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10 Things to Know About Frank Sinatra, Who Died 25 Years Ago Today

Sunday (May 14) marks 25 years since Frank Sinatra died at the age of 82. That’s hard to imagine, because he remains an icon and a cultural force. His compilation Nothing but the Best reached No. 2 on the Billboard 200 in May 2008, a decade after his death. Jay-Z gave him a shout-out in “Empire State of Mind,” his 2009 smash with Alicia Keys: “I’m the new Sinatra, and since I made it here/ I can make it anywhere, yeah, they love me everywhere.”

Sinatra had major hits spanning 40 years, from “I’ll Never Smile Again” in 1940, which he recorded with Tommy Dorsey and His Orchestra, to “Theme From New York, New York” in 1980, in which he took a song Liza Minnelli had introduced three years earlier in the film of the same name and simply took it to another level. It became his final top 40 hit on the Billboard Hot 100.

Sinatra had four No. 1 albums on the Billboard 200 (which originated in 1956): Come Fly With Me (1958), Frank Sinatra Sings for Only the Lonely (1958), Nice ‘N’ Easy (1960) and Strangers in the Night (1966).

He topped the Billboard Hot 100 (which originated in 1958) twice — with “Strangers in the Night” (1966) and “Somethin’ Stupid,” a duet with his daughter, Nancy Sinatra (1967).

Sinatra won nine Grammys and an Oscar. His classic 1965 TV special Frank Sinatra: A Man and His Music won an Emmy for outstanding musical program, but he didn’t personally win for it and never officially won an Emmy. (I hate it when that happens!)

Here are 10 facts you should know about Sinatra.

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Fans Choose BTS’ ‘The Planet’ as This Week’s Favorite New Music

BTS‘ “The Planet” has topped this week’s new music poll.

Music fans voted in a poll published Friday (May 12) on Billboard, choosing the group’s latest as their favorite new music release of the past week.

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“The Planet” brought in more than 45% of the vote, beating out new music from the Jonas Brothers, Lil Durk and J. Cole, Shakira and more.

The song, BTS’ first new music release to feature all seven members since they’ve been focused on solo projects and military service, is featured as the theme song for the new South Korean animated series Bastions.

BTS’ “The Planet” is an uptempo track with a sunny chorus about letting your colors shine. An animated music video accompanied the release.

Trailing behind “The Planet” on the poll is the Jonas Brothers’ The Album, with 18% of the vote, Lil Durk feauturing J. Cole’s “All My Life,” with 15% of the vote, and Shakira’s “Acróstico,” with 9% of the vote.

See the final results of this week’s poll below.

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Beyoncé Shares Sweet Mother’s Day Tribute at Renaissance Tour Stop in Brussels

Beyoncé is showing appreciation to her mom on Mother’s Day.

Queen Bey took to Instagram on Sunday (May 14) share a loving post featuring a large photo of Tina Knowles-Lawson displayed onstage at the superstar singer’s Renaissance tour stop at Brussels’ King Baudouin Stadium. The post also included a short video of Knowles-Lawson excitedly cheering on her daughter from the side of the concert stage.

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“Happy Muva’s Day,” Beyoncé captioned the gallery. “I love you so much Mama and I’m so grateful for all you do for me.”

The same sweet message also appeared on the homepage of Beyoncé website on Mother’s Day.

Beyoncé’s long-awaited Renaissance World Tour launched on May 10 in Stockholm, Sweden, with a jaw-dropping, three-hour showcase featuring dozens of career-spanning hits. The trek will continue throughout Europe until July 9, with stops in London, Barcelona, Brussels and Amsterdam before heading to Toronto for two dates at Rogers Centre.

The Renaissance tour then heads to the United States, starting with Philadelphia’s Lincoln Financial Field and making stops in Chicago, East Rutherford, N.J., Atlanta, Houston and more before concluding Sept. 27 at the Caesars Superdome in New Orleans.

The stint is in support of her 2022 album, Renaissance, which topped the Billboard 200 albums chart upon its release and won the Grammy Award for best dance/electronic album. Three of the project’s songs also won individual awards, with “Break My Soul” winning best dance/electronic recording, “Plastic Off the Sofa” taking home best traditional R&B performance and “Cuff It” winning best R&B song.

See Beyoncé’s Mother’s Day tribute on Instagram below.

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Morgan Wallen’s ‘One Thing at a Time’ Spends 10th Week at No. 1 on Billboard 200

Morgan Wallen’s One Thing at a Time logs a 10th consecutive, and total, week at No. 1 on the Billboard 200 albums chart (dated May 20). The album bowed at No. 1 on the chart dated March 18 and has yet to depart the top slot. It equals the No. 1 run of Wallen’s last release, Dangerous: The Double Album, which also spent its first 10 weeks at No. 1 (Jan. 23-March 27, 2021-dated charts).

One Thing at a Time earned 141,000 equivalent album units in the United States in the week ending May 11 (up 2%), according to Luminate.

As One Thing at a Time holds at No. 1, Wallen becomes the first male soloist to spend 10 weeks at No. 1 with back-to-back full-length albums, since the Billboard 200 began publishing on a regular, weekly basis in March of 1956. Only five acts — including Wallen — have notched consecutive No. 1s that ruled for at least 10 weeks. Wallen joins Adele (25, 10 weeks, 2015-16 and 21, 24 weeks, 2011-12), Whitney Houston (Whitney, 11 weeks, 1987 and her self-titled album, 14 weeks, 1986), The Monkees (More of the Monkees, 18 weeks, 1967 and its self-titled album, 13 weeks 1966-67) and The Kingston Trio (String Along, 10 weeks, 1960 and Sold Out, 12 weeks, 1960).

Wallen is now the third solo male artist overall to have at least two albums spend 10 or more weeks at No. 1 each. He joins Elvis Presley and Henry Mancini. The former did it four times with his self-titled album (10 weeks in 1956) and the soundtracks for Loving You (10, 1957), G.I. Blues (10, 1960-61) and Blue Hawaii (20, 1961-62) and the latter did so twice, with the soundtracks The Music From Peter Gunn (10, 1959) and Breakfast at Tiffany’s (12, 1962).

Further, Wallen becomes the only act with at least two country albums to have spent 10 or more weeks at No. 1. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

In total, nine acts — including Wallen — have at least two albums that have spent at least 10 weeks at No. 1. Wallen is now among elite company, standing alongside only The Beatles, Presley (four such albums each); Houston, The Kingston Trio (three each); Adele, Mancini, The Monkees and Taylor Swift (two each).

Also in the top 10 of the new Billboard 200, Ed Sheeran achieves his sixth top 10-charting effort as his new studio set, pronounced Subtract, starts at No. 2, while Korean girl group LE SSERAFIM notches its first top 10 (and second chart entry) with the No. 6 bow of Unforgiven.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 20, 2023-dated chart will be posted in full on Billboard‘s website on May 16. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 141,000 equivalent album units earned in the week ending May 11, SEA units comprise 134,000 (up 3%, equaling 179.33 million on-demand official streams of the set’s 36 songs), album sales comprise 5,000 (down 6%) and TEA units comprise 2,000 (down 5%).

Sheeran collects his sixth top 10-charting effort on the Billboard 200 as his latest studio album, (Subtract), debuts at No. 2. The set starts with 112,000 equivalent album units earned. Of that sum, album sales comprise 81,000 (making it the top-selling album of the week), SEA units comprise 29,000 (equaling 38.43 million on-demand official streams of the set’s tracks) and TEA units comprise 2,000.

The album was preceded by its lead single “Eyes Closed,” which debuted and has so far peaked at No. 26 on the Billboard Hot 100 dated April 8. Sheeran’s last three albums (Equals, No. 6 Collaborations Project and Multiply) were each led by top 10-charting singles before the sets dropped: “Bad Habits” (No. 2), “I Don’t Care,” with Justin Bieber (No. 2) and the dual lead singles off Multiply, “Shape of You” (No. 1) and “Castle on the Hill” (No. 6).

Subtract marks Sheeran’s biggest sales week since 2017, thus larger than any week posted by Sheeran’s last two albums (Equals and No. 6 Collaborations Project). Subtract also nets 10th-largest sales week of 2023 for any album, and the fifth-largest for a non-K-pop title.

Subtract’s sales were aided by its availability in both a standard 14-track and 18-track edition (digital download, CD and vinyl). The set was also available in nine vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target, Urban Outfitters and Walmart) and multiple CD iterations in collectible packages (including a signed CD, a version with a lenticular cover, a “textured sand” cover and a “Zine” CD package).

A trio of former No. 1s is next on the Billboard 200, as Taylor Swift’s Midnights is a non-mover at No. 3 (60,000 equivalent album units; up 4%), SZA’s SOS is stationary at No. 4 (54,000; down 4%) and Wallen’s Dangerous is steady at No. 5 (49,000; up 4%).

LE SSERAFIM debuts at No. 6 with Unforgiven, marking its first top 10 and second charting effort on the Billboard 200. The Korean pop girl group’s album enters the chart with 45,000 equivalent album units earned (up 691%). Of that sum, 38,500 comprise album sales, 6,500 comprise SEA units (equaling 9.04 million on-demand official streams of the set’s 13 tracks) and TEA units comprise a negligible sum.

The album was released to digital retailers and streaming services on May 1, and earned 6,000 equivalent album units in the week ending May 4 (not enough to debut on the Billboard 200). The set debuts on the chart following the release of its CD edition on May 5.

Like many K-pop releases, the CD edition of Unforgiven was issued in collectible CD packages (11 total, including exclusives for Target, Walmart and the Weverse webstore), each containing a standard set of bonus items and randomized photocards. Effectively all of Unforgiven’s first-week album sales were CDs, with a negligible sum generated by digital download album sales. The set was not available in any other retail format (such as vinyl or cassette).

While LE SSERAFIM has yet to chart on the Billboard Hot 100, the album’s title track — with Nile Rodgers — debuted at No. 61 on the Billboard Global 200 and No. 39 on the Global 200 Excluding U.S. chart (both dated May 13).

Swift’s chart-topping Lover rises 10-7 on the Billboard 200 (37,000 equivalent album units earned; up 8%), Bad Bunny’s former leader Un Verano Sin Ti jumps back to the top 10, climbing 11-8 (36,000; up 8%), Luke Combs’ Gettin’ Old falls 7-9 (nearly 36,000; down 3%) and Metro Boomin’s former No. 1 Heroes & Villains dips 9-10 (34,000; down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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Nicki Minaj Goes Back to Trinidad in Island-Themed ‘Red Ruby Da Sleeze’ Video: Watch

Nicki Minaj has shared the music video for latest single “Red Ruby Da Sleeze.”

The Queen of Rap took to social media on Mother’s Day (May 14) to officially unveil the island-themed clip, which was filmed in the superstar rapper’s home island of Trinidad and Tobago.

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“There’s now a full #RedRubyDaSleeze video on YOUTUBE!!!! It’ll be everywhere else next week. Happy early MOTHER’S DAY,” Minaj wrote on Instagram.

In the video, Minaj dons a strappy black swimsuit while ferociously rapping the track’s lyrics atop a deck that overlooks the ocean. Elsewhere, she lounges oceanside and struts city streets with Basketball Wives star Brooke Bailey. Other footage shows Minaj looking stunning in a “red ruby”-colored silk robe, which she later takes off to provide a better look at her bathing suit.

Minaj previously revealed that she filmed the “Red Ruby Da Sleeze” video while spending time in spending in her native Trinidad for the island’s 2023 Carnival festivities.

“Red Ruby da Sleeze,” which debuted at No. 13 on the Billboard Hot 100 in mid-March, saw the the rapper interpolating Lumidee’s “Never Leave You (Uh Oooh, Uh Oooh),” which peaked at No. 3 on the Hot 100 in 2003. The track follows a similar formula to her 2022 Hot 100 No. 1 hit “Super Freaky Girl,” which sampled Rick James’ 1981 song “Super Freak.”

Watch Minaj’s “Red Ruby Da Sleeze” video below.

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Taylor Swift Appears to Defend Fan from Security Guard at Eras Concert in Philadelphia

Taylor Swift was looking out for her fans on Saturday (May 13) during night two of her Eras Tour stop at Philadelphia’s Lincoln Financial Field.

The 33-year-old pop superstar stopped mid-performance during a shortened version of “Bad Blood” to seemingly call out a security guard. As seen in a fan-captured video, Swift noticeably lingered near the side of the stage and shouted, “She’s fine!” and “She wasn’t doing anything!” between song lyrics. She then shouted, “Hey! Stop!” before continuing on with the performance.

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Although it was unclear what specifically happened during the incident, social media users who said they attended the concert agreed that Swift was defending a fan from an overly aggressive security guard, who were strict and plentiful near the stage.

“taylor was yelling at a security guard because they fully kept putting their hands on us to physically push us off of the barricade instead of just telling us to move,” @jackandtaylor wrote on Twitter. “we weren’t throwing anything, we weren’t screaming anything insane, she was fully coming over to dance and sing with us and it resulted in security being extremely aggressive for no reason.”

Other standout moments during the Philly show included the surprise song portion of her set, which included Fearless deep cut “Forever & Always” (requested by her friend Lena Dunham) and 1989 standout “This Love.”

Swift’s three-date Philadelphia weekend at Lincoln Financial Field comes to a close on Sunday night.

Watch Swift defending a fan during “Bad Blood” in the clip below.

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K-LOVE Fan Awards Nominees Revealed (Exclusive)

Phil Wickham and Brandon Lake lead this year’s nominees for the K-LOVE Fan Awards, slated to take place Sunday, May 28, 2023 at Nashville’s Grand Ole Opry House.

Wickham leads with five nominations, followed by Lake with four nods. TobyMac and Rachael Lampa garnered three nominations each, as did sibling trio CAIN, who will also host this year’s awards show.

Fans can begin voting for their favorites Monday evening (May 15) at 6 p.m. CT at klovefanawards.com.

The May 28 K-LOVE Fan Awards ceremony will conclude the K-LOVE Fan Awards weekend, slated for May 26-28, which will feature the Friday night kickoff concert, an emerging artist showcase, songwriters’ showcase and a Sunday morning worship service. Additionally, this year’s weekend will feature a new event, the Saturday morning “Worship in the Round” session. TBN will broadcast the show on June 2, once again sponsored by Coca-Cola Consolidated.

See the list of 2023 K-LOVE Fan Awards nominations below:

Artist of the year

Brandon Lake
CAIN
for King & Country
Lauren Daigle
Matthew West
Phil Wickham
Steven Curtis Chapman
Tobymac

Male artist of the year
Brandon Lake
Chris Tomlin
Jeremy Camp
Matthew West
Phil Wickham
Tobymac
Zach Williams

Female artist of the year
Anne Wilson
Brooke Ligertwood
Katy Nichole
Lauren Daigle
Natalie Grant
Rachael Lampa
Tasha Layton

Group of the year
CAIN
Casting Crowns
Consumed By Fire
Elevation Worship
Maverick City Music
MercyMe
We The Kingdom

Song of the year
“Build A Boat” Colton Dixon f/Gabby Barrett
“Don’t Lose Heart” Steven Curtis Chapman
“Fill My Cup” Andrew Ripp
“Gratitude” Brandon Lake
“Hymn of Heaven” Phil Wickham
“I’m So Blessed” CAIN
“Love Me Like I Am” for King & Country f/Jordin Sparks
”Perfectly Loved” Rachael Lampa f/Tobymac
“The Goodness” Tobymac f/Blessing Offor

Breakout single
“Ain’t Nobody” Cody Carnes
“Brighter Days” Blessing Offor
“First Things First” Consumed By Fire
“Good Lord” David Leonard
“Good Morning Mercy” Jason Crabb
“Perfectly Loved” Rachael Lampa f/Tobymac
“Who I Am” Ben Fuller

Worship song of the year
“Always” Chris Tomlin
“Gratitude” Brandon Lake
“Hymn of Heaven” Phil Wickham
“I Believe It” Jon Reddick
“Jireh” Maverick City Music
“Same God” Elevation Worship
“The Lord’s Prayer” Matt Maher

Film/TV impact
Family Camp
I Heard The Bells
Jesus Revolution
Lifemark
Moonrise
Running The Bases
The Chosen
Season Three Finale

Book impact
All My Knotted Up Life – Beth Moore
Good Boundaries & Goodbyes – Lysa TerKeurst
On Our Knees – Phil Wickham
The God of the Way – Kathie Lee Gifford & Rabbi Jason
The Love Stories of the Bible Speak – Shannon Bream
The Power to Change – Craig Groeschel

Podcast impact
Dream Big Podcast with Bob Goff & Friends
Hey! It’s The Luskos
Lisa Harper’s Back Porch Theology
Made For This with Jennie Allen
Proverbs 31 Ministries Podcast – Lysa TerKeurst
The Alisa Childers Podcast
The Candace Cameron Bure Podcast
Unashamed with Phil & Jase Robertson

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5 Standout Moments From Taylor Swift’s Saturday Night Show in Philadelphia

“I love tonight, I love tonight, I love tonight,” Taylor Swift gushed from the center of Lincoln Financial Field in Philadelphia on Saturday night (May 13). As the second show of Swift’s three-date Philly weekend neared its conclusion, she confided in the crowd: there were some shows where she and her crew of musicians and dancers didn’t want to be eventually forced from the stage, and Saturday night was one of them. Swift wrapped up the sentiment simply: “You guys are… lit.”

They had good reason to be. As the Eras tour approaches the two-month mark of its launch in March, Taylor Swift’s stadium extravaganza keeps rolling on, and seemingly getting better. Compared to its opening date in Glendale, Ariz., the career-spanning performance has tightened, from the more pinpoint twirls on “Fearless” to the snarling vocal work on “Look What You Made Me Do,” from the changeover between eras to the steady rapport Swift has developed with her audience. Yes, the general beats remain the same, and the setlist, visuals and outfits have largely remained static from the tour launch — but the Eras tour contains a confident energy, a vehicle newly polished and now firing on all cylinders.

And within those refined details came memorable (and some unexpected) treats on Saturday night. Here are five standout moments from another incandescent stop on the Eras tour:

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A$AP Rocky & Rihanna Celebrate Son’s First Birthday With Adorable Photos, Video

Rihanna and A$AP Rocky‘s firstborn, seemingly named RZA, turned one on May 13.

On Saturday night, A$AP posted a sweet series of photos and a video of the couple’s son on Instagram.

His caption included the name RZA and a shout-out to Wu-Tang: “‘WU TANG IZ 4 DA CHUREN’ HAPPY 1st BIRTHDAY TO MY 1st BORN . RZA,” he wrote.

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The snaps include several precious family shots, plus a cute video of the little one looking at himself on a screen. “Big head man,” A$AP lovingly says before kissing his son.

Two days ago, the Daily Mail claimed that it had obtained the baby boy’s birth certificate, which reportedly notes that his full name is RZA Athelston Mayers. Billboard reached out to Rihanna and A$AP’s rep for comment at the time.

The original RZA’s name isn’t actually RZA, but Robert Fitzgerald Diggs. The Wu-Tang frontman adopted RZA as a stage name.

See Rihanna and A$AP Rocky’s new photos on Instagram. The couple are expecting their second child, and Rihanna’s said her second pregnancy is “so different from the first one … No cravings. Tons of nausea. Everything’s different, but I’m enjoying it.”

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Eurovision 2023: Sweden’s Loreen Becomes First Female to Win Competition Twice

LIVERPOOL, U.K. — Sweden’s Loreen overcame strong competition from Finland and Israel to win 2023’s Eurovision Song Contest in a closely fought final that featured guest appearances from Queen drummer Roger Taylor and, in a pre-recorded video, the Princess of Wales.   

39-year-old Loreen, whose real name is Lorine Zineb Nora Talhaoui, was the fans and bookmakers’ frontrunner going into Saturday’s Grand Final, held in Liverpool, England, on behalf of war-torn Ukraine.   

Having previously triumphed in the annual competition in 2012, Loreen is the first woman to win the contest twice. Her song “Tattoo,” a bombastic electro-pop ballad, placed first with 583 points.  

“The only thing I feel right now is so much love. Not in my wildest dreams did I think this was going to happen,” said the singer in a press conference that took place immediately after the show wrapped. 

Finnish rapper Käärijä, one of the breakout stars of this year’s Eurovision thanks to his song “Cha Cha Cha” and eye-catching costume of spikey black trousers paired with green bolero sleeves, came second with 526 points.  

It is the seventh victory for Sweden in the contest’s 67-year history, equalling Ireland as the country with the most Eurovision wins. The first Swedish act to take home the crown was ABBA in 1974 with “Waterloo.” Prior to Loreen, Sweden’s most recent win came in 2015 with Måns Zelmerlöw’s “Heroes.” The only other artist to win Eurovision twice is Ireland’s Johnny Logan, who finished top in 1980 and 1987.  

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The rest of the top five was made up of Israel (362 points), Italy (350 points) and Norway (268 points).  

The United Kingdom is hosting this year’s Eurovision Song Contest on behalf of Ukraine, which won 2022’s competition with “Stefania” by Ukrainian rap-folk band Kalush Orchestra (the U.K. finished second through Sam Ryder’s “Space Man”). The tag-line for this year’s event is “United By Music,” referencing the ongoing conflict in Ukraine. 

The home city of Ukraine’s Eurovision act, Tvorchi, was hit by Russian missiles moments before the act took to the stage in Liverpool, according to reports. Two people were injured in the attack in Ternopil, Western Ukraine, the chief of the regional state administration, Volodymyr Trush, said. 

Writing on Instagram after their performance, Tvorchi said: “Ternopil is the name of our hometown, which was bombed by Russia while we sang on the Eurovision stage about our steel hearts, indomitability and will.” 

“Europe, unite against evil for the sake of peace,” said the Ukrainian duo. 

It is the first time that the U.K. has held the contest in 25 years, although being the host was no advantage to the country’s entry, Mae Muller. She finished second to last with her track “I Wrote a Song” picking up just 24 points.    

26 acts competed in Saturday’s final, held at Liverpool’s 11,000-capacity M&S Bank Arena, including artists from the so-called “big five” countries: the United Kingdom, France, Germany, Italy and Spain, who automatically qualify for the main show because of their broadcaster’s financial contributions to the event. (The other 20 finalists qualified via two semi-finals, held earlier in the week. Ukraine also got a free pass to the final as reigning winners).  

Kalush Orchestra opened the show with a spirited run through their 2022 winning song “Stefania” and new single “Changes,” joined by a procession of drummers wearing pink bucket hats in homage to the band’s frontman Oleh Psiuk.  

Prior to arriving onstage, Kalush Orchestra featured in a pre-recorded opening film, part filmed in a metro station in Kyiv, Ukraine, that also contained guest appearances from British stars Joss Stone, Sam Ryder, Andrew Lloyd Webber, and, in a surprise 10-second cameo, a piano playing Princess of Wales.   

The princess, who learned to play the instrument as a child, recorded her contribution at Windsor Castle earlier this month, said organizers after the segment aired.   

Following the opening performance, the Eurovision Grand Final was a characteristically flamboyant mix of kitsch Euro pop, overwrought ballads, elaborate PVC costumes, and soaring rock songs, interspersed with a jolt of head-banging glam metal courtesy of Germany’s Lord of the Lost.  

Among the highlights were Austria’s Teya & Salena, performing dance track “Who the Hell Is Edgar?,” named after American poet Edgar Allen Poe, and Poland’s Blanka, singing her breezy reggae-tinged song “Solo” backed by a troupe of colorfully dressed dancers.    

France’s La Zarra was another crowd pleaser with her disco-flavored torch song “Évidemment,” passionately sung in French.  

Blanca Paloma, representing Spain, energetically fused flamenco rhythms with pulsing synths and a sinuous melody, while Norway’s entry — a bodice-wearing Alessandra, singing “Queen of Kings” — drew a rapturous reception from fans inside the sold-out arena.  

Israel’s Noa Kirel, one of the country’s biggest pop stars, was one of the strongest female solo acts with her bombastic track “Unicorn,” complete with an energetic 30-second dance breakdown.  

The night’s biggest cheers, however, went to Finland’s Käärijä and the contest’s eventual winner, Loreen.  

A standout moment from the four-hour-long final was a mid-show interval that saw a number of former Eurovision contestants deliver a medley of songs representing Liverpool’s illustrious musical heritage, beginning with Italy’s 2019 entry, Mahmood, singing John Lennon’s “Imagine.”  

Also performing in the mid-show segment were Israel’s Netta, singing Dead or Alive’s “You Spin Me Round (Like A Record),” Liverpool-born Sonia, who came second in Eurovision in 1993, and the Netherlands’ Duncan Lawrence, leading the crowd through a rousing cover of Gerry and the Pacemakers‘ “You’ll Never Walk Alone.” 

Other non-competition performers included 2022 Eurovision runner-up Sam Ryder singing his single “Mountain” backed by Queen’s Roger Taylor on drums.  

This year’s Eurovision Song Contest was the first in the event’s long history where viewers from countries not taking part could vote, including the United States where Saturday’s final — and the two preceding semi-finals — was streamed on Peacock. Viewer votes make up 50% of the final result, with the remainder determined by a professional jury from each participating country. 

As per the two semi-finals, the show’s hosts were British TV personality and singer Alesha Dixon, Ted Lasso star Hannah Waddingham and Ukrainian singer Julia Sanina. Joining them for the final was another U.K. TV star, Irish comedian Graham Norton. 

Last year’s Eurovision Song Contest, held in Turin, Italy, was watched by 161 million people across 34 countries, according to organizers the European Broadcasting Union (EBU), making it the world’s biggest music competition.