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Bonnie Raitt Remembers Renee Geyer: ‘There Was No One Like Her’

Bonnie Raitt has reflected on the “inspiration” and “staggeringly great singing” of Renée Geyer, the celebrated Australian soul and blues singer who died earlier this week, aged 69.

Geyer enjoyed solo success in Australia in the ‘70s with covers “It’s a Man’s Man’s World”, “Heading in the Right Direction” and with the bouncy ’80s pop number “Say I Love You,” though never reaped the commercial rewards that her talents deserved.

Later, she would relocate to Los Angeles, where she contributed to recordings for many stars, including Raitt.

“Shocked and so saddened to hear of the sudden passing of another friend and one of the greatest singers I’ve ever known, Australia’s incomparable Renée Geyer,” writes Raitt on her social pages.

“Her husky, powerful and deeply soulful voice and phrasing has blown me away since I first heard her back in 1980 in LA, while making her So Lucky album,” with Bump Band and producer Rob Fraboni, she writes.

Raitt “was so knocked” out that she tapped Fraboni and the band members oh her own, next album, 1981’s Green Light. The album cracked the top 40, peaking at No. 38 on the Billboard 200.

Geyer possessed an “impossibly low growl, unearthly high swoops but mostly, staggeringly great singing, there was no one like her,” Raitt enthuses. “She was feisty, fiercely independent and faced a lot being a strong woman in this music business. She was also my good friend and will remain an inspiration and in my heart always.”

Geyer cemented her icon status in 2005, when she was inducted into the ARIA Hall of Fame alongside Split Enz, Normie Rowe, Smoky Dawson, The Easybeats, Hunters & Collectors and Jimmy Barnes. Then, in 2013 she was the first woman to be inducted into the Music Victoria Hall of Fame; and in 2018 received the inaugural Lifetime Achievement Award at the Australian Women in Music Awards.

While attending University Hospital Geelong to undergo hip surgery, specialists discovered that Geyer also had inoperable lung cancer. She died Tuesday (Jan. 17), “in no pain” and “peacefully amongst family and friends,” reads a family statement.

After the sad news broke, the music community paid tribute to the talented, late artist, including Midnight Oil frontman Peter Garrett, Colin Hay, Kate Ceberano, Marcia Hines, Sarah McLeod and Troy Cassar-Daley. “The U.S. had Aretha, the U.K. Dusty Springfield. We had Renée. She taught us all so much,” explains Hay, former singer and songwriter with Men at Work. “She knew not only what music was, but where it came from. We had an inkling, but so much of it was so far away.”

Since launching her own recording career in 1971, Raitt has effortlessly melded music and activism, inspiring generations and earning “icon” status — she was bestowed the Icon Award at the 2022 Billboard Women In Music event.

Her 21st and latest album, 2022’s Just Like That, is nominated for four Grammy Awards.

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Fall Out Boy Guitarist Joe Trohman Announces Break From the Band Ahead of New Album Release

The same day Fall Out Boy announced their upcoming eighth album, founding guitarist Joe Trohman posted a note to social media saying he’s taking a break from the band.

“Without divulging all the details, I must disclose that my mental health has rapidly deteriorated over the past several years,” Trohman wrote in a message posted to Fall Out Boy’s Instagram page. “So, to avoid fading away and never returning, I will be taking a break from work which regrettably includes stepping away from Fall Out Boy for a spell.”

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Trohman has been with the band since its early 2000s formation in the suburbs of Chicago, alongside singer Patrick Stump, bassist Pete Wentz and drummer Andy Hurley.

Earlier Wednesday, Fall Out Boy announced their eighth studio album, So Much (For) Stardust, out March 24, and released the LP’s first single, “Love From the Other Side.” Trohman plays on the new album but appears to be stepping away ahead of promotion around the project, including a performance scheduled for Wednesday night on Jimmy Kimmel Live!

“It pains me to make this decision, especially when we are releasing a new album that fills me with great pride (the sin I’m most proud of),” Trohman’s note continued. “So, the question remains: Will I return to the fold? Absolutely, one-hundred percent. In the meantime, I must recover which means putting myself and my mental health first.”

Trohman thanked his bandmates and family for “understanding and respecting this difficult, but necessary, decision.”

Read Troman’s full note below:

Neil Young once howled that it’s better to burn out than to fade away. But I can tell you unequivocally that burning out is dreadful. Without divulging all the details, I must disclose that my mental health has rapidly deteriorated over the past several years. So, to avoid fading away and never returning, I will be taking a break from work which regrettably includes stepping away from Fall Out Boy for a spell.

It pains me to make this decision, especially when we are releasing a new album that fills me with great pride (the sin I’m most proud of). So, the question remains: Will I return to the fold? Absolutely, one-hundred percent. In the meantime, I must recover which means putting myself and my mental health first. Thank you to everyone, including my bandmates and family, for understanding and respecting this difficult, but necessary, decision.

Smell you sooner than later,

Joe Trohman

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GOT7’s Jinyoung Releases Long-Awaited Solo Album: Watch Sweet New Single ‘Cotton Candy’

GOT7 are barrier-breakers for K-pop artists on the charts and the Korean industry at large, so it’s an occasion whenever one of its members releases new music. Finally, the last member of the septet has released his first solo album after more than a decade on the scene.

Jan. 18 marks the release of Jinyoung’s debut solo album Chapter 0: WITH, the singer-actor’s first full music project. While the 28-year-old introduced himself to the world via acting and singing in 2012, and continued to juggle both careers performing as a member of GOT7 and starring in various TV and movies, the five-track EP marks his first official solo release. With the EP’s lyrics written entirely by Jinyoung, plus composition and production credits on almost every song, Chapter 0 sees the star returning to a comfortable place as the suave and soothing vocalist, songwriter and composer.

Chapter 0: WITH opens with lead single “Cotton Candy,” which lets Jinyoung’s silky vocals skip over effortlessly light pop production embellished with dreamy piano, bass and synthesizer elements. The accompanying music video delivers the track with a clean and fresh aesthetic, letting Jinyoung’s model-like good looks and elegantly smooth dance skills take center stage. It’s a warm welcome home for the boy-band member who gifted fans multiple new songs as well as choreography skills. 

Previously, Jinyoung had teased his return to the music with 2021’s rock-pop single “Dive,” released in Korean and Japanese, and scored him his first-ever solo entry on the World Digital Song Sales chart. While he was never too long without music, Jinyoung has concentrated on his flourishing acting career, including credits like the 2022 Netflix film Yaksha: Ruthless Operations and both seasons of the hit Korean TV drama Yumi’s Cell.

Jinyoung’s release is the latest indication that GOT7 fans have even more to look forward to as GOT7 hit a decade in the business. After Chapter 0, all seven members of GOT7 (which includes Jinyoung alongside Jay BMark TuanJackson WangBamBam, Youngjae and Yugyeom) have all released solo EPs and albums to their name, while still staying together as a group (after the septet departed JYP Entertainment in early 2021, GOT7 released a comeback EP together under Warner Music Korea last May). Not only was it remarkable to see GOT7 return on a new label—especially when all seven moved to new K-pop management teams—but every member releasing successful solo projects points to the star power in all seven GOT7 members. 

Watch “Cotton Candy” below:

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J. Cole Surprise Drops New Song ‘Procrastination (Broke)’

J. Cole is helping fans get through the week with a surprise drop.

Producer Bvtman unveiled the rapper’s new track “Procrastination (Broke)” on Wednesday night (Jan. 18), along with a text message from Cole, in which he notes that the song wasn’t meant to be released. However, he decided to drop it as a “thank you” to Bvtman and “every producer out there cooking up and sharing their work with the world.”

“It’s a million artists out there right now just like me, hungry and searching every day for something to spark a word, a melody, a hook, a verse, a punchline, a way to vent, or a way to cut through,” the text reads. “On a day when I couldn’t find much motivation, I was looking for anything to inspire me. Out of curiosity, I typed in ‘J. Cole type beat’ into YouTube. Yours was the first I saw. I pressed play, focused, and wrote this.”

Cole concluded by writing, “This is some s— that would normally stay in the vault, but I don’t want to hold onto the music like that no more. This is for you and whoever else need to hear it. God bless bro and keep doing what you do!”

The new song comes more than a year after J. Cole dropped his six studio album, The Off-Season, in 2021 via Dreamville/Roc Nation/Interscope. The album debuted at No. 1 on the Billboard 200 albums chart dated May 29, 2021. A number of his other albums, including KOD (2018), 4 Your Eyez Only (2016), 2014 Forest Hills Drive (2014), Born Sinner (2013) and Cole World: The Sideline Story (2011), also topped the Billboard 200.

Listen to “Procrastination (Broke)” below.

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From Dr. Dre & Snoop Dogg to Beyoncé, What’s Your Favorite Super Bowl Halftime Show? Vote!

We’re weeks away from Rihanna taking over the Super Bowl LVII halftime show on Feb. 12. But before the superstar makes her sure-to-be-triumphant return to the stage, let’s look back on the halftime spectacles that have come before her.

The 2023 game marks 30 years since Michael Jackson‘s Super Bowl performance of 1993, which marked the beginning of a new kind of halftime show — one where fans began expecting to see the superstars they love enlisted to put on a career-defining set filled with lights, music and often a special surprise or two.

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Throughout the last three decades, everyone from Katy Perry and Madonna to Paul McCartney and The Rolling Stones have graced center stage between the goalposts, and we want to know which halftime performance is your all-time favorite.

In Billboard‘s official ranking, staffers put Prince‘s 2007 set at the very top thanks to The Purple One’s mix of his own hits with covers of Queen (“We Will Rock You”), Bob Dylan (“All Along the Watchtower”) and Creedence Clearwater Revival by way of Tina Turner (“Proud Mary”), though the defining act of his halftime show was the extended coda of “Purple Rain” as actual rain poured down in the stadium.

Then there’s U2‘s set just months after the terrorist attacks of Sept. 11, which brought the still-mourning nation together for a special tribute that included “Beautiful Day,” “MLK” and “Where the Streets Have No Name.”

Of course, the most memorable Super Bowl moment of all time occurred in 2004 when Janet Jackson and Justin Timberlake headlined and an accidental tear-away (or expertly planned shock to the system, depending on who you ask) in the closing strains of “Rock Your Body” rocketed the phrase “wardrobe malfunction” into the cultural vernacular.

Other modern triumphs at the Super Bowl halftime show have come in recent years courtesy of Beyoncé, whose incredible 2013 set shut down the power in the third quarter of the game; Lady Gaga, who kicked off her 2017 performance by singing “God Bless America” and jumping from the roof of the stadium; and Jennifer Lopez and Shakira, whose combined dance moves and costumes sparked a flood of controversy just weeks before the coronavirus pandemic took over the world.

And last year, Dr. Dre and Snoop Dogg headlined an epic hip-hop show with help from Mary J. Blige, Eminem, Kendrick Lamar, 50 Cent and Anderson .Paak that electrified the hometown crowd at L.A.’s SoFi Stadium with hits like “California Love,” “No More Drama” and “Still D.R.E.”

Vote for your favorite Super Bowl halftime show below!

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MONSTA X’s ‘Deny’ Leads ‘REASON’ Invasion on Hot Trending Songs Chart

Music from MONSTA X’s new six-song EP REASON swarms Billboard’s Hot Trending Songs chart, powered by Twitter, dated Jan. 21, led by “Deny” at No. 1.

Billboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running Jan. 6-12.

“Deny” is one of five songs to feature on the latest list upon the EP’s Jan. 9 release. All of the songs reach the top 10, with “Deny” followed by “Crescendo” at No. 5.

Concurrently, one of the EP’s songs, “Beautiful Liar,” reaches Billboard’s World Digital Song Sales chart at No. 8.

The top non-MONSTA X Hot Trending Songs appearance belongs to Huh Yunjin, whose “I ≠ DOLL” starts at No. 2. The LE SSERAFIM member’s first solo release of 2023 premiered Jan. 8; the music video, released the same day, has earned nearly 4 million global views on YouTube as of Tuesday, Jan. 17.

Music by A$AP Rocky and Moneybagg Yo featuring GloRilla also reach the top five.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

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Aubrey Plaza Shares a ‘Crazy’ Kiss With Chloe Fineman in New ‘SNL’ Promo

It’s Aubrey Plaza is finally making her debut on Saturday Night Live, and she wants to make sure she’s perfect.

In a new promo for this weekend’s episode of the long-running comedy sketch show, the White Lotus star appeared alongside SNL cast member Chloe Fineman to reveal that she’s more than ready to grace the stage at studio 8H.

“I’m excited,” Plaza tells Fineman in the promo. “And oh my God, I love your impressions. Drew Barrymore is my favorite.”

Plaza then launches into a dramatic impression of Marcia Gay Harden in the 2000 film Pollock, which did not impress the SNL star. Trying to be polite, Fineman asked Plaza if she could do an impression that’s “a little more fun.”

At the suggestion, the 38-year-old begins crying on cue and slapping herself in the face in an impersonation of Annette Bening in American Beauty, which startles Fineman. “Why are you like this?” she asks Plaza, who replies, “Because I’m insane, and I’ve been waiting to do this show since I was 12 years old,” before leaning in for a kiss. A janitor at the studio spots the two women making out, but ignores it and continues to do his job.

Saturday will mark Plaza’s hosting debut on SNL, but not for a lack of trying — she previously was an intern on the show and revealed during a recent appearance on The Tonight Show Starring Jimmy Fallon that she did a “preliminary first-round showcase,” but didn’t make it to an audition with creator-producer Lorne Michaels.

Sam Smith will be Saturday’s musical guest. Watch the new promo in the video above.

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On the Radar Latin: J Noa, Un Leon Marinero & More Emerging Artists to Discover

Every month, Billboard Latin editors feature a small group of new, or relatively unknown, artists whose music we love. Think “diamantes en bruto,” or “diamonds in the rough.” These are newcomers who have yet to impact the mainstream — but whose music excites us, and who we believe our readers should make a point to discover.

Our first 2023 edition of “On the Radar Latin” includes emerging artists who we found either in a Spotify playlist or at a music showcase, for example. See our recommendations below:

BRATTY

Country: Mexico

Why they should be on your radar: There’s an alluring, whimsical quality about Culiacán, Sinaloa artist BRATTY — whether it’s her breathy dolce vocals coupled with bedroom lo-fi productions or her unapologetic pop punk side. On the lyrical front, the artist displays a knack for kitschy songwriting, singing about birthday parties or trips to Japan with charm. She’s already collaborated with the likes of Cuco, Mon Laferte, and Girl Ultra, and remixed Metronomy’s “Things Will Be Fine.” On her latest surfy song “Continental,” BRATTY pairs up with fellow norteño artists Nsqk and Méne where they conjure up an indie jangle pop dream. “The song talks about the love that grows when a relationship is young, and you like that person enough to ask them to move in with you,” she said about the song in a press release. “In the lyrics, I tell them that I would even prepare breakfast for them.” — ISABELA RAYGOZA

Song for your playlist: “Continental,” also starring Nsqk & Méne

Chris Palace

Country: United States (of Colombian and Salvadoran descent)

Why they should be on your radar: A Maryland native, Chris Palace, at 21 years old, has paved his own path in the music industry with passion and strive. From the Northeast to Miami to ultimately landing at a song camp in Puerto Rico, Palace debuted as an artist in 2022 with his single “Que Sería.” After knocking on the correct doors, sliding into DMs, and making his way at industry events, Palace got on Rauw Alejandro’s radar, who that same year, signed him to his label Los Sensai Records. An edgy personality, suave vocals, and progressive tracks spotlight Palace’s promising and versatile project, which as of now, can be heard on the Rauw-assisted “GATAS” (part of Saturno album) and his six-track EP Insomnia. “Insomnia is the first stage of the artist, where he works a lot without being able to sleep fighting for his dreams,” he expressed on Instagram. — JESSICA ROIZ

Song for your playlist: “ADELANTAH”

J Noa

Country: The Dominican Republic

Why they should be on your radar: “I am a beast of massive destruction,” declares J Noa in Spanish. The outspoken rapper doesn’t hold back. With her heady, rapid-fire flow, she commands attention and we are listening. At just 17 years old, the artist displays an awareness of her environment that is as chilling as it is eye-opening. Hailing from the province of San Cristóbal in the Dominican Republic, J Noa narrates the struggle, hustle, and bustle of life in the hood, while slaying some socio-political critiques of the D.R. governmental powers that be. For instance, her Sony Music-debut track “Qué Fue?” is an explosive call-out that lyrically tackles issues of poverty, addictions, and murders in her country, while adding “I only intend to open conscience.” With an impressive arsenal of rap bars and freestyle abilities, it’s no wonder why she proclaimed herself as the daughter of rap. The genre is in promising hands. — I.R.

Song for your playlist: “Qué Fue?”

Los Reales del Rio

Country: Mexico

Why they should be on your radar: Hailing from Zacatecas, Mexico is this young, six-ensemble group that I randomly discovered through a Spotify playlist over the holiday break. Los Reales del Rio (The most real of the river)—honoring their town’s name, Río Grande—launched in 2021 with a very colorful addition to traditional Norteño music. Specifically, their up-tempo “Tres Seis Cinco (365),”—released independently in the fall of 2022—gained social media virality and has become their best-known track as of now. Its lyrics bring to the forefront the group’s relatable lyricism—a song about loving someone the three hundred and sixty-five days in the year and doing it all over again. The track pushed Los Reales’ on Spotify’s Mexico and Guatemala charts, opening their horizons for a more fruitful 2023. — J.R.

Song for your playlist: “Tres Seis Cinco (365)”

Un León Marinero

Country: Mexico

Why they should be on your radar: Joining the blossoming wave of Latin folk music—think Silvana Estrada, Ed Maverick, Kevin Kaarl—is Un León Marinero (real name: Leo Meléndez). On the Internet, he keeps a minimal bio: “I like to write songs” (Spotify) and “your humble servant and always a friend” (YouTube) but he’s far from a simplistic singer-songwriter. Hailing from San Luis Potosi, León is a modern-day trovador (troubadour) that sings about giving love and being loved, all backed by his pure and warm-toned melodies and emotive vocals. In 2015, he unleashed his debut single “Nieve de Limón” and in 2022 released his debut album A Orillas del Río Santiago. In between, he’s collaborated with newcomer Kaarl and performed at important venues across Mexico. — J.R.

Song for your playlist: “Estar Solo”

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The Dream Setlist for Madonna’s 2023 Celebration Tour

In 1910’s The Vagabond, the French writer Colette claimed, “The only real things are the dance, the light, freedom, music.” If that’s the case, then there are few pop catalogs more in touch with reality than Madonna’s.

The Queen of Pop kicked 2023 off right by announcing the Celebration Tour, a global trek honoring her four decades of culture-changing hits.

Needless to say, she has a lot of material to choose from — with 12 No. 1s, 38 top 10 hits and 57 titles on the Billboard Hot 100, Madonna is an all-time pop GOAT. And considering her most recent tour (the excellent, intimate Madame X Tour from 2019-2020) was primarily focused on the album of the same name she was supporting, there’s quite a number of beloved classics that Madge hasn’t performed live in several years.

That seems set to change with the Celebration Tour, which promises to be a career-retrospective run of songs from the pop icon, whose self-titled debut introduced the world to a new game-changing superstar back in 1983. And since we’re looking at 40 years of Madonna, we decided to round up 40 songs we would love to hear the Material Goddess perform live.

Now, we’re not saying we want every one of these songs performed in full at every tour stop — a 40-song setlist is less a concert and more of a marathon. Some we’d like to hear in part, perhaps as a segue or in a medley; others we could imagine M performing as a surprise treat on select tour dates. But this is our wish list.

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Official HIGE DANdism’s ‘Subtitle’ Ties Gen Hoshino’s ‘Koi’ for Most Weeks at No. 1 on Japan Hot 100

Official HIGE DANdism’s “Subtitle” has tied the all-time record for most weeks at No. 1 on the latest Billboard Japan Hot 100, dated Jan. 18, logging its 11th week atop the chart.

The track has now caught up with superstar Gen Hoshino‘s “Koi” that set the 11-week record in early 2017. The tracks are also tied for most consecutive weeks at No, 1 with seven each.

Hoshino’s ubiquitous hit continues to be widely popular today, and “Subtitle” is also well on its way to becoming one of HIGE DAN’s biggest hits as well. But, as predicted last week, the track is slowing down considerably — the overall points for “Subtitle” decreased by about 10 percent this week— so we’ll see if the next tally will become a history-changing moment on the Japan charts.

The four-man band currently has three songs charting in the top 10 — “Subtitle,” “White Noise,” and the former No. 1 song “Mixed Nuts” — with “White Noise” debuting at No. 5. The track is the opener for the latest story arc of the TV anime series Tokyo Revengers and is the band’s second tie-in with the series following the long-running hit “Cry Baby” from the summer of 2021.

LIL LEAGUE from EXILE TRIBE’s debut single “Hunter” launched with 88,660 copies (No. 2 for sales) and bowed at No. 2 on the Japan Hot 100 this week. The new group, formed through the iCON Z 2022 Dreams For Children audition that was the biggest of its kind in LDH’s history, also came in at No. 1 for radio this week.

Meanwhile, “Kamisama datte kimerarenai,” the tenth single by 22/7 (Nanabunnonijyuuni), a virtual idol group produced by Yasushi Akimoto of AKB48 fame, hit No. 1 for sales with 89,460 copies sold, but couldn’t follow up in other metrics (No. 25 for radio, for example) and debuts at No. 7 on the Japan Hot 100.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, YouTube and GYAO! video views and karaoke data.

For the full Billboard Japan Hot 100 chart, tallying the week from Jan. 9 to 15, see here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account