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Lil Pump Taps Into the ‘Grand Theft Auto’ Metaverse

After dropping his EP Tesla just last week (Feb. 24), 22-year-old rapper Lil Pump is already gearing up for his next project, LP2, by tapping into the metaverse.

By way of Grand Theft Auto, the “Gucci Gang” artist created his own virtual world that encompass all facets of Lil Pump, including a strip club called “Pump Playhouse,” an underground gambling-themed game zone, mansions, and an impressive collection of cars.

“We built this server with the strategy in mind to bring Pump’s core fans and consumers into his world through the lens of gaming culture,” Rich Foster, head of digital marketing at SoundCloud, said in a statement. “We were intentional that we not only use GTA as a launchpad, but to migrate unique easter eggs throughout the experience.”

A collection of Lil Pump’s songs and videos play throughout the metaverse, including his Ty Dolla $ign-assisted “She Know.”

The Miami-born rapper has made recent headlines for his body transformation, $25,000 porcelain veneers and latest single “Tesla” alongside Smokepurpp, accumulating over a million YouTube views in three days.

“As we continue to see, dropping music alone isn’t enough anymore, it’s about creating moments around the music, all the better if those moments can engage fans and different communities,” adds Jory Carver, director of artist services at SoundCloud.

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Paul Williams and Pilar McCurry to Be Honored at 2023 Guild of Music Supervisors Awards

Paul Williams will receive the Icon Award at the 2023 Guild of Music Supervisors Awards, set for Sunday March 5 at the Wiltern Theatre in Los Angeles. The Legacy Award will be posthumously presented to Pilar McCurry, who served as a music supervisor and senior vice president at Sony Pictures Entertainment.

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“We are thrilled to honor Paul Williams and Pilar McCurry at our 13th Annual Awards,” Madonna Wade-Reed, vice president of the Guild of Music Supervisors, said in a statement. “Both have contributed immensely to the entertainment industry through their songs and supervision.”

Williams said, “There is a strange, beautiful alchemy that occurs when the perfect song placement transforms both the scene and the song. I have been graced with many opportunities to write music for picture in my career, and it feels like magic every single time.  Thank you to the Guild of Music Supervisors for this incredible recognition.”

Williams won an Oscar in 1977 for best original song for co-writing “Evergreen (Love Theme From A Star Is Born)” with Barbra Streisand. He has won three Grammy Awards and has been nominated for two Primetime Emmys. He was inducted into the Songwriters Hall of Fame in 2001 and received that organization’s top honor, the Johnny Mercer Award, last year. Williams is also president and chairman of the board of ASCAP.

Singer/songwriter Joshua Radin is set to perform in tribute to Williams. Previous recipients of the Icon Award include Diane Warren, Quincy Jones, Burt Bacharach, Kenny Loggins and Marc Shaiman.

The Legacy Award is bestowed to a music supervisor who has made an impact within the industry.  Previous recipients include Mitchell Leib, Maureen Crowe, Bob Hunka, Joel Sill, Gary Lemel, and Chris Montan.

McCurry, who died in March 2018 at the age of 53, was music supervisor for such films as Love Jones, Stomp the Yard, Set It Off, Gridlock’d and Men in Black. During her tenure with Sony, she managed 50-plus projects while music supervising more than 20 films. In addition to the aforementioned Stomp the Yard, that slate included You Got Served, Takers, The Gospel, Lakeview Terrace, This Christmas, The Karate Kid, Pursuit of Happyness and Hitch.

Prior to joining Sony, McCurry served as VP of film music & soundtracks at Will Smith’s Overbrook Entertainment from 1999-2001. Over the course of her nearly 25-year career, McCurry also worked with such artists as Beyoncé, Chris Brown, Questlove, Aaliyah, Enrique Iglesias, Lauryn Hill, 2Pac and En Vogue. 

Performing at this year’s event are Guild of Music Supervisors Award nominees Gaby Moreno and Ruth B. Moreno will perform “A Song In My Heart” from The Valet, while Ruth B. will perform her song “Paper Airplanes” from Jazzman’s Blues.

Presenters include Sharon Stone, Debbie Allen, Pamela Adlon, Lindsey Blaufarb and Odeya Rush.  Further information and details about tickets can be found at www.gmsawards.com

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Watch the Samsung NXT 2.0 Finalists Meet Their Mentors

Huge congratulations are in order for Nyla XO, who was crowned winner of this year’s Samsung NXT 2.0 competition. The grand finale took place on Friday, February 17, and saw the three finalists –– Nyla, Julian King, Kyn Rose –– perform in front of a live audience, which included celebrity guest judges Natti Natasha, Eric Nam and Tinashe.

Fans who tuned in via livestream for the finale got a chance to watch it all go down at the El Rey Theatre in Los Angeles. During the event, each of the finalists’ mentorship documents premiered, showing how contenders got a chance to meet with a special mentor –– each of whom was responsible for announcing a new challenge at some point in the competition. Julian King was paired up with Mariah Angeliq, Kyn Rose spoke with BIBI, and Nyla XO flew out to see Flo Milli.

All throughout the competition, the contestants have relied on their Samsung Galaxy Z Flip4, Galaxy Buds2 Pro, and their Galaxy Watch5 to help them complete their challenges, and meeting up with their mentors proved no exception.

Scroll on to check out some highlights from each of the finalists’ mentor sessions. 

Nyla XO x Flo Milli

Before flying to Atlanta to meet up with rapper Flo Milli, Nyla XO expressed her concerns about performing as a solo artist, saying, “I’ve performed on some stages, but it’s been in the background playing keys or background vocals, so I think there’s a different element of pressure and also responsibility as an artist to what you are going to give the people.”

But Flo Milli –– who studied her mentee’s video before the two met –– assured Nyla she had nothing to worry about.

“I can already tell, you are a GOAT,” she said. “You’re about to go on the stage and do what you need to do.”

After taking some selfies together with Nyla’s Samsung Galaxy Z Flip4, Flo Milli also told Nyla to never let anyone make her feel small, no matter where she is in her career: “You’re gonna have some cities that don’t know who you are. It’s all about not letting that affect you and keeping the same energy you started with. Never let them see whatever you’re thinking. Don’t let nobody make you feel inferior.”

Congratulations again to Samsung NXT 2.0 winner, Nyla XO, who is going to land on the cover of a special digital issue of Billboard, a meeting with a record label, funding for a music video, and tickets to the 2023 Billboard Music Awards.

Julian King x Mariah Angeliq

Julian King flew down to Miami to get some one-on-one coaching from his mentor, reggaeton star Mariah Angeliq. But before meeting up with her, the Philadelphia-based artist reflected on his journey thus far and the impact he’s made on others. 

“I know that me being me has been an inspiration to other people, especially within my communities,” he said. “And now I carry that with pride.”

After shooting a quick video on his Samsung Galaxy Z Flip4, Julian met up with his mentor, and the two hit it off, taking selfies poolside and speaking openly about the upcoming finale.

Angeliq advised the finalist to surround himself with support. “As long as you have the right energy around you, you’re always gonna feel good, and having that support is everything,” she said. “You need to be around those people that make you believe in yourself.”

“Just be you,” she told him. “The rest will fall into place.”

Kyn Rose x BIBI

Before jumping on a video call using his Samsung Galaxy Z Flip4 with Kpop star BIBI, Kyn Rose opened up about the finale, and what he hopes to convey to those watching: “Samsung NXT 2.0 is such a huge opportunity that I mainly just want to send everyone home with the thought of, ‘That Kyn Rose dude is something else, and I’m really interested.’ It’s just a bunch of people in a room that I just want to capture and have a moment with, is really the big thing in my head.”

Moments later, BIBI expressed a similar feeling, telling Kyn she always wants fans to walk away from her performances still buzzing, well into the next morning: “I just go up there and I want to entertain everybody. I want them to wake up happily tomorrow and go to work and just talk about, ‘Oh yeah, I went to her concert. I went to the performance, it was fun, I had a lot of fun, I just want to listen to that.’ That’s my goal.”

BIBI also advised Kyn to give the grand finale performance his all, saying, “If you don’t rock the stage right now, you might have no chance anymore. I always have that in my mind.”

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National Weather Service Confirms Two EF-0 Tornadoes Monday

Two tornadoes touched down in the Ozarks early Monday morning.

The National Weather Service says a the first EF-0 tornado started at 1:25 AM near Golden City.

It produced winds of 77 miles per hour. It damaged a barn and some trees.

The National Weather Service says a second EF-0 tornado touched down near Bona in Dade County at 1:47 AM.

It produced winds of 76 miles per hour.

This tornado uprooted trees.

The severe storms early Monday caused other damage around the area.

A utility pole in Nixa was blown across Main Street.

It was cleared by 6:30 AM.

There were power outages from the Lake of the Ozarks down to north Arkansas.

The roof of a house was blown off in Brumley near the Lake of the Ozarks and a barn was destroyed near Lebanon.

This article is provided by Ozarks News – 93.3 KWTO
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Gorillaz Swing Into U.K. Chart Lead With ‘Cracker Island’

It’s been 17 long years since Gorillaz lorded over the U.K. Albums Chart. That could be about to change, with the virtual band’s Cracker Island (via Parlophone) taking pole position at the midweek point.

Cracker Island starts at No. 1 on the Official Chart Update. Should it stay there when the national survey is published late Friday (March 3), it would mark the British act’s first leader since 2005’s Demon Days.

A creation of Blur frontman Damon Albarn and Tank Girl artist Jamie Hewlett, Gorillaz has clocked up six top 10 appearances on the national albums chart since their 2001 self-titled debut, which peaked at No. 3.

Recorded in London and Los Angeles, Cracker Island is the group’s eighth studio album, and features assists from the likes of Bad Bunny, Stevie Nicks, Adeleye Omotayo, Thundercat, Tame Impala’s Kevin Parker, Bootie Brown and Beck.

Coming in hot at No. 2 on the chart blast is Gracie Abrams‘ debut album Good Riddance (Interscope). The 23-year-old L.A.-born singer and songwriter has yet to make an impression on either U.K. charts, but will make her mark when the albums survey is published later this week.

U.S. pop star Adam Lambert could create some high drama of his own with a first top 5 solo appearance on the U.K. albums tally. The American Idol alum blasts to No. 4 on the midweek list with High Drama (EastWest/Rhino), which carries reinterpretations of songs by Duran Duran, Billie Eilish and more. Lambert’s previous best is a No. 8 for The Original High from 2015, though his Live Around The World LP with Queen went to No. 1 in 2020.

Based on sales and streaming data published by the Official Charts Company, collaborative project Obey Robots could complete the top 5 with One in a Thousand (My Big Sister Recordings), while Manchester rock act the Slow Readers Club (Knowledge Freedom Power at No. 7 via Velveteen), and Scottish singer and songwriter Callum Beattie (Vandals at No. 9 via 3 Beat/AATW) are eying top 10 bows.

Further down the chart blast, new albums from Shame (Food for Worms at No. 14 via Dead Oceans), Yeat (Aftërlyfe at No. 16 via Geffen), Hamish Hawk (Angel Numbers at No. 23 via Post Electric) and Don Toliver (Love Sick at No. 33 via Atlantic) are aiming for top 40 berths.

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P!nk’s ‘Trustfall’ Debuts at No. 1 on Billboard’s Top Album Sales Chart

P!nk scores her third No. 1 on Billboard’s Top Album Sales chart (dated March 4) as her latest studio effort, Trustfall, bows atop the list. The set sold 59,000 copies in the U.S. in the week ending Feb. 23, according to Luminate.

Overall, Trustfall marks P!nk’s 10th consecutive, and total, top 10-charting effort on the tally. She first visited the top 10 with her second studio album M!ssundaztood in 2001 and has reached the top 10 with every charting release on through Trustfall.

Also in the top 10 of the new Top Album Sales chart: ATEEZ’s Spin Off: From the Witness re-enters the chart at No. 3 after a new Target-exclusive edition of the album was released, Taylor Swift’s official webstore-exclusive vinyl album Lover: Live From Paris opens at No. 5 and Twenty One PilotsVessel re-enters at No. 8 – its first time in the top 10 – after its release in a 10th anniversary vinyl boxed set.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new March 4-dated chart will be posted in full on Billboard‘s website on Feb. 28. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Trustfall’s 59,000 sold, physical sales comprise 28,000 (22,000 CDs and 6,000 vinyl LPs) and digital album sales comprise 31,000. The arrival marks the largest sales week for a digital album since Taylor Swift’s Midnights sold 161,000 digital albums in its first week (on the chart dated Nov. 2, 2022).

At No. 2 on the new Billboard 200, TOMORROW X TOGETHER’s former leader The Name Chapter: TEMPTATION is a non-mover with 22,000 (down 22%). ATEEZ’s Spin Off: From the Witness re-enters the chart at No. 3 with 21,000 (up 1,232%) after a new Target-exclusive edition of the album was released on Feb. 17. The Name Chapter debuted at No. 2 on the Jan. 14 chart, spent six weeks on the list, and then left the tally after the Feb. 18 chart.

Swift’s former No. 1 Midnights is stationary at No. 4 with 14,000 (down 18%) while her new Lover: Live From Paris debuts at No. 5 with 13,500 sold. The set was sold exclusively through Swift’s official webstore and only available on vinyl. It also starts at No. 1 on the Vinyl Albums chart – marking Swift’s ninth leader on the tally. She continues to have the most No. 1s among all artists on the 12-year old chart.

Paramore’s chart-topping This Is Why falls 1-6 on Top Album Sales in its second week, selling 12,000 copies (down 74%). Tyler, the Creator’s former leader IGOR rises 9-7 with nearly 9,000 (up 38%) as it continues to profit from newly released physical format variants.

Twenty One Pilots’ Vessel visits the top 10 of Top Album Sales for the first time as the album re-enters at No. 8 with 7,000 sold (up 1,031%). The album was issued for its 10th anniversary in a limited edition vinyl boxed set sold exclusively through the band’s official webstore. Nearly all of the album’s sales for the week were on vinyl, and Vessel re-enters the Vinyl Albums chart at No. 5.

Rounding out the top 10 of the new Top Album Sales chart are Rihanna’s former No. 1 ANTI, climbing 18-9 with 6,000 (up 26%, following a Target-exclusive red-colored vinyl release) and Harry Styles’ chart-topping Harry’s House, dipping 5-10 with 6,000 (down 36%).

In the week ending Feb. 23, there were 1.897 million albums sold in the U.S. (up 0.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.542 million (down 0.6%) and digital albums comprised 355,000 (up 6.8%).

There were 638,000 CD albums sold in the week ending Feb. 23 (up 2.6% week-over-week) and 894,000 vinyl albums sold (down 2.7%). Year-to-date CD album sales stand at 4.919 million (up 1.2% compared to the same time frame a year ago) and year-to-date vinyl album sales total 7.112 million (up 25.6%).

Overall year-to-date album sales total 14.818 million (up 7.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 12.102 million (up 14.7%) and digital album sales total 2.716 million (down 16.6%).

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‘Ted Lasso’ Season 3 Trailer Is Soundtracked by a Rolling Stones Classic: Watch

Ted Lasso is getting ready to come back to Apple TV+ next month, and a new trailer for the comedy-drama series is using a classic track by The Rolling Stones to drum up anticipation for its highly anticipated return.

On Monday (Feb. 27), the season 3 trailer premiered set to the tune of The Stones’ 1969 classic “You Can’t Always Get What You Want.”

The trailer kicks off with AFC Richmond coach Ted Lasso, played by Jason Sudeikis, gearing up for a new football season. The coach, however, has a series of obstacles ahead this season, thanks to a few bumps in the road.

The official summary of the season, per Apple TV+, reveals that “AFC Richmond faces ridicule as media predictions widely peg them to finish last in the Premier League,” and to make matters worse, Nate (Nick Mohammed), a former Richmond assistant coach, is lending his skills to Rupert (Anthony Head) at West Ham United. As Lasso deals with his personal issues and life back home in the States, the outlook for Richmond appear to be bleak, but of course, “Team Lasso is set to give it their best shot anyway.”

“You Can’t Always Get What You Want” — included on The Rolling Stones’ 1969 album Let It Bleed — sets the tone for the trailer, and features Mick Jagger’s melancholy vocals, singing, “You can’t always get what you want/ But if you try sometime you’ll find/ You get what you need.” The track peaked at No. 42 on the Billboard Hot 100 in 1973.

Watch the trailer for Ted Lasso season 3, premiering March 15 on Apple TV+, above.

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Hot 100 First-Timers: Toosii Arrives With a New ‘Favorite Song’

Toosii has maintained a steady presence on Billboard’s charts over the past three years, but now he’s officially a Billboard Hot 100 hitmaker, as “Favorite Song” debuts on the latest list (dated March 4) at No. 51.

The track, released Feb. 17 via SouthCoast/Capitol Records, arrives driven by 9.7 million U.S. streams in the Feb. 17-23 tracking week, according to Luminate. It concurrently debuts at No. 8 on Hot Rap Songs, marking Toosii’s first entry, and No. 17 on Hot R&B/Hip-Hop Songs, where it’s his highest-charting hit.

TikTok has been instrumental in the song’s growing profile, as a sped-up version has been used in over 300,000 clips on the platform to-date. A portion of the original recording has been used in over 100,000 clips. (TikTok does not contribute to Billboard’s charts.)

The rapper (real name: Nau’Jour Grainger), from Syracuse, N.Y., first appeared on a Billboard chart in February 2020, when his set Platinum Heart debuted at No. 3 on Heatseekers Albums, before reaching No. 1 seven months later. The set hit No. 196 on the Billboard 200 that June, marking his first entry on the ranking.

Since then, Toosii has charted two additional albums on the Billboard 200: Poetic Pain (No. 17, October 2020) and Thank You for Believing (No. 25, May 2021). The latter includes collaborations with DaBaby, Fivio Foreign, Key Glock and Latto.

“Truth Be Told” became Toosii’s first charting song in September 2020, when it debuted and peaked at No. 38 on Mainstream R&B/Hip-Hop Airplay. He’s since charted three more songs at the format since then: “Love Cycle,” with Summer Walker (No. 9 peak, 2021), “5’5,” featuring Latto (No. 34, 2021), and “Love Is…” (No. 36, 2022). “Love Cycle” and “Love Is…” also reached Nos. 44 and 33 on Hot R&B/Hip-Hop Songs, respectively.

Toosii further grew his audience as the supporting act, alongside Mariah the Scientist, on Rod Wave’s Beautiful Mind Tour in 2022.

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Taylor Swift Has 10 Albums on the Billboard 200 Chart for the First Time in Her Career

Taylor Swift lands a rare feat on the Billboard 200 albums chart, as the superstar has 10 concurrently charting albums on the March 4-dated list.

Since the Billboard 200 was combined from its previously separate mono and stereo LP charts into one all-encompassing list in August 1963, Swift is just the fifth artist to earn the achievement. The March 4-dated chart will be posted in full on Billboard’s website on Feb. 28.

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On the March 4 chart, Swift holds the following titles:

No. 3 – Midnights
No. 28 – Folklore
No. 41 – Lover
No. 50 – 1989
No. 56 – Red (Taylor’s Version)
No. 58 – Lover: Live From Paris
No. 100 – reputation
No. 103 – Evermore
No. 172 – Fearless (Taylor’s Version)
No. 192 – Speak Now

Lover: Live From Paris debuts on the March 4 chart as a vinyl-only release sold exclusively through Swift’s official webstore. Lover: Live From Paris was recorded at Olympia in Paris on Sept. 9, 2019, in support of her Lover studio album. Lover: Live From Paris arrives on the tally with 13,500 equivalent album units earned – all from album sales. All nine of the other albums Swift has on the chart are former No. 1s.

Here are the acts who have placed at least 10 albums on the Billboard 200 chart at the same time (since August 1963):

Taylor Swift – March 4, 2023 (10 albums)
Prince – May 28, 2016 (13)
Prince – May 21, 2016 (10)
Prince – May 14, 2016 (19)
David Bowie – Jan. 30, 2016 (10)
The Beatles – March 1, 2014 (13)
Whitney Houston – March 10, 2012 (10)
The Beatles – Dec. 4, 2010 (14)
The Beatles – Jan. 9, 2010 (11)

Prince, Bowie and Houston’s achievements came shortly after they died, following a surge of interest in their respective catalogs from music fans.

The Beatles placed 13 titles on the March 1, 2014, chart thanks in large part to gains reaped from the CBS-TV concert special The Night That Changed America: A Grammy Salute to The Beatles, which aired Feb. 9 (and repeated Feb. 12). The special celebrated 50 years of The Beatles’ success in the United States, specifically commemorating the 50th anniversary of the Fab Four’s first live American TV performance on The Ed Sullivan Show (Feb. 9, 1964).

The Beatles also logged 14 and 11 titles, respectively, on the Dec. 4 and Jan. 9, 2010-dated charts.

On the Dec. 4, 2010 list, The Beatles logged 12 re-entries and two debuts, following the band’s belated bow in the iTunes Store. (The group had been a hold out to selling digital downloads of its albums and songs on the service until Nov. 16, 2010.)

As for The Beatles’ feat on the Jan. 9, 2010, chart, that week came shortly after the Billboard 200 began allowing older (catalog) albums to appear, beginning with the Dec. 5, 2009-dated chart. It was also not long after the band’s catalog was digitally remastered for CD reissues in September 2009.

Some history on the Billboard 200 chart: The list began publishing as a regular, weekly fixture with the March 24, 1956-dated chart, where Harry Belafonte’s Belafonte was the No. 1 album in the U.S. At the time, the chart was only 10 positions and was named Best Selling Pop Albums. (Its name would change only a week later, to Best Selling Popular Albums.)

Prior to March 24, 1956, Billboard had tracked album popularity, but not consistently. The first overall album chart appeared 11 years earlier, on March 24, 1945. That chart was published on an irregular basis until it became a weekly fixture starting with the March 24, 1956 issue of Billboard magazine.

Notably, for a little over four years (between May 25, 1959-Aug. 10, 1963), the album chart was split into two separate lists, each tracking the sales of mono or stereo-recorded albums. These two charts were named Best Selling Monophonic LPs and Best Selling Stereophonic LPs. The names of the charts would change slightly over time, but Billboard would publish two charts for mono and stereo albums until Aug. 10, 1963. The following week, Aug. 17, 1963, the mono and stereo charts folded back into one overall chart.

The chart would grow to 200 positions in 1967. In 1992, and after a number of name changes, the chart would settle on its current name, Billboard 200.

As for how the Billboard 200 chart is compiled… through the May 18, 1991-dated chart, the chart ranked the week’s top-selling albums in the U.S., based on reports obtained from record stores. On the May 25, 1991-dated chart, the list began using electronically monitored point-of-sale purchase information courtesy of SoundScan, Inc. (now known as Luminate).

The chart would continue to rank the week’s top-selling albums by traditional album sales through the Dec. 6, 2014-dated chart. The following week (Dec. 13, 2014), the list transformed again, becoming a multi-metric popularity chart, ranking overall consumption, as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Older albums (known as catalog albums; generally defined today as titles 18 months old or older), were mostly restricted from charting on the Billboard 200 from May 25, 1991-Nov. 28, 2009. From Dec. 5, 2009-onwards, catalog and current (new/recently released) albums chart together on the Billboard 200. Today, older albums regularly spend hundreds of weeks on the chart – such as Journey’s Greatest Hits (more than 700 weeks) and Eminem’s Curtain Call: The Hits (nearly 600).

Because of the chart’s methodology (primarily the inclusion of streaming activity in 2014) and the ability for catalog albums to chart (since 2009), some albums now continue to rank on the list for a much longer time than albums in previous eras, when the chart was effectively a sales-only tally for current releases.

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Haley Lu Richardson Says Jonas Brothers’ ‘Wings’ Video Is ‘The Biggest Role of My Career’

The White Lotus who? According to Haley Lu Richardson, nothing in her career will ever top starring in the Jonas Brothers‘ music video for their new single “Wings.”

“Oh man, I don’t know where to start. It’s the biggest thing of my life,” she told The Hollywood Reporter at the 2023 Screen Actors Guild Awards on Sunday night. “It’s the biggest role of my career: past, present and future. It was amazing and I cried for three days straight.”

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The JoBros superfan also dished from the red carpet about how she got the news that Nick, Kevin and Joe Jonas wanted her to take part in the video. “I was driving down the PCH [Pacific Coast Highway], and I was checking my voicemails, and one was from a number I didn’t have saved,” Richardson explained. “And I played it, and it was like, ‘Hey, Haley, this is Joe Jonas. And me and my brothers just had this idea about this video. So, uh, give me a call back.’”

Admitting she then replayed Joe’s message “like 12 more times” before pulling the car over, playing it “another 20 times” and bursting into tears, The White Lotus star eventually mustered up the wherewithal to call back. “And I just told him I would do anything for him,” she went on. “Literally anything. And then I met them and was in this video.”

Richardson first went public with her love for the Jonases in a December appearance on The Late Late Show With James Corden, during which Nick surprised her via FaceTime and she fell into near-catatonic shock.

Watch Richardson excitedly recount how she ended up in the “Wings” clip above, and watch the music video below.