Month: January 2023

Tom Verlaine has died after a brief illness, a representative for the innovative guitarist and founding member of Television confirms to Billboard. He was 73.

Verlaine died peacefully and surrounded by friends in New York City, the rep says.

Born Thomas Miller in 1949, Verlaine was raised in Wilmington, Delaware, before moving to New York City in 1968 and taking on his stage name.

He formed Television, who became an influential fixture of NYC’s punk rock scene at CBGB in the ’70s, establishing an early residency at the legendary Lower East Side club with bandmates Richard Hell, Billy Ficca and Richard Lloyd. With Television he brought his signature guitar work and songwriting to two albums, 1977’s landmark Marquee Moon and 1978’s Adventure, before the group parted ways in 1978.

Verlaine then embarked on solo endeavors — releasing several of his own albums throughout his career over the next few decades, beginning with a self-titled record in 1979 — and reunited with Television periodically.

His early musical influences ranged from free jazz to the Yardbirds’ Five Live Yardbirds to the Rolling Stones’ “19th Nervous Breakdown,” and included John Coltrane, Pablo Casals and John McLaughlin.

“My first music experiences were with classical and then jazz,” Verlaine told Billboard in 2005. “I played sax for three years, so my real roots are in instrumental music. In fact, when I hear the term ‘music’ I never think of ‘songs.’”

Following Verlaine’s death, fellow musician Patti Smith’s daughter, Jesse Paris Smith, penned a heartfelt, personal tribute on Instagram.

“Dearest Tom. The love is immense and forever. My heart is too intensely full to share everything now, and finding the words is too deep of a struggle. The feeling inside is so heavy, though your spirit is light and lifted, it is everywhere, completely and truly free,” she wrote on the post, where she shared a personal photo of the pair.

“I love you always and forever, and will always remember and hold close the touch of your hand – hands of a beautiful creator and of a love more warm, tender, delicate, and true that one can ever dream,” she continued. “There has never been another like you and there never will be. What a blessing and gift I was given to share my time on earth with you. I will be grateful to the end of my life, and we will see you again beyond that, meeting you there wherever you’ve gone. Thank you leading the way.”

Before playing his piano ballad “Faithfully” on Journey‘s opening 2023 date at an Oklahoma casino theatre on Friday (Jan. 27), Jonathan Cain told about 3,000 fans: “It’s good to be back. All together again.”

It was a unifying sentiment after months of Journey acrimony. Although the classic rock band sold 296,000 tickets in 2022 and grossed $31.9 million, according to Billboard Boxscore, Cain and his longtime bandmate, lead guitarist Neal Schon, have been battling legally since late October over Schon’s expenditures on Journey’s American Express card and Cain’s participation in an event at former President Donald Trump’s Mar-A-Lago resort.

As Journey prepares to return to arenas Feb. 4 in Allentown, Pa., the two-hour show at the Choctaw Grand Theatre in Durant, the first of two nights, was generally harmonious and upbeat.

The sextet’s three focal points — frontman Arnel Pineda, Schon and Cain — dominated the spotlight. Pineda, who replaced long-departed frontman Steve Perry in 2008 and sounds exactly like him, was in constant motion, running, jumping, waving, pointing and leading singalongs. Schon soloed constantly, opening the first song “Only the Young” with a burst of noise on his PRS NS-15 guitar and improvising with hard rock power chords in unexpected ways at the ends of rock radio fixtures “Wheel In the Sky” and “Lovin’, Touchin’, Squeezin’,” and Cain anchored “Feeling That Way” and “Who’s Crying Now” on his red piano.

Journey’s live formula is simple: play the beloved hits from the ’70s and ’80s, even if Schon and Cain are the only remaining band members from that era. They dispatched with their signature “Don’t Stop Believin’,” which has nearly 1.5 billion plays on Spotify alone, as the third song, then closed with na-na-na-ing, whoa-oh-whoaing and general earworm-rocking with “Wheel In the Sky,” “Separate Ways (Worlds Apart)” and the finale “Any Way You Want It.”

Relying on a setlist similar to much of the 2022 tour, Journey challenged the crowd in subtle ways, opening with lesser-known hits like “Only the Young,” a 1985 single first released by Scandal, then “Stone in Love,” from 1981’s Escape, later throwing in “Be Good to Yourself,” from 1984’s Raised On Radio, during the punchy, four-song finale. Most experimental of all was Schon, who wore a black denim jacket, an open-collar shirt and several necklaces, and spent much of the night engrossed in his guitars, coming up with different improvisational angles and colors for hits you thought you knew, dabbling in glam rock, metal and even new age music, peaking with a three-minute solo before “Wheel In the Sky.”

Schon and Cain consistently kept roughly 20 yards of distance between them, as Cain, mostly stationary in a dark suit coat, held down stage right with four different keyboards. Schon spoke sparingly, but Cain told the story of writing “Faithfully” on a lonely 1981 bus ride, concluding, “We pay a price for a life like this,” then encouraging the crowd to support the U.S. armed forces. The two cooperated musically, especially on “Lovin’, Touchin’, Squeezin’,” when Cain played boogie-woogie runs and Schon dropped in sympathetic guitar riffs to augment the piano. With the exception of Schon, who sang minimally, all six band members harmonized on vocals, nicely backing Pineda’s impossibly high range on “Anytime.”

With Schon and Cain in separate corners, and drummer Deen Castronovo, bassist Todd Jensen and second keyboardist Jason Derlatka holding down the middle, it was Pineda’s job to enliven the crowd, which he did, energetically and enthusiastically. He was the one member of Journey who seemed happy to be there, jumping on a pedestal and throwing his head back to hit those high notes, patting Schon on the back, fist-bumping Cain, signing autographs as songs were going on and, long after the others had walked off stage, sticking around for crowd selfies. Rock stars may “pay a price” for the rock-star life, but, Pineda suggested, it’s fun, too.

This week, our First Stream Latin roundup — which is a compilation of the best new Latin songs, albums, and videos recommended by the Billboard Latin editors each week — is powered by new music from Christian Nodal, Rosalía and newcomer Peter Nieto, to name a few.

The list includes the highly-awaited duet between Christian Nodal and TINI, “Por El Resto de tu Vida.” On their dazzling, first collaborative effort, the Mexican artist and Argentinean pop star collide their powerhouse vocals with a beautiful bolero guitar interplay that later transforms into a bolero-trap thump.

Rosalía also surprised fans with the release of her bilingual track “LLYLM” (the acronym for “lie like you love me”), where she sings over a guitar-led tune fused with the magnetic handclaps: “I don’t need honestly, baby, lie like you love me, lie like you love me.” Her boyfriend and Puerto Rican star, Rauw Alejandro, on the other hand, teamed up with Reggaetón’s finest, Daddy Yankee, to release “Panties y Brassieres” a.k.a. the hidden track number seven, meant to be part of Rauw’s Saturno album.

Additionally, Spanish act Marc Seguí kicked off 2023 with a new musical era, one where he steers away from his edgy urban pop sound and ventures into rock music. In his first single of 2023, “Plaza en el Cielo,” Seguí flaunts his new roquero and rebellious stage. “I wanted to talk about a darker stage in my life where I was quite lost, a stage in which the music that accompanied me the most was rock,” he explained in a press release.

Check out the other tracks on this week’s First Stream Latin and vote for your new favorite release below: