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Epik High Break Down ‘Strawberry’ EP Track-By-Track: ‘We Are Now Speaking to People All Over the World’

From declarative album titles like Epik High Is Here and We’ve Done Something Wonderful to the more conceptual Shoebox and [e], Tablo, Mithra Jin and DJ Tukutz of Epik High have always been intentional in a multifaceted way with their record titles.

The hip-hop trio’s latest project leans toward the latter for the group to deliver a new sound that speaks to a fresh mindset and return to their roots as musicians after releasing their debut album 20 years ago.

“We like strawberry representing the album because it’s sweet and fresh, which is what we wanted to do at the beginning of our 20th anniversary,” explains group leader Tablo. “We thought that people would expect some music that is reminiscing and weighed down by the years, and we wanted to go against that expectation and just create something that sounds like three guys that just decided to create a group together. But strawberries are interesting because they’re so fragile; you can smash them up with your thumb but, somehow, they’ll stain on your table perfectly fine. And it reminds me of blood when it’s squished. So, there’s a little bit of pain in that sweetness. I think that that’s what Epik High is.”

Despite opening and closing the new Strawberry EP with, as they describe, “Epik High-ish” lo-fi tracks, the EP boasts some of the group’s most mass-appealing tracks in years inside: the knocking, melancholy hip-hop cut “On My Way” with Chinese K-pop star Jackson Wang, the disco-tinged “Catch” is smoothed out by a perfect feature from Hwa Sa of girl group MAMAMOO, plus an explicit, relatable freestyle from Tablo examines the online and real-life chaos of 2023. While Epik High has toured their brand of Korean hip-hop tour across the globe and scored multiples across Billboard‘s World Albums and World Digital Songs chart, Strawberry is intentionally described as a “global album” by the band to share their current mindset.

“Technically speaking, all our albums have been global, but not by choice, right?” muses Tablo. “K-pop and Korean music became a global thing even though it wasn’t ever a global release. But as a result, the audience for our albums has grown wider. And here’s how I approach progressing as a musician: I don’t think of myself as leading the way and my audience has to follow where I go—I will make music in the way that I want—but I believe that as my audience grows geographically and I’m flying there to perform for them, I want them in the center of my mind and my heart when I’m creating music. Before, I would create the music and the music’s audience grew. Now, that audience is affecting the way I create music as well, like, they’re in my mind when I make music…I think more because of COVID; I think how the entire globe is sharing the same fears and inspirations and hopes and dreams. We were just made more aware of it and, as a result, I think with this album, it’s just a mindset thing—calling it a ‘global album’ because there’s no real difference to how we’re releasing it; we’re just saying that because we want to remind ourselves that we are now speaking to people all over the world and we want them to know that we care about them.”

Despite Epik High intending for last February’s release of Epik High Is Here to be their final album, the trio naturally found themselves creating music again after career highlights like returning for their second Coachella performance and surrounding themselves with other musicians.

“So we actually did decide internally that Epik High Is Here would sort of be the last album,” Tablo explains. “Epik High Is Here Part 2 ends with ‘Champagne,’ which is sort of going back to the very first song on our first album [‘Go’ on Map of the Human Soul]. It’s like the curtain call. We were like, ‘We’ve made so many albums and I don’t think there’s anything we can really say. So, let’s continue to be Epik High and perform, but I’m not sure if we should ever make an album again. It was like a collective decision. What happened was…damn it, Coachella kind of inspired us again. We were like, ‘Oh my God…’”

Tablo says California continued to inspire the band despite their professional promises: “We just assumed that maybe we’ll release one single in October 2023 when it actually becomes 20 years, but nothing else. And then we were in LA for some festival, we just had like a week in L.A. but only one show so we had all this time. Being who we are, we ended up with a lot of musicians just making music and ended up with a ton of songs. We were like, ‘What do we do with these songs? We promised each other that we wouldn’t release an album,’ and then Tukutz was like, ‘This isn’t actually an album if we’re releasing three to five songs. Technically, it’s just a project.’ And I’m like, ‘You’re right. We did say we will never release another studio-length album so we’re not breaking that promise…yet.’ And we justified it to ourselves, hence, this situation.”

Let Epik High break down their new album/project/situation Strawberry below, track by track:

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HARDY, Maneskin, Wilco & More Shake Up Album Sales Chart’s Top 10

HARDY nabs his first No. 1 on Billboard’s Top Album Sales chart (dated Feb. 4), as his latest effort The Mockingbird & The Crow flies in atop the tally. The set, a half-rock and half-country project, bows with 20,000 copies sold in the U.S. in the week ending Jan. 26, according to Luminate. HARDY previously notched one entry on the list, with the No. 8-peaking A Rock in 2020.

Also in the top 10, Maneskin’s new studio effort Rush! debuts at No. 3; Wilco’s 2022 album Cruel Country re-enters at No. 4 – hitting the top 10 for the first time – after its wide release on CD and vinyl; the soundtrack to Halloween Ends scares up a No. 7 entry following its vinyl release; and Trippie Redd’s new Mansion Musik opens at No. 9.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of The Mockingbird & The Crow’s 20,000 sold, physical sales comprise 5,000 (4,000 CDs and 1,000 vinyl LPs) and digital album sales comprise 15,000. The album’s start also marks HARDY’s best sales week, surpassing the 5,000 sold in the debut frame of A Rock in 2020 (Sept. 19, 2020-dated chart).

As The Mockingbird & The Crow launches at No. 1 on Top Album Sales, it halts the chart-topping run of Taylor Swift’s Midnights, which spend its first 13 chart weeks at No. 1. On the new chart, it falls to No. 2 with 17,000 sold (down 21%). The set continues to be a hot-seller on vinyl, with 9,000 of its sales for the week on vinyl. In the latest tracking week, Midnights’ total U.S. vinyl sales crept past 1 million copies. Swift’s popularity on vinyl is well noted, and in 2022, one out of every 25 vinyl albums sold in the U.S. were by Swift.

Rock band Maneskin sees its new album Rush! bow at No. 3 on Top Album Sales with 11,000 copies sold. It’s the first charting entry for the act and its best sales week.

Wilco’s Cruel Country, which was released last May via digital retailers and streaming services, re-enters the chart at a new high of No. 4 after its release on CD and vinyl (7,000 sold across all formats; up from a negligible sales total the previous week). Cruel Country had previously topped out at No. 31 on July 2, 2022-dated list, following its limited CD release timed to Record Store Day 2022’s drop on June 18 last year. All told, Cruel Country is the eighth top 10-charting effort on Top Album Sales for Wilco, and it ties for the act’s highest-charting effort on the list. (A whopping five of the band’s eight top 10s all peaked at No. 4.)

Fleetwood Mac’s Rumours falls 2-5 on Top Album Sales with 6,000 sold (down 20%) and Michael Jackson’s Thriller dips 5-6 with 5,000 sold (down 13%).

The soundtrack to the film Halloween Ends debuts at No. 7 on Top Album Sales following its vinyl release on Jan. 20. The set, across all formats, sold nearly 5,000 copies for the week. Halloween Ends is the highest charting soundtrack from the Halloween franchise on the 31-year-old chart, surpassing the No. 9 peak of Halloween Kills in 2021.

SZA’s Ctrl vaults 57-8 on Top Album Sales with nearly 5,000 sold – mostly from vinyl sales – after a replenishment of stock. Trippie Redd’s new Mansion Musik bows at No. 9 with nearly 5,000 sold (the rapper’s fourth top 10 effort), while Harry Styles’ former leader Harry’s House rises 11-10 with a little over 4,000 sold (down 7%).

In the week ending Jan. 26, there were 1.653 million albums sold in the U.S. (down 6.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.312 million (down 9.3%) and digital albums comprised 341,000 (down 7.6%).

There were 523,000 CD albums sold in the week ending Jan. 26 (down 2.8% week-over-week) and 782,000 vinyl albums sold (down 13.1%). Year-to-date CD album sales stand at 2.330 (down 3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 3.478 million (up 27.4%).

Overall year-to-date album sales total 7.377 million (up 6.2% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 6.044 million (up 13.5%) and digital album sales total 1.333 (down 17.9%).

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TOMORROW X TOGETHER’s ‘The Name Chapter: Temptation’ Is the Relatable K-Pop Stars’ Biggest Step Yet: ‘It’s Really Our Story’

When TOMORROW X TOGETHER unveiled the first visuals for their Billboard 200 No. 1–contending album The Name Chapter: Temptation, the K-pop boy band quickly set the Internet ablaze with the dreamy, skin-baring set of photos and videos. Even if the group’s millions of fans and followers aren’t similarly preparing for fantastical photo shoots and TV performances on the regular, the quintet is honest about the relatable mindset to push towards their goals and showcase why TXT is increasingly earning its title as “K-pop’s voice of Gen Z.”

When discussing The Name Chapter: Temptation, TOMORROW X TOGETHER’s Soobin, Yeonjun, Beomgyu, Taehyun and HueningKai don’t differentiate when speaking about the ways diet, idleness and exercise affect their lives as both musicians and everyday people. At just 20 years old, youngest member HueningKai describing resisting certain meals as “a war against food” may be an essential part of his K-pop experience but also a battle that everyone fights from time to time. Taehyun mentioning “the temptation of laziness” may be more top of mind for a schedule-packed starlet, but who hasn’t had a morning of hitting the snooze button an extraordinary amount of times?

TOMORROW X TOGETHER don’t preach to rise above vices, nor do they try to appear as if they don’t fall to temptations themselves, but instead bring these shared experiences to life through more outstanding creative contributions (like “Happy Fools” with Coi Leray) and the most impressive choreography of their careers (watch “Devil by the Window” and new single “Sugar Rush Ride”). The guys emphasize that not only are their lived experiences inside The Name Chapter: Temptation, but the front-to-back listening experience previews the next page in their story, which is sure to continue this deeper look into these five engaging, empathetic superstars.

Read on for Soobin, Yeonjun, Beomgyu, Taehyun and HueningKai’s reflections on their latest EP, new goals, favorite songs and more.

Congratulations on the new music, TOMORROW X TOGETHER! What are you most looking forward to starting this new chapter?

TAEHYUN: What I look forward to the most is the reaction of our fans when the music first releases. When we are preparing for the album release right now and that’s the time when we can most feel that “Oh, we are finally releasing the album” feeling.

Your album titles The Dream Chapter and Chaos Chapter give obvious hints about where the music will go, but The Name Chapter is a little more open-ended. Can you explain it? 

TAEHYUN: We always talk about growth. We’ve talked about friendship for The Dream Chapter, and some love being broken in our Chaos Chapter. And, finally, we arrived at The Name Chapter and you know you have to grow up but sometimes you don’t want to yet. That’s what this EP is about: You’re tempted to stay in “Neverland” because it’s sweet and you’re young and free. But at the end of this album, you say “Farewell, Neverland” because you know you have to go, so you have to go.

TOMORROW X TOGETHER always put your stories into your albums. How do you relate and fit with what you just described?

TAEHYUN: The overarching theme of this album is “temptation.” And I think that we come across many temptations from different places as we grow. The track that I’ve felt like it’s really our story is the third track “Happy Fools.” We all contributed in making this track and it talks about a story of how we fall into the temptation of laziness. YEONJUN did a beautiful job top lining the song, and all five of us contributed to the lyrics writing so it truly became our song.

What does the new single “Sugar Rush Ride” represent in your story?

HUENINGKAI: I think this song really incorporates our overarching theme of this album, which is temptation, really well. So it talks about a temptation of a sugar rush, which is irresistible and very, very sweet. So, I think it represents our refreshing, dreamlike and even sexy charms.

SOOBIN: It’s not only about an experience that we have, but I think it’s an experience that everyone has. So, I think everyone can resonate with the song too.

“Sugar Rush Ride” has the lyric, “The devil said, ‘Gimme, gimme more’” and you have the “Devil by the Window” song. With the album’s theme, what temptations do you battle in your lives?

HUENINGKAI: I think the temptation that you come across in everyday life is diet. So, when you go on a diet, you can’t really resist the temptation of food. It’s basically a war against food. So, I think that’s the strongest and scariest temptation we can ever come across.

YEONJUN: I agree.

You guys always look great and the Internet went wild with your concept photos. Did you do anything specific to prepare for those, either mentally or physically?

YEONJUN: Yeah, I worked out almost every day.

Tell us more about the visuals for this album: You have “Daydream,” “Nightmare,” “Farewell,” and “Lullaby” concept photos.

TAEHYUN: I can basically explain our concept photo that it has different concepts and, I think, they’re basically in a chronological order. In “Daydream,” we depict how we fall into the temptation and how happy and pleased we are falling into the temptation. For “Nightmare,” we express how we recognize that we have fallen into the temptation and try to fight off the temptation. In “Farewell,” we finally overcome the temptation and take one step further away from the temptation.

You always emphasize wanting to grow with every album release. In what ways do you feel like you grew with this new album?

HUENINGKAI: Every time we release a new album, we give a try to new and various genres. And of course, for this album as well, we gave a try to many new genres. So it was our first time trying Afropop genre, which is a pretty difficult genre but I think everyone did a very good job in recording “Tinnitus (Wanna Be a Rock)” and we wrapped that up pretty nicely. And other than the songs, I think the concept photo–wise, it was our first time trying that concept of a “dreamlike” concept, but every member did a good job pulling off that concept.

What’s everyone’s favorite track on the album?

TAEHYUN: That’s my favorite today, “Tinnitus (Wanna Be a Rock).”

HUENINGKAI: I would choose “Farewell, Neverland,” the last track.

YEONJUN: I’ll choose “Happy Fools.”

SOOBIN: I’m the same with HUENINGKAI, the last track, “Farewell, Neverland.”

BEOMGYU: I will choose “Happy Fools” too.

TOMORROW X TOGETHER has hit No. 4 on the Billboard 200. I have a really good feeling about this album, but do you have any new goals, hopes or dreams this time?

HUENINGKAI: Of course, to perform at the bigger stages and perform at the AMAs.

YEONJUN: Attending [American Music Awards] was a really good experience, but next time we want to perform.

TAEHYUN: We also want to build and strengthen our color. We want people to listen to our music and think, “Hey, that’s TXT and that was awesome.”

What else do you want to emphasize to fans with this release?

TAEHYUN: Fans want spoilers and hints every time we release a new album. And I want to tell our fans that if you listen to the tracks from Number One to Number Five, in order, then you can get a hint for our next album.

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Alejandra Guzmán & Fey Talk Eternas Tour: ‘The Music Becomes Eternal When It‘s the Public’s’

Alejandra Guzmán and Fey are two of the biggest Latin pop icons of the ’90s. For decades, they have maintained a strong presence in Latin pop/rock with their timeless hits. So when the two Mexican powerhouse artists officially announced Thursday (Feb. 2) via an Instagram Live with Billboard that they would be joining forces on tour, fans lost their minds.

“We are excited, happy to celebrate one more day of life and career,” Alejandra Guzman tells Billboard Latin’s social media manager Ingrid Fajardo. “The truth is that I am very thrilled about this day, to be able to invite everyone into our madness.”

“We are exploding in love, in emotion, in energy, and in music,” adds Fey. 

The two idols, who were thrilled to reveal the news live, also mentioned exclusively that they will be releasing a single together very soon, ahead of the tour that kicks off on May 4. “Since we were given the chance to be onstage together, we both know and are clear on who we are,” says Guzmán. “We started to write and flow, we already have two songs together!”

“Hits are eternal. The music becomes eternal when it becomes the public’s,” continues Guzmán, alluding to the name of the upcoming tour.

The “Eternamente Bella” and “Media Naranja” singers will kick off their stint in their native hometown at Arena CDMX; on June 23th they will follow up with a performance at Arena Monterrey in Northern Mexico. After these two homecoming shows, the divas of Mexican pop will announce more dates throughout Latin America. They will also embark on a US tour which will take place in September. 

Both women are forces to be reckoned with in Spanish-language pop. Establishing herself as a kitschy electro-pop artist with a buoyant dance flair, Fey rose to stardom with her earwormy eponymous debut in 1995 via Sony Music Mexico. With her breakout LP, she scored a handful of soon-to-be-timeless hits, such as “Gatos en el Balcón,” “La Noche Se Mueve,” and the everlasting “Media Naranja.” Her success kept building into the following decade, where she explored other Latin rhythms, like the pop-reggaetón kiss-off of “No Te Necesito.” To date, she has released a total of eight studio albums. On Sept. 25, 2020, the entertainer celebrated the 25th anniversary of her career with the English-language cut “The Perfect Song,” featuring Paul Oakenfold. 

Like the yang to Fey’s yin, in a way, the Mexican Queen of Hearts whipped up a storm with her electrifying pop/rock that was filled with revelry and rebellion with a tinge of seduction. Guzmán broke into the scene with her third album, Eternamente Bella (1990), and she continued to drop gems like Flor de Papel (1991) and Libre (1993) and well into the next decade. With over 30 million albums sold, the Latin Grammy winner is considered one of the most successful Mexican singers. 

Tickets for the Eternas Tour go on sale Feb. 8.

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TWICE to Release 12th Mini Album ‘Ready to Be’: Here’s When It Arrives

TWICE are gearing up to release a brand-new mini album, and they shared the details about its release on Thursday (Feb. 2). The K-pop girl group shared the news via their social media accounts, which revealed the forthcoming album is titled Ready to Be and will arrive Friday, March 10, at midnight ET/2 p.m. KT.

Along with the album’s release date, the girl group shared a preview of what the album preorder will look like. There will be three covers for Ready to Be, three photo books and three CD types in black, pink and white, or tan and brown colorways. Each version of the record will come with a folded poster, a postcard, message card and photocard. Fans will also receive a second poster and a photocard set that correlates with the version of the album that they order. Pre-orders for Ready to Be will become available starting on Friday, Feb. 3.

Ready to Be marks the 12th mini album TWICE has released; the announcement of the project follows the release of the girl group’s second English single, “Moonlight Sunrise.” TWICE’s last mini-album, Between 1&2, was released in August; the set, which featured lead single “Talk That Talk,” spent a total of eight weeks on the Billboard 200 and peaked at No. 3 on the all-genre chart.

Before TWICE releases Ready to Be, the K-pop stars will be honored at Billboard‘s Women in Music event on March 1 with this year’s Breakthrough Award.

See TWICE’s album announcements below.

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Bizarrap & Shakira Rule Argentina Hot 100 Chart for a Second Week

Bizarrap and Shakira‘s “BZRP Music Sessions, Vol. 53” adds a second week at No. 1 on the Billboard Argentina Hot 100 chart (dated Jan. 28). It’s the fourth “Music Session” by the Argentinian producer to rule the ranking for at least two weeks, leading with the eight-week champ “BZRP Music Sessions, Vol. 52,” with Quevedo in 2022.

Luck Ra’s“Ya No Vuelvas,” featuring La K’Onga and Ke Personajes, holds steady at No. 2 for s third week. While Miley Cyrus secures her first top 10 as “Flowers” lifts 11-3. She bests her previous No. 40 high with “Midnight Sky” in 2020.

Cris Mj, Duki and Nicki Nicole’ “Marisola,” featuring Standly, drops 3-4; while TINI, La Joaqui and Steve Aoki’s “Muñecas” remains at its No. 5 high for a second week.

Elsewhere, Miranda!’s “Yo Te Diré,” with Lali, takes the Hot Shot Debut of the week, at No. 26. Previously the group scored a No. 40 high with “Don” last November.

Further, Bizarrap Duki, La T y La M’s “3 Estrellas en el Conjunto” notches the Greatest Gainer honors with a 26-position ascent, (100-71).

Lastly, three more songs debut this week, starting with Argentinian Lil Cake who scores his first entry as “Mercho,” with Migrantes, debuts at No. 78. Argentinian rapper Milo J clocks his firs chart appearance with “Milagrosa” at No. 92, while Quevedo and Ovy On The Drums secure a new entry with their latest collab “Sin Señal” at No. 98.

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Taylor Swift Drops ‘Red (Taylor’s Version)’ Vinyl in the Perfect Color Ahead of 2023 Grammys

Taylor Swift surprised Swifties on Thursday (Feb. 2) with a new version of Red (Taylor’s Version) on vinyl, and it’s finally available in, you guessed it, burning red.

“How are we celebrating All Too Well (10 Minute Version) (The Short Film)’s #GRAMMYs nominations? Dancing ‘round the kitchen in the refrigerator light…and heading to store.taylorswift.com to get #RedTaylorsVersionVinyl in burning red, while supplies last,” Taylor Nation shared on its social media accounts to spread the news.

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Previously, the red edition of the re-recording had only been available as a Target exclusive, while the vinyl sold from Swift’s official webstore was just basic black when the album was released in Nov. 2021. At the time, the fan favorite record moved 605,000 album equivalent units to debut at No. 1 on the Billboard 200. Of that number, 114,000 were vinyl sales, and Red (Taylor’s Version) ultimately ended the year as the third top-selling vinyl of 2021 after just seven weeks of sales.

While some fans clamored in the comments for info on the next re-recording their queen might have up her sleeve — ahem, Speak Now (Taylor’s Version), anyone? — others were happy to revel in the refrigerator light of their favorite autumn album. “I remember this era all too well,” one fan commented. Others added sentiments like, “it’s always time for the red era,” “More like all too unwell now,” and “red (taylor’s version) as a red vinyl??? absolute PERFECTION!!!” (There was also a particularly hilarious joker, who couldn’t help deadpanning, “We were all wrong Red (Taylor’s Version) was actually next.”)

At this weekend’s Grammy Awards, Swift’s ten-minute version of “All Too Well” is up for both song of the year and best music video. Meanwhile, vault track “I Bet You Think About Me” earned a nomination for best country song and “Carolina” from Where the Crawdads Sing got a nod for best song written for visual media.

Get a look at the red version of Red (Taylor’s Version) below.

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LE SSERAFIM’s ‘Fearless’ Tops Japan Hot 100

LE SSERAFIM’s “Fearless” hits No. 1 on this week’s Billboard Japan Hot 100, dated Feb. 1, preventing Official HIGE DANdism’s “Subtitle” from extending its all-time record for weeks at No. 1.

The six-member girl group’s first single in Japan ruled physical sales with 321,717 copies sold in its first week. In other metrics of the chart’s measurement, the single came in at No. 7 for video views, No. 14 for radio airplay, No. 41 in downloads, and No. 55 in streaming, leading this week’s song chart with 9,376 points overall.

After scoring its 12th week at No. 1 on the Japan Hot 100 last week, Official HIGE DANdism’s “Subtitle” slows down in all metrics besides radio and slips to No. 2 for the first time in nine weeks with 8,687 overall points, down by about 8 percent from the previous week.

This week saw the breakthrough of girl groups on the Japan Hot 100. TWICE’s “Moonlight Sunrise” jumps 20-5, fueled by streaming (No. 5, up 127 percent from last week) and video (No. 2, up 12 percent). Rising five-member K-pop group NewJeans’s “Ditto” also breaks into the top 10 after crawling up the list these past several weeks (12→18→13→12→11→10). The track was powered by streaming, coming in at No. 4 for the metric.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, YouTube and GYAO! video views and karaoke data.

Check out the full Billboard Japan Hot 100 chart, tallying the week from Jan. 23 to Jan. 29, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

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Man From Republic Arrested in Connection with Shooting Near Glendale High School

A man from Republic is facing criminal charges after allegedly opening fire near Glendale High School in Springfield.

Prosecutors are considering charges against 20-year-old Keyshawn McElroy for his role in the shooting, which occurred on January 28 along Linden Avenue near Seneca Street.

Investigators say they were called to the scene and discovered a parked car in the parking lot of the high school that had several bullet holes.

Later that day, a man was reported at a local hospital with a gunshot wound, saying he was shot at the same location.

Formal charges are expected to be released at a later time.

This article is provided by Ozarks News – 93.3 KWTO
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Man from Rolla Reports Dead Body in His House Three Days After Finding It

A man from Rolla is in custody after telling authorities there was a dead body in his home after three days of living with it.

61-year-old Brian Chambers is facing charges of abandonment of a corpse after authorities identified the body of 37-year-old Jessica Allen at his home on January 17.

According to Chambers, she died on January 14 and he spent three days with the body in the house, going about his normal activities.

He contacted authorities via email, saying he believed she died of an overdose.

Allen was reported missing on January 10, reportedly last seen with an older while male.

Chambers is at the Phelps County Jail on a $25,000 bond.

This article is provided by Ozarks News – 93.3 KWTO