Well, it didn’t take very long into 2023 for the first runaway hit to emerge — and perhaps it shouldn’t be surprising that it comes from Miley Cyrus. She’s been one of the most consistently visible pop stars of the past 15 years, a cross-platform, household-name celebrity who’s maintained a devoted following while undergoing a fascinating artistic evolution from one era to the next.
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Miley Cyrus’ ‘Flowers’ Debuts at No. 1 on Billboard Hot 100
Still, the speed with which “Flowers” reached exit velocity would’ve been tough to predict. While the spotlight on Cyrus has hardly diminished in the decade since she became the biggest pop star in the world off the backs of twin smashes “We Can’t Stop” and “Wrecking Ball” (the latter her first No. 1 on the Billboard Hot 100), she hasn’t scored the same level of hits over the past 10 years. In fact, she’s only reached the chart’s top 10 twice since 2013 — as an added artist to the remix of The Kid LAROI’s “Without You” (No. 8, 2021) and with her own “Malibu” (No. 10, 2017) — both times spending just one week in the region before sliding down the rankings.
That’s not likely to be the story of “Flowers,” however, which zooms directly to the top of this week’s Hot 100 — the first totally new No. 1 of 2023, with some of the best first-full-week numbers of any song this decade. With the single immediately being embraced on radio and streaming, and those numbers hardly looking like they’re falling off halfway into its second week, it seems like Cyrus’ new single might not just be her biggest chart hit since 2013, but may end up the biggest smash of her entire career to date.
How did it happen? Here are five reasons why “Flowers” is putting up such awesome numbers.
1. New Year’s Momentum. With the Christmas music season becoming more competitive every year, Cyrus made the wise decision to instead focus her attention on claiming the even more widely celebrated (but much less widely commemorated) neighboring holiday of New Year’s Eve. For the second straight year, Cyrus hosted the NBC special Miley’s New Year’s Eve Party during the Dec. 31 ball drop — another star-studded affair, co-hosted this time by her legendary godmother Dolly Parton, with the duo performing a mini-set of their own classics like “Wrecking Ball” and “Jolene.” The special was well-received and viewed by over five million people — a sizable audience in an era of declining linear ratings — helping boost both artists’ catalogs and further establishing Cyrus as pop’s Queen of New Year’s.
Cyrus also teased a “New Year, New Miley” with a series of billboards in the lead-up to Dec. 31 — and then announced the upcoming release of “Flowers” during the special, with a Twitter video teasing the Jan. 13 (ultimately late Jan. 12) drop. Then on Jan. 5, she announced that the single would be part of a new album, titled Endless Summer Vacation and due in March. With her recent New Year’s special both making sure Cyrus was already top of mind for her longtime fans (while perhaps introducing or reintroducing her to new ones who just happened to tune in) and giving her a platform to trumpet her return to pop, the new single arrived with built-up attention and anticipation, basically ensuring a good deal of ears on it upon its debut.
2. January dominance. The proximity to her New Year’s special wasn’t the only reason why the song’s Jan. 12 debut made for good timing. Increasingly, the relatively barren and uncompetitive post-holidays winter season has proven to be fertile ground for runaway hits — with one song in particular usually filling the void of new releases by seizing hold of the public imagination around mid-January and then not letting go until March or April. Roddy Ricch and Olivia Rodrigo scored massive career-making hits around this time in 2020 and 2021, respectively, while Encanto‘s “We Don’t Talk About Bruno” (and “Pushin’ P” from Future and Gunna featuring Young Thug) also swept through the culture at the beginning of 2022.
This year, that one song appears to belong to Cyrus. It’s not exactly running unopposed on the Hot 100 this week: SZA’s “Kill Bill,” a still-growing breakout hit from the R&B star’s December blockbuster SOS, and Shakira and Bizarrap’s “Bzrp Music Sessions, Vol. 53,” an internet-storming team-up that arrived a day before Miley’s return, are both also commanding space and momentum of their own. But those songs now appear to be in the chart shadow of “Flowers,” whose much-hyped arrival in a pop landscape still mostly cluttered with 2022 (if not even longer-ago) leftovers has it poised to dominate both the discussion and the airwaves for weeks, perhaps months to come.
3. Harry’s house crew. Speaking of dominating the airwaves, look up the credits for “Flowers” and you’ll find two names who spent most of 2022 doing just that: Kid Harpoon and Tyler Johnson. Those are the writer-producers who played a major part in shaping the sound of each of Harry Styles’ three solo albums to date, most recently co-helming last year’s smash LP Harry’s House. With a mostly upbeat and rubbery pop-soul vibe to the set, the two helped establish a signature sound for Styles that landed somewhere between a funked-up Paul McCartney and a more domestic Bruno Mars, and also made him unavoidable on radio for the months since its May release.
That sound has proven a match for Cyrus as well, with the lush, bass-led strut of “Flowers” feeling like the logical continuation of the sonic template established by Harry’s House and its singles. With that lane re-established on top 40 — and with more explicit disco throwbacks from earlier in the decade by Doja Cat and Dua Lipa also paving the way — “Flowers” grooved right into heavy rotation, debuting at No. 18 on Billboard‘s Radio Songs chart this week with 33.5 million radio impressions, according to Luminate. And if it grows from there into the first truly ubiquitous new FM hit of 2022, no one would or should be surprised.
4. Fan theories and TikTok. While Olivia Rodrigo’s “Drivers License” broke out in 2021 on the merits of its rock-solid songcraft and overpowering performance, what really poured gasoline on the fire of its initial virality was the implied real-life love triangle that fans assumed was at the single’s core. A great pop song will always find ears, but if you want to get headlines as well, it never hurts to have a narrative hook to hang the song on — particularly if said narrative is given a thin veneer of obfuscation that fans have to dig just a little bit to get through. (Though Shakira and Bizarrap’s more explicitly s–t-talking single also proved you can find top 10 Hot 100 success with a less-subtle approach.)
In any event, “Flowers” went the “License” route, with a post-breakup I Will Survive (And Thrive) lyric that many listeners assumed was directed at celebrity ex Liam Hemsworth, with whom Cyrus split in 2019. And Cyrus took it a step further by burying Easter eggs in the song and its video to further get her fans buzzing: Is the dress she’s wearing a reference to The Hunger Games and Hemsworth’s co-star Jennifer Lawrence? Are the lyrics seemingly responding to Mars’ “When I Was Your Man” because it’s a Hemsworth favorite? Was it billed as a Jan. 13 release because that’s Hemsworth’s birthday?
All these theories and more were of course widely circulated on TikTok in the days following its release, helping the song become a sensation on the platform, and contributing to a debut of 52.6 million official U.S. streams in its first full week of availability, easily the biggest number of Cyrus’ career. It also sells 70,000 — the largest one-week total since Taylor Swift’s “Anti-Hero” last November — which suggests older fans, who are more likely to still be spending money on music, were as interested in the song as their TikTok-ing younger counterparts.
5. Just being Miley. Although Cyrus hadn’t scored a breakout hit on the level of her pair of Bangerz classics since 2013 — and in fact practically seemed to run in the opposite direction of doing so with that album’s follow-up, 2015’s experimental psychedelic romp Miley Cyrus & Her Dead Petz — public affection for her had never really waned, and her star never really shrank. Every big new single of hers still got a ton of media and fan attention, and made a splashy arrival, even though they tended to recede commercially from there. Still, if an artist as talented and recognized as Cyrus gets enough cracks at making a huge pop comeback, they’re going to have a pretty good chance at breaking through with one of them.
So maybe Cyrus was overdue for a song like “Flowers,” which plays perfectly to her soaring-but-gritty voice, her cross-genre adaptability, and her reputation as a fiercely individualistic artist. And while the loved-up pop-rock of “Malibu” and arena-ready synth-rock of “Midnight Sky” might not have quite met their moment, time and tide appear to be on her side for “Flowers,” which has enraptured all kinds of audiences, put up huge initial numbers in all three Hot 100 metrics, and seems well on its way to becoming one of the defining singles of 2023. If Endless Summer Vacation can keep her winning streak rolling, it might not be another decade before she has another hit like it, either.
Sam Smith and Kim Petras‘ performance of “Unholy” on Saturday Night Live was all over social media on Jan. 22. While the pair’s showcase got people talking, Petras did not reveal what went into hiding under Smith’s dress was like — that is, until her Monday (Jan. 23) appearance on Late Night With Seth Meyers.
“It was a moment for sure. I was under there for a long time so it was very well rehearsed. It was very hot, I was, like, sweating,” the German-born singer told Meyers. “And also Sam was moving a lot, so I don’t know if you guys know the Lil’ Kim dance. I had to hold it because otherwise I would get these crazy flyaways and everyone was like, ‘She had these crazy flyaways last time.’ I just had to dodge with Sam. But worth it. Someone on TikTok predicted it, but other than that, it was a surprise.”
“There’s a TikTok that’s like, ‘Oh I bet she’s under the dress, and then they all scream and jump up.’” she explained to Meyers. “It’s good!”
Smith and Petras’ “Unholy” is nominated for best pop/duo performance at the Grammys, something that she still has a hard time wrapping her head around. Reminiscing on her days performing at gay clubs and bars, Petras said, “I owe everything I have to the gays in Bushwick. I used to perform on tables and bars, and now I’m nominated for a Grammy. It’s crazy because those were the places I felt like I belonged and where pop music and fun music like it is celebrated at the Grammys, so it’s crazy that Sam and I did this club song and it got nominated for a Grammy. It’s a very gay song, so thank you, Grammys.”
The “If Jesus Was a Rockstar” singer also shared a story about what it was like meeting Madonna recently. “We talked and I was really obliterated drunk and I was like, ‘You’re my queen!’ It was the afterparty and she just showed up. I’m sure she thinks I’m crazy,” she recalled. “I was like, ‘You are the blueprint for everybody and you need to know this. And this album means so much to me and Confessions on the Dance Floor was the best album ever.’ I was just going ham, and then she was like, ‘Do you want to take a picture?’”
Watch Petras’ interview with Seth Meyers in the video above.
Bizarrap captures his first No. 1 on Billboard’s Hot Latin Songs chart with his most recent partnership. “Bzrp Music Sessions, Vol. 53,” with Shakira, rallies up the Jan. 28-dated chart with a 16-1 jump. Shakira ties with Bad Bunny for the fourth-most No. 1s overall, both with 12.
“Bzrp Music Sessions, Vol. 53” hits No. 1 after its first full tracking week with increases in all metrics. The song was released Jan. 11 at 7 p.m. ET through Dale Play/Sony Music Latin and debuted at No. 16 (chart dated Jan. 21) with less than two days of activity. Hot Latin Songs ranks the most popular Latin songs in the U.S. based on a blend of airplay, digital sales, and streaming data.
Starting with radio airplay, “Bzrp Music Sessions, Vol. 53” generated 7.42 million audience impressions in the tracking week ending in Jan. 19, according to Luminate. The sum allows for a No. 5 debut on the all-genre Latin Airplay chart. It’s the second top 10 for Bizarrap after his four-week command with “Music Sessions, Vol. 52,” with Quevedo (November 2022). Shakira, meanwhile, collects her 36th top 10.
On the streaming front, “Vol. 53” logged 20.2 million official U.S. streams, up 315%, in the same tracking period. The count yields a No. 3 start on the overall Streaming Song ranking and a 17-1 jump on Latin Streaming Songs.
Sales also assist the collaboration’s No. 1 ascent on Hot Latin Songs. With 9,000 downloads sold, “Vol. 53” surges 23-3 on the Digital Songs Sales ranking and holds at No. 1 for a second week on Latin Digital Song Sales. It’s the largest sales week among Hot Latin Songs hits since Shakira’s own “Suerte (Whenever, Wherever)” sold 15,000 on the Feb. 15, 2020-dated chart, following her performance of the track during the Super Bowl halftime show that year (Feb. 2).
Back on the multimetric tally, “Vol. 53” easily sends Fuerza Regida and Grupo Frontera’s “Bebe Dame” to No. 2 after its one week in charge. As mentioned, the song’s surge earns Shakira her 12th champ and places her into a tie with Bad Bunny for the fourth-most leaders. Here’s the scoreboard since the chart’s inception in 1986:
27, Enrique Iglesias
16, Luis Miguel
15, Gloria Estefan
12, Bad Bunny
12, Shakira
11, Marco Antonio Solis
11, Ricky Martin
Notably, “Vol. 53” allows for another woman in a lead or co-lead role to rule Hot Latin Songs for the first time since Karol G’s “Provenza” in May 2022. Further, the tally’s No. 1 slot was monopolized by three Bad Bunny’s songs for 35 weeks, as “Moscow Mule,” “Me Porto Bonito,” with Chencho Corleone, and “Titi Me Preguntó” dominated the May 21, 2022 – Jan. 14, 2023-dated rankings, until Fuerza Regida and Grupo Frontera’s “Bebe Dame” landed at the summit the week prior.
Elsewhere on the charts, “Vol. 53” makes a No. 9 debut on the overall Billboard Hot 100 chart. It’s the highest start for both acts, and Shakira’s highest ranking since “Beautiful Liar,” with Beyoncé, peaked at No. 3 in 2007. “Vol. 53” also bows at No. 2 on both the Billboard Global 200 and Global Excl. U.S. charts.
All charts dated Jan. 28 will update on Billboard.com Wednesday, Jan. 25.
Fall Out Boy borrowed Nicole Kidman’s much-loved AMC ad to help promote their upcoming single “Heartbreak Feels So Good” on Monday (Jan. 23).
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“Bad news for some of you, the Metro show SOLD OUT,” the band tweeted. “Good news for all of you, we’re dropping another new song on Wednesday. ‘Heartbreak Feels So Good’ out at 10AM ET / 9AM CT / 7AM PT on the 25th.”
Taking an amusing cue from the song’s title, the foursome added a 10-second clip of Kidman sitting transfixed in a darkened AMC theater as she utters her now-famous line: “Somehow, heartbreak feels good in a place like this.” Except this time, the visual playing out across the big screen happens to be Fall Out Boy’s upcoming music video, with frontman Patrick Stump wailing, “Heartbreak feels so good” as he and his bandmates get into some goofy trouble in a back alley.
The song will follow lead single “Love From the Other Side” off the pop-punk pioneers’ eighth full-length studio album, So Much (for) Stardust, which is set to be released March 24 via Fueled by Ramen.
The band’s latest era has already been roiled with an unexpected complication after guitarist Joe Trohman announced he would be taking a hiatus from the group to focus on his mental health. “Without divulging all the details, I must disclose that my mental health has rapidly deteriorated over the past several years. So, to avoid fading away and never returning, I will be taking a break from work which regrettably includes stepping away from Fall Out Boy for a spell,” he wrote to share the news.
Trohman’s abrupt absence left his bandmates to appear as a trio when they stopped by Jimmy Kimmel Live! last week, with Stump filling the void on guitar as they performed “Love From the Other Side.”
Check out Fall Out Boy’s Kidman-assisted tease of “Heartbreak Feels So Good” below.
Bad news for some of you, the Metro show SOLD OUT. Good news for all of you, we’re dropping another new song on Wednesday. “Heartbreak Feels So Good” out at 10AM ET / 9AM CT / 7AM PT on the 25th. pic.twitter.com/h1LzWtOWvb
Miley Cyrus boasts the biggest song in the world, as “Flowers” launches at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. The song soars in with the biggest global streaming week for a soloist, and the third-greatest week overall, since the Global 200 began in September 2020.
Plus, Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” blasts to No. 2 on each tally and TAEYANG’s “Vibe,” featuring Jimin, enters Global Excl. U.S. at No. 9, as Jimin becomes the fourth member of BTS to have hit the chart’s top 10 as a soloist.
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Miley Cyrus’ ‘Flowers’ Debuts at No. 1 on Billboard Hot 100
The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘Flowers’ Logs Biggest Global 200 Streaming Week for a Soloist
“Flowers” debuts at No. 1 on the Billboard Global 200 with 179.1 million streams and 98,000 sold worldwide in its first full tracking week, Jan. 13-19 (after it arrived Jan. 12 at 7 p.m. EST).
Cyrus scores her first leader since the Global 200 began, after she reached the chart’s top 15 with two tracks in late 2020: “Prisoner,” featuring Dua Lipa (No. 12), and “Midnight Sky” (No. 15).
Cyrus first announced during her Miley’s New Year’s Eve Party NBC special that “Flowers” would be released Jan. 13, which fans noticed doubles as her ex-husband Liam Hemsworth’s birthday. That narrative and interaction on TikTok have helped grow the profile of the song, which ushers in Cyrus’ eighth studio album, Endless Summer Vacation, due March 10.
Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” surges 12-2 on the Global 200 with 168.4 million streams and 16,000 sold worldwide Jan. 13-19 (its first full tracking week, following its Jan. 11 release at 7 p.m. EST). The buzzworthy latest edition of the Argentine DJ/producer’s series is his second top 10 on the chart, after “Bzrp Music Sessions, Vol. 52,” with Quevedo, reigned for four weeks beginning last July. Shakira earns her first top 10 since the chart began.
Notably, “Flowers” and “Vol. 53” claim the biggest and second-biggest global streaming weeks, respectively, in nearly five months, since BLACKPINK’s “Pink Venom” premiered atop the Global 200 dated Sept. 3, 2022, with 212.1 million streams worldwide. Plus, “Flowers” posts the top global streaming week for a soloist since the chart started in September 2020, with its sum of 179.1 million surpassing the 178.4 million that Adele’s “Easy on Me” drew in its first full frame (Oct. 30, 2021). Overall in the chart’s archives, just two songs have logged bigger global streaming weeks than “Flowers”: “Pink Venom,” as noted above, and BTS’ “Butter,” which opened with 289.5 million (June 5, 2021).
SZA’s “Kill Bill” drops to No. 3 on the Global 200 after two weeks on top; Rema and Selena Gomez’s “Calm Down” dips to No. 4 from its No. 3 high; and Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” rises 6-5, after it debuted at its No. 3 best in December.
Cyrus No. 1 on Global Excl. U.S., TAEYANG & Jimin Debut in Top 10
As on the Global 200, “Flowers” bows at No. 1 on the Billboard Global Excl. U.S. chart, with 129.2 million streams and 37,000 sold outside the U.S. Jan. 13-19.
Cyrus previously hit a No. 10 Global Excl. U.S. top peak with “Prisoner,” featuring Dua Lipa, in 2020.
Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” bounds 8-2 on Global Excl. U.S. with 148.9 million streams and 7,000 sold outside the U.S. Jan. 13-19.
SZA’s “Kill Bill” backtracks to No. 3 on the Global Excl. U.S. chart from its No. 2 best; Rema and Selena Gomez’s “Calm Down” descends to No. 4 after two weeks at the summit; and David Guetta and Bebe Rexha’s “I’m Good (Blue)” slips 3-5, after it reached No. 2 in September.
Elsewhere in the Global Excl. U.S. top 10, TAEYANG’s “Vibe,” featuring Jimin, starts at No. 9 on the chart, with 40.2 million streams and 22,000 sold outside the U.S. TAEYANG achieves his first solo entry on the ranking, having appeared as a soloist on Billboard surveys since 2010, while the group in which he broke through, BIGBANG, debuted and peaked at No. 3 last April with “Still Life.”
Jimin, likewise from South Korea, notches his first Global Excl. U.S. top 10 in his second appearance, after “With You,” with HA SUNG WOON, hit No. 14 last May.
Jimin becomes the fourth member of BTS to have hit the Global Excl. U.S. top 10 solo, joining Jin, Jung Kook (two top 10s) and SUGA. Here’s a recap of BTS members’ five combined top 10s as soloists on Global Excl. U.S. (where BTS has collected 10 top 10s):
“That That,” PSY feat. SUGA, No. 2, May 2022 “Left and Right,” Charlie Puth feat. Jung Kook, No. 2, July 2022 “The Astronaut,” Jin, No. 6, November 2022 “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 4, November 2022 “Vibe,” TAEYANG feat. Jimin, No. 9 (to-date), January 2023
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 28, 2023) will update on Billboard.com tomorrow (Jan. 25). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
A Nixa High School teacher faces seven charges in connection to inappropriate conduct with a student.
Lena Stewart is charged with second degree statutory rape, 3 counts of sexual contact with a student, two counts of second degree statutory sodomy, and first degree sexual misconduct.
Stewart was placed on administrative leave in December.
With an impending winter storm warning set to hit southwest Missouri later today, several school districts and government buildings are closing their doors early on Tuesday.
This story will be updated periodically as more closures and cancellations come in.
A winter storm will bear down on much of southwest Missouri starting late Tuesday afternoon, with snowfall rates overnight into Wednesday morning approaching one inch per hour.
The National Weather Service says a Winter Storm Warning is in effect from 4:00 p.m. Tuesday through 9 a.m. Wednesday for areas along and south of a line from Joplin to Bolivar to Lebanon.
Five to ten inches of snow are possible in the warned area, with two to five inches of snow expected in the northern Ozarks, which are under a Winter Weather Advisory.
The heaviest snowfall should occur south of a Cassville to Springfield to Rolla line.
Snow will overspread the region from southwest to northeast late Tuesday afternoon and evening.
The heaviest snow will end by dawn on Wednesday, but light snow showers and flurries will persist into Wednesday night.
Hazardous driving conditions are expected along and south of I-44. Use extra caution while driving as moderate travel impacts are expected from this winter storm, with areas south and east of Springfield expected to have major travel impacts, with dangerous or impossible driving conditions.
Dua Lipa has accumulated quite the collection of trophies, from Grammys to Brit Awards, Guinness World Records and now, and the European Excellence Award.
The pop superstar received the Excellence Award over the weekend, an honor that recognizes positive representation of European culture through an artist’s music, and the best in the business from the ESNS Exchange, previously known as European Talent Exchange Programme.
Only those acts that are seen as strong ambassadors for European music, and as role models for fellow European stars-on-the-rise, are considered for the hardware.
Lipa, who is British of Albanian origin, nails the brief.
Her career has gone supernova in recent years. In March 2022, Lipa’s hit “Levitating” logged a 70th week on the Billboard Hot 100, in doing so rewriting the record for the most weeks ever spent on the survey for a song by a woman. Among all acts, “Levitating” is just the fifth single to spend at least 70 weeks on the Hot 100, dating to the chart’s August 1958 inception.
Earlier, in 2021,”Levitating” was named the top Hot 100 song for the year in the United States, and its parent album, Future Nostalgia, logged four weeks at No. 1 in the U.K., before scooping British album of the year at the BRITs.
ESNS presented Lipa with the award during her keynote interview for Eurosonic Noorderslag 2023 in Groningen, the Netherlands, at which she discussed the release of her sophomore album during the pandemic, the successful world tour in support of it, and the Lipas’ Sunny Hill Festival in the Kosovo capital, Prishtina which was shortlisted for the European Festival Awards and which they hope will put the country on the cultural map, and raise much-needed funds to develop the nation’s arts and cultural sector. Just last year, she was named honorary ambassador to Kosovo.
Lipa first performed at ESNS at Vera in 2016, and the following year won the European Border Breakers Awards (EBBA), now called the Music Moves Europe Awards (MMEA). Also in 2016, she won for newcomer of the year at the European Festival Awards.
The 27-year-old now turns her attention to the fashion world. As announced by Vogue on Wednesday (Jan. 18), she has signed on to be one of four 2023 co-chairs for the A-list fashion event that comes around every first Monday in May.
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