Month: November 2022

BRISBANE, Australia — With the 2022 ARIA Awards now done and dusted, organizers are looking ahead to next year’s edition — and a brand-new category.

The Australian recorded music industry’s 37th annual ceremony will debut an award that celebrates the best use of Australian music in the creative and advertising space.

The new trophy coincides with the launch of Our Soundtrack Our Ads, a call-out to the Australian advertising industry to invest their music budgets into homegrown artists to soundtrack their work.

Spearheaded by ARIA Award-nominated recording artist Holly Rankin, the singer, songwriter and entrepreneur otherwise known as Jack River, Our Soundtrack Our Ads is the platform through which brands and creatives can gain eligibility for the new award.

It’s “an exciting opportunity for brands, creatives and the music industry to unite with a common goal of championing local music and local storytelling,” comments Rankin, whose debut full-length album Sugar Mountain opened at No. 11 on the ARIA Album Chart in 2018, and earned three ARIA Award nominations.

“We have such amazing talent here in our backyard, so getting to hear new and upcoming voices across more commercials, social media campaigns and creative content is exciting for the next generation of artists, brands and music lovers alike.”

Rankin got the ball rolling when, during the Olympic Games in July 2021, she noticed so many of the Aussie triumphs in Tokyo were beamed back home to the soundtrack of popular tunes from abroad.

So she took a stand.

Local businesses and media should do more to champion Australian music through its outlets and on commercials, she wrote in a PSA. “We need you more than ever. We wanna be your soundtrack,” read a post on her socials.

The essay went viral, commitments were made, and Our Soundtrack Our Stories was launched, to promote the use of Australian music across local businesses and media.

“We’ve been workshopping for the last 12 months, just feeling out how this would work, and making sure it would be super-authentic to both industries. And a true partnership,” explains Saynaree Oudomvilay, PR & Communications Senior Account Director at M&C Saatchi Sport & Entertainment, a partner in the new initiative.

Our Soundtrack our Ads is “really an extension of the legacy Holly has created,” she continues.

The ARIA Award should create some healthy competition. “We wanted to make (the campaign) super-accessible, and not just put out a lofty claim but back it with something tangible. The award does that,” Oudomvilay tells Billboard. “It’s also good to hold everyone accountable and make sure everyone puts their money where their mouth is in making those campaigns and engaging artists and supporting local.”

Early next year, partners in the campaign expect to share more details on what the initiative looks like, how brands can get involved, and more. In the meantime, brands, creatives and agencies can view the “pledge” and sign up for more information at the official ARIA website.

“Advertising has such an important role in impacting change across society. It creates ideas and tells stories that leave an important mark on culture. Music is no different,” comments ARIA CEO Annabelle Herd.

“I’m thrilled to celebrate talent and creativity across the two industries with this first-of-its-kind award in 2023.”

With the support and influence of Australia’s ad industry, she continues, “we can continue to create opportunities for Australian music to be heard in all its forms, by all who create it.”

First, the album version, then the cut featuring Jack Antonoff’s Bleachers. Now, Taylor Swift’s acoustic cut of “Anti-Hero” is keeping the pop superstar’s Midnights hit on high rotation.

Swift dropped “Anti-Hero (Acoustic Version)” last week, when Americans were tucking into their Thanksgiving turkey.

The impact can be felt across the Atlantic where, in the U.K., “Anti-Hero,” is on track for a sixth week at No. 1.

“Anti-Hero” completed a fifth week atop the Official Chart, published last Friday (Nov. 25), and it remains in pole position on the U.K.’s First Look chart, which ranks singles based on sales and streams from the first 48 hours.

“Anti-Hero” has led the chart every week since its release Oct. 21. A fresh version, featuring Bleachers, dropped on Nov. 7.

Meanwhile, Meghan Trainor’s “Made You Look” is showing strength and stamina in the U.K., where its challenging “Anti-Hero” for the chart crown.

Trainor’s doo-wop number is inching closer and lifts 3-2 on the chart blast, for what would be a chart peak.

If “Made You Look” unseats “Anti-Hero,” it would be Trainor’s third leader and first in seven years; her last was 2015’s Charlie Puth collaboration “Marvin Gaye.”

With England getting their World Cup campaign away to winning start, Baddiel, Skinner & The Lightning Seeds’ “Three Lions” looks set to kick another goal. The former chart leader is rolling towards the top 10, up 20-12 on the chart blast, and should enjoy a lift in the leadup to England’s final Group B fixture against Wales on Tuesday (Nov. 29).

A holiday-themed version of the track, “Three Lions (It’s Coming Home For Christmas),” could keep the song in the chart for the weeks ahead.

“Three Lions” would have company, with several Christmas classics making their annual march up the chart. Mariah Carey’s “All I Want For Christmas Is You” (up 18-8 on the chart blast) and Wham’s “Last Christmas” (23-10) are set to return to the top 10. Not far behind is Ed Sheeran & Elton John’s “Merry Christmas,” which hit No. 1 last December and lifts 40-16 on the chart blast. 

All will be revealed when the Official U.K. Singles Chart is published Friday (Dec. 2).

Dermot Kennedy makes it two-from-two as Sonder (via Island) debuts at No. 1 on the U.K. albums survey.

The Irishman bows at the summit of the Official Albums Chart, published Nov. 25, and shifts a market-leading volume on vinyl.

Sonder equals the peak position of his 2019 debut, Without Fear, which saw the Dublin-born singer and songwriter became the first Irish act to top the U.K. chart with their debut album in over 20 years, the OCC reports.

The Christmas chimes are ringing in the top 5, as André Rieu and the Johann Strauss Orchestra enter at No. 4 with Silver Bells (Decca), a Christmas classics collection. It’s the Dutch classical crossover artist’s 13th U.K. top 10 album entry.

Meanwhile, Queen enjoys a miracle return to the top 10. The legendary rock act’s 1989 LP The Miracle (Virgin) blasts to No. 6 on the latest list, thanks to an eight-disc reissue featuring previously-unreleased cuts, some with the late Freddie Mercury’s vocals. The Miracle led the U.K. chart following its original release in 1989.

Nickelback roll into the top 10 with Get Rollin’ (BMG), the Canadian rockers’ tenth studio album. It’s the band’s seventh top 10 appearance and first since 2017’s Feed The Machine went to No. 3.

Manchester rapper Meekz lands a career-best with his mixtape Respect The Come Up (Neighbourhood Recordings), new at No. 12, while U.S. heavy metal veterans Disturbed earn a fifth top 40 appearance with Divisive (Reprise), new at No. 17.

The late master David Bowie lands a 68^th U.K. top 40 with the Moonage Dream OST, the companion to Brett Morgen’s feature length documentary film of the same name. The posthumous recording is new at No. 20.

Christmas is less that one month away, and that mean another burst of energy for Michael Bublé’s festive collection. The multi-platinum Christmas (Reprise) set soars 50-26, and will likely continue in that trajectory for the weeks ahead.

Taylor Swift’s “Anti-Hero” (via EMI) continues to beat-up the opposition in the U.K., where it enters its fifth week at No. 1.

“Anti-Hero,” the first track from Swift’s chart-topping tenth studio album, Midnights, dominates the latest Official U.K. Singles Chart, published Nov. 25, with a market-leading 5.2 million streams, the OCC reports.

It becomes the longest-reigning song by a solo female artist since Olivia Rodrigo spent five weeks at No. 1 in 2021 with “Good 4 U,” and it’s among the biggest No. 1 hits of 2022.

Just three songs have enjoyed longest stints at the U.K. summit this year: Encanto’s “We Don’t Talk About Bruno” (seven weeks), LF SYSTEM’s “Afraid To Feel” (eight weeks) and Harry Styles’ “As It Was” (10 weeks). 

Meanwhile, Meghan Trainor continues to climb on the latest tally with “Made You Look” (Epic), which makes its peak position of No. 3, up one position.

The highest new entry this week belongs to London rapper Clavish with “Rocket Science” (Polydor) featuring D-Block Europe. “Rocket Science” lifts off for a No. 9 debut, Clavish’s first appearance on the U.K. top 40, and D-Block Europe’s 27^th appearance (including two top 10s).

The Christmas tunes are coming. Just one week removed from its earliest-ever return to the top 40, Mariah Carey’s “All I Want For Christmas Is You” (Columbia) is getting a move on, up 36-18. Good enough for the OCC’s “biggest gainer” honors.

Close behind are two holiday-themed chart-toppers in Wham’s “Last Christmas” (RCA), up 42-23, and Ed Sheeran and Elton John’s “Merry Christmas” (Atlantic), which reennters at No. 40.

Christmas isn’t the only major event on British minds right now.

The World Cup of soccer is in full swing, with England and Wales both active in the early rounds. Following England’s first-up demolition job on Iran, 6-2, David Baddiel, Frank Skinner and the Lightning Seeds’ “Three Lions” reenters the chart, at No. 20. The unofficial England football anthem and former leader gets a boost from a new cut, “Three Lions (It’s Coming Home For Christmas).”

Finally, British singer and songwriter Raye lands her 10^th top 40 single with “Escapism” (Human Re Sources), a collaboration with U.S. electronic artist 070 Shake, new at No. 31; while another collaboration, Meekz and Dave’s “Fresh Out The Bank” (Neighbourhood Recordings), cracks the top 40 on debut, at No. 35.  

Taylor Swift’s Midnights spends a fourth nonconsecutive week at No. 1 on the Billboard 200 albums chart (dated Dec. 3) as it holds atop the list with 177,000 equivalent album units earned in the U.S. in the week ending Nov. 24 (down 13%), according to Luminate.

Also in the new Billboard 200’s top 10: Michael Jackson’s former No. 1 Thriller returns to the region after its 40th anniversary reissue, vaulting 115-7; Rod Wave’s new Jupiter’s Diary: 7 Day Theory bows at No. 9; and Michael Bublé’s chart-topping Christmas jingles its way back to the top 10 with a 19-10 climb.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 3, 2022-dated chart will be posted in full on Billboard‘s website on Nov. 29. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Midnights’ 177,000 equivalent album units earned, SEA units comprise 118,000 (down 16%, equaling 155.8 million on-demand official streams of the set’s tracks), album sales comprise 57,000 (down 4%) and SEA units comprise 2,000 (down 49%).

Four former No. 1’s follow Swift on the new Billboard 200, as Drake and 21 Savage’s Her Loss is a non-mover at No. 2 (119,000 equivalent album units; down 30%), Bad Bunny’s Un Verano Sin Ti is steady at No. 3 (56,000; up less than 1%), Lil Baby’s It’s Only Me is also stationary at No. 4 (48,000; down 9%) and Morgan Wallen’s Dangerous: The Double Album rises 6-5 (42,000; up 2%).

Next up, The Weeknd’s The Highlights lifts 7-6 (39,000; down 2%).

Jackson’s former No. 1 Thriller returns to the top 10, jumping from No. 115 to No. 7 after it was reissued in celebration of its 40th anniversary. It earned 37,000 equivalent album units (up 283%). Of that sum, album sales comprise 27,500 (up 820%), SEA units comprise 9,000 (equaling 13.17 million on-demand official streams of the set’s tracks) and TEA units comprise 500.

Thriller spent 37 nonconsecutive weeks at No. 1 on the Billboard 200 in 1983-84 — the most weeks at No. 1 for an album by a singular artist. The only album with more weeks at No. 1 is the soundtrack to the film West Side Story, with 54 weeks in 1962-63.

Thriller was last in the top 10 of the Billboard 200 on the June 30, 1984-dated chart, when it ranked at No. 8. During its initial chart run, its last week on the list was April 20, 1985. It didn’t return to the list until Dec. 5, 2009, when the chart began allowing catalog (older) albums to chart again. (From May of 1991 through November 2009, catalog albums were generally not allowed to chart on the Billboard 200.)

For its 40th anniversary, Thriller was reissued in a variety of new configurations and formats, some with additional bonus tracks. All versions of the album, old and new, are combined together for tracking and charting purposes. Thriller has seen a few high-profile reissues in the past, including a remastered “special edition” in 2001 with previously unreleased bonus tracks and a 25th anniversary edition in 2008 with an unreleased song and new remix collaborations with Akon, Fergie, Kanye West and will.i.am.

Harry Styles’ former leader Harry’s House rises 9-8 on the new Billboard 200 with 33,000 equivalent album units (up 10%).

Rod Wave’s new eight-song Jupiter’s Diary: 7 Day Theory debuts at No. 9 on the Billboard 200 with nearly 31,000 equivalent album units earned. Of that sum, SEA units comprise a little more than 30,000 (equaling 43.32 million on-demand official streams of the set’s tracks), while album sales and TEA units comprise the remaining units. It’s the fifth consecutive and total top 10-charting album for the artist, and follows a pair of No. 1s in Beautiful Mind (2022) and SoulFly (2021).

Rounding out the new top 10 is Bublé’s former No. 1 Christmas, which rises 19-10 with 31,000 equivalent album units (up 51%%). The set was originally released in 2011 and spent five weeks at No. 1 in late 2011 and early 2012. It has returned to the top 10 in every Christmas season since.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Albania’s president on Sunday (Nov. 27) granted citizenship to British pop star of Albanian origin Dua Lipa for what he said was the artist’s role in spreading Albanians’ fame internationally through her music.

President Bajram Begaj said Lipa was granted citizenship ahead of Albania’s 110th anniversary of independence from the Ottoman Empire. Begaj said he considered it an honor to do so because Lipa has made Albanians famous throughout the world.

“I will be an Albanian with papers too,” Lipa said before taking her citizenship oath at Tirana city hall.

Lipa was born in London in 1995 to immigrant Albanian parents Anesa and Dukagjin Lipa from Kosovo.

Lipa, who started singing at 5 years old, was musically influenced by her father, a former singer and guitarist of a rock band. She started to post her songs in YouTube when she was 14. Her first debut studio album was released in 2017. In 2019 she won the Grammy Award for best new artist.

Together with her father, she co-founded the Sunny Hill Foundation in 2016 to raise funds with annual concerts held in her native Kosovo to help people experiencing financial difficulties.

“It is an indescribable great joy with such acceptance, love and everything,” said Lipa. The artist then took a passport photo, was fingerprinted and signed an application form for an identity hard and passport.

Lipa will wrap up her annual concert tour in Tirana’s main Skanderbeg Square on Monday to commemorate Independence Day.

See the Lipa’s post on Instagram below.