeous naturally curly hairdo. The OG Hot Girl captioned the post with a simple camera emoji and, at the time of publication, the post already has more than one million likes.
Back in March, Meg teased a new album at the Vanity Fair Oscar party — much to fans’ excitement. When asked by Entertainment Tonight about the possibility of new music on the way, the rapper replied, “Oh I am, new album, f–k y’all hoes, bye!” before walking away with a laugh.
A new full-length project would serve as a follow-up to her 2022 sophomore effort Traumazine, which debuted at No. 4 on the Billboard 200 and contained hit singles “Sweetest Pie” with Dua Lipa, “Plan B,” “Pressurelicious” featuring Future, “Her” and the Key Glock-assisted “Ungrateful.”
One person who’d be down to collaborate with Meg on upcoming music is Shania Twain, who revealed at the 2023 CMT Music Awards that the two got acquainted when the rapper presented her with the Equal Play Honor at the show. “I love her… what a sweetheart!” Twain said of the “Thot S—” rapper. “I think that [a collaboration] would really work… I love her whole mind.”
Taylor Swift puts an impressive stamp on the Billboard 200 albums chart (dated May 6), as the superstar has 10 albums on the list at the same time. And all of them are in the top 100 of the 200-position tally, which ranks the most popular albums of the week in the United States.
Among those 10 albums, nine are in the top 50, eight sit in the top 40, and three are in the top 10.
Since the Billboard 200 was combined from its previously separate mono and stereo LP charts into one all-encompassing list in August 1963, Swift is:
On the Billboard 200 dated May 6, Swift charts the following titles:
No. 3 – Folklore: The Long Pond Studio Sessions
No. 4 – Midnights
No. 10 – Lover
No. 12 – Folklore
No. 21 – 1989
No. 22 – reputation
No. 27 – Red (Taylor’s Version)
No. 29 – Evermore
No. 41 – Fearless (Taylor’s Version)
No. 66 – Speak Now
Folklore: The Long Pond Studio Sessions debuts at No. 3 with 75,000 equivalent album units earned (all from vinyl LP sales) in the week ending April 27, according to Luminate, following its buzzy release on vinyl for the first time, for Record Store Day 2023 (April 22).
The May 6-dated Billboard 200 chart reflects the tracking week of April 21-27 – a little over a month after Swift launched her career-spanning The Eras Tour on March 17. The stadium-filling trek has aided exposure of her catalog of music, as she performs dozens of hits songs from most of her albums each night of the tour. Below Long Pond in the top 10, Midnights, her most recent studio album, ranks at No. 4, followed by Lover at No. 10. The latter was released in 2019 and, due to the pandemic, is now being spotlighted by Swift on tour for the first time. (She had planned to tour in support of Lover in 2020, but COVID-19 forced her to cancel the shows.)
While the Billboard 200 has ranked the country’s most popular albums each week for decades, dating back to its March 1956 inception, the chart’s rules have changed dramatically over the years – making it easier for some albums to linger on the tally in recent years than in decades past.
For example, older albums (known as catalog albums, generally regarded as those at least 18 months old) were mostly barred from charting on the Billboard 200 from mid-1991 through the end of 2009. Then, at the end of 2014, the chart transitioned from a pure-album sales formula to a multimetric methodology – and adding streaming activity. Because of the changes in the chart’s methodology (primarily the inclusion of streaming data) and the ability for catalog albums to chart, many albums now continue to rank on the list (including Swift’s bevy of titles) for a much longer time than albums in previous… eras (pun intended), when the chart was effectively a sales-only chart for current and/or new releases.
Three in the top 10: The last act with at least three albums in the top 10 at the same time before Swift this week was Prince, following his death, when he had five albums in the top 10 on the May 14, 2016, chart (he also placed three in the top 10 on the May 7, 2016 chart). Before Prince, Led Zeppelin had three in the top 10 on the June 21, 2014, chart with a trio of deluxe reissues of the band’s first three albums. And before that, Whitney Houston did it, after her death, on the March 17 and March 10, 2012-dated charts (three in the top 10 on each chart). And prior to Houston, one must scroll all the way back to Herb Alpert on the Dec. 24, 1966-dated list, when he had three in the top 10 (a feat he achieved more than a dozen times that year, led by four for a week that April; he and Prince are the only acts with more than three top 10s in a single week since August 1963).
10 in the Top 100: In terms of 10 albums in the top 100, that’s been done only twice since August 1963 – Swift on the latest chart, and Prince with 15 albums on the May 14, 2016, chart.
10 Albums on the Billboard 200 at the Same Time: Swift has now placed at least 10 albums on the Billboard 200 chart at the same time – twice. She did it earlier this year on the March 4-dated chart. The last act before Swift to notch 10 albums on the list at the same time was Prince, following his death in 2016, including a one-week record 19 (May 14, 2016).
Here are the acts who have placed at least 10 albums on the Billboard 200 chart at the same time (since August 1963):
Taylor Swift – May 6, 2023 (10 albums)
Taylor Swift – March 4, 2023 (10)
Prince – May 28, 2016 (13)
Prince – May 21, 2016 (10)
Prince – May 14, 2016 (19)
David Bowie – Jan. 30, 2016 (10)
The Beatles – March 1, 2014 (13)
Whitney Houston – March 10, 2012 (10)
The Beatles – Dec. 4, 2010 (14)
The Beatles – Jan. 9, 2010 (11)
Prince, Bowie and Houston’s achievements came shortly after they died, following a surge of interest in their respective catalogs from music fans.
The Beatles placed 13 titles on the March 1, 2014, chart thanks in large part to gains reaped from the CBS-TV concert special The Night That Changed America: A Grammy Salute to The Beatles, which aired that Feb. 9 (and repeated Feb. 12). The special celebrated 50 years of The Beatles’ success in the U.S., specifically commemorating the 50th anniversary of the Fab Four’s first live American TV performance on The Ed Sullivan Show (Feb. 9, 1964).
The Beatles also logged 14 and 11 titles, respectively, on the Dec. 4 and Jan. 9, 2010-dated charts. On the Dec. 4, 2010, list, The Beatles logged 12 re-entries and two debuts, following the band’s belated bow in the iTunes Store. (The group had been a holdout to selling digital downloads of its albums and songs on the service until Nov. 16, 2010.)
As for The Beatles’ feat on the Jan. 9, 2010, chart, that week came shortly after the Billboard 200 began allowing older (catalog) albums to appear, beginning with the Dec. 5, 2009-dated chart. It was also not long after the band’s catalog was digitally remastered for CD reissues in September 2009.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Cardi B dazzled at the 2023 Met Gala on Monday night, descending on the Metropolitan Museum of Art in three separate looks — including in a black-and-white ensemble perfectly fitting with the night’s theme, “Karl Lagerfeld: A Line of Beauty.”
The “Up” rapper shared the behind-the-scenes of getting ready for the classy look in a video with Vogue, in which she shared details on the origins of her looks and how it tied into the theme of the fashionable evening.
“My inspirations for this look, it’s just Chanel and Karl. It’s a little mix, because if you see the top, it’s giving the infamous Karl suits with the tie, the white collar. Almost like his suit, but not really,” she explained. “At the bottom, if you see the skirt it has the camellias, which is the flower. So yeah, it’s just a little bit of everything. It’s representing the house of Chanel and Karl. Karl is so infamous for his gray hair.”
Though Cardi has had a showstopping look every time she’s attended the ceremony, she admitted that nerves still get the best of her. “Every single time that I got to the Met, it’s fun of course. … After my first time going to the Met, I always get anxiety. And the anxieties just grow and grow and grow,” she said, adding, “Maybe because my looks are so spectacular that people just expect every year to be more amazing than the last, and it’s so hard because imagine competing with myself. That is sickening.”
The 30-year-old was then asked what she would tell Lagerfeld if she had the chance to speak with him in person. “I would’ve told him I need a discount at the Chanel store. And tell him that he’s amazing and iconic. Like you’re so iconic that they’re making a Met Gala representing you, honoring you. I know he’s smiling.”
See Cardi’s behind-the-scenes video with Vogue in the video above.
Miranda Lambert stopped by Bravo’s Watch What Happens Live With Andy Cohen on Monday night and dished on her dream collaboration with Beyoncé.
Host Andy Cohen pressed the country star on both who her favorite past collaborator has been as well as who’s still on her bucket list during a game of “Clubhouse Quickie.” For the former, she chose fellow guest Meghan Trainor — the pair performed “All About That Bass” at the CMA Awards back in 2014 — but at first she had a difficult time naming another artist she’d want to work with.
“Everybody!” she insisted. “Everybody brings something different to the table. It’s always fun and, you know, cool to meet somebody new and get some of their creativity and mix it all up.”
It was at that point that Trainor jumped in to shout, “I want Lewis Capaldi!,” which helped Lambert make a decision: “I want Beyoncé.”
Other things fans learned about the “I’ll Be Loving You” singer during the rapid-fire round of questioning included her first concert (Garth Brooks at Texas Stadium when she was just 10), go-to karaoke song (anything by The Chicks), the reality shows she secretly binges (home renovations on HGTV) and more.
While Lambert’s most recent album, Palomino, came out in April 2022, she just released her very first cookbook titled Y’all Eat Yet? In an exclusive interview with Billboard, the singer said the book of recipes came about “so organically” adding, “I’ve never shared some of my personal happy times, and memories and some hard stuff other than in my music. I’ve been in this industry for 20 years, so I feel like this is maybe a side of me that my fans haven’t gotten to see and dig a little bit deeper.”
Watch Lambert talk about Queen Bey being on her wish list of collaborators below.
Rihanna‘s Super Bowl LVII Halftime Show is officially the most-watched halftime show performance of all time, according to an adjusted Nielsen report Tuesday (May 2).
The live performance — her first in more than five years — attracted 121.017 million viewers during the Feb. 12-dated broadcast. Nielsen’s revised report regarding Super Bowl LVII between the Kansas City Chiefs and the Philadelphia Eagles also makes this year’s big game the most-watched Super Bowl in history.
According to the Associated Press, Nielsen revised this year’s original figure of 113.1 million by 2 million “after a review that revealed encoding irregularities as well as issues with out-of-home measurement.” The new 115.1 million figure breaks the record that was previously set by the 2015 Super Bowl between the New England Patriots and Seattle Seahawks, which had 114.442 million viewers (not including streaming). This year’s figure also surpassed that of the 2017 Super Bowl between the Atlanta Falcons and the New England Patriots (113.668 million), which previously held the most-watched record out of Fox Sports’ 10 Super Bowl broadcasts.
During RiRi’s now history-making performance at Glendale, Ariz.’s State Farm Stadium, she not only revealed she was pregnant with her and partner A$AP Rocky‘s second child, but she also performed her Billboard Hot 100 No. 1 hits like “Only Girl (in the World),” “We Found Love,” “S&M,” “Rude Boy,” “Work” and more. Ahead of her big night, Rihanna’s Savage x Fenty lingerie and clothing brand sold “Rihanna concert interrupted by a football game, weird but whatever” T-shirts as part of its game day collection. And considering millions more people tuned into her “concert” than the game, there’s truth to that slogan.
Gordon Lightfoot scored success on multiple Billboard charts during his lifetime, imprinting such classic songs as “Sundown,” “The Wreck of the Edmund Fitzgerald,” “If You Could Read My Mind” and more on pop culture.
As previously reported, Lightfoot died at age 84 on Monday.
Born in Ontario, Canada, the folk-rock legend first hit the Billboard Hot 100 dated Dec. 26, 1970, with “If You Could Read Mind,” which rose to No. 5 the following February. He led the list for a week in June 1974 with “Sundown,” while follow-up “Carefree Highway” reached No. 10 that November. He returned to the top 10 with his opus “The Wreck of the Edmund Fitzgerald,” which hit No. 2 in November 1976.
In addition to his Hot 100 history, Lightfoot charted 17 albums on the Billboard 200 during his lifetime, starting in 1969. He led with Sundown for two weeks in June 1974 – the latter concurrent with the rule of its title cut on the Hot 100 – and also hit the top 10 with Cold on the Shoulder (No. 10, 1975).
Lightfoot also scored four No. 1s, among six top 10s, on the Adult Contemporary chart: “If You Could Read My Mind” (for one week in 1971), “Sundown” (two weeks, 1974), “Carefree Highway” (one week, 1974) and “Rainy Day People” (one, 1975).
Additionally, Lightfoot scaled the Hot Country Songs chart with “Sundown” (No. 13, 1974).
Dating to the inception of Luminate data in 1991, Lightfoot has sold 3.6 million albums in the United States (through April 27), while his songs have drawn 914.1 million official on-demand audio and video streams and 2.2 billion in radio airplay audience.
“We have lost one of our greatest singer-songwriters,” Canada’s Prime Minister Justin Trudeau posted on social media, among others who have paid tribute. “Gordon Lightfoot captured our country’s spirit in his music – and in doing so, he helped shape Canada’s soundscape. May his music continue to inspire future generations, and may his legacy live on forever.”
Here’s a recap of Lightfoot’s biggest Billboard Hot 100 hits.
Gordon Lightfoot’s Biggest Billboard Hits recap is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.