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Jerry Lee Lewis Was the Last Living Member of the Inaugural Rock & Roll Hall of Fame Class

Now they’re all gone. With Jerry Lee Lewis‘ death at age 87, which was announced on Friday (Oct. 28), the last survivor of the inaugural class of the Rock & Roll Hall of Fame has passed on. Lewis became the sole survivor upon Don Everly’s death on Aug. 21, 2021.

That inaugural class in 1986 consisted of nine solo artists and a duo, The Everly Brothers.

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Three of the first year’s inductions were made posthumously. Buddy Holly had died in a plane crash in 1959 at age 22, Sam Cooke was shot to death in 1964 at 33, and Elvis Presley had died of cardiac arrest in 1977 at 42.

Eight of the inaugural inductees were alive at the time of the first Rock & Roll Hall of Fame induction ceremony on Jan. 23, 1986, at the Waldorf Astoria Hotel in New York but have since died. Ray Charles died in 2004 at 73, followed by James Brown in 2006 at 73, Phil Everly in 2014 at 74, Chuck Berry in 2017 at 90, Fats Domino in 2017 at 89, Little Richard in 2020 at 87, Don Everly at 84 and now Jerry Lee Lewis at 87.

Here’s a quick look at the inaugural class, showing the artist’s highest-charting hit(s) on the Billboard Hot 100 (or predecessor charts) and the name of the person who inducted them into the Rock Hall. For the five artists whose highest-charting hits occurred before the inception of the Hot 100 on Aug. 4, 1958, we also show their highest charting Hot 100 hit.

Chuck Berry

Top hit: “My Ding-a-Ling,” No. 1  in 1972

Inducted by: Keith Richards

James Brown

Top hit: “I Got You (I Feel Good),” No. 3 in 1965

Inducted by: Steve Winwood

Ray Charles

Top hits: Three No. 1 hits: “Georgia on My Mind” in 1960, “Hit the Road Jack” in 1961 and “I Can’t Stop Loving You” in 1962

Inducted by: Quincy Jones

Sam Cooke

Top hit: “You Send Me,” No. 1 in 1957. Top Hot 100 hit: “Chain Gang,” No. 2 in 1960

Inducted by: Herb Alpert

Fats Domino

Top hit: “Blueberry Hill,” No. 2 in 1957. Top Hot 100 hits: “Whole Lotta Loving,” No. 6 in 1959, “Walkin’ to New Orleans,” No. 6 in 1960.

Inducted by: Billy Joel

The Everly Brothers

Top hits: Four No. 1 hits: “Wake Up Little Susie in 1957, “All I Have to Do Is Dream” in 1958, “Bird Dog” in 1958 and “Cathy’s Clown” in 1960. Only the latter song reached No. 1 on the Hot 100.

Inducted by: Neil Young

Buddy Holly

Top hit: “That’ll Be the Day” (The Crickets),” No. 1 in 1957. Top Hot 100 hit: “It Doesn’t Matter Anymore,” No. 13 in 1959.

Inducted by: John Fogerty

Jerry Lee Lewis

Top hit: “Great Balls of Fire,” No. 2 in 1958. Top Hot 100 hit: “What’d I Say,” No. 30 in 1961.

Inducted by: Hank Williams Jr.

Little Richard

Top hit: “Long Tall Sally,” No. 6 in 1956. Top Hot 100 hit: “Baby Face,” No. 41 in 1958.

Inducted by: Roberta Flack

Elvis Presley

Top hits: 17 No. 1 hits from “Heartbreak Hotel” in 1956 to “Suspicious Minds” in 1969. Seven No. 1 hits on the Hot 100.

Inducted by: Julian and Sean Lennon

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‘Cyberpunk: Edgerunners’ Rules Top TV Songs Chart With Debut Season

Netflix’s Cyberpunk: Edgerunners claims three positions, including the No. 1 spot, on Billboard’s Top TV Songs chart, powered by Tunefind, for September 2022.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2022.

“I Really Want to Stay At Your House” by Rosa Walton ranks at No. 1 after its inclusion in the debut series’ second episode, released alongside the rest of the premiere season on Sept. 13.

In September 2022, “House” earned 7.6 million on-demand official U.S. streams and 4,000 downloads, according to Luminate. The metrics helped the song, originally released as part of the Cyberpunk 2077: Radio, Vol. 2 soundtrack in 2020, to reach multiple Billboard charts, including a No. 16 peak so far on the multi-metric Hot Alternative Songs list dated Oct. 8 (it appears at No. 20 on the latest, Oct. 29-dated survey).

“House” is joined by fellow Cyberpunk songs “Who’s Ready for Tomorrow” by Rat Boy and IBDY at No. 6 (2.5 million streams, 1,000 downloads) and “Let You Down” by Dawid Podsiadlo at No. 9 (1.5 million streams, 1,000 downloads) on the 10-position chart.

An additional new series, Disney+’s She Hulk: Attorney at Law, also claims three positions on the list, paced by Megan Thee Stallion’s “Body,” from the third episode (Sept. 1), which appears at No. 2 (9.5 million streams, 2,000 downloads).

See the full top 10 below.

Rank, Song, Artist, Show (Network)

  1. “I Really Want to Stay At Your House,” Rosa Walton, Cyberpunk: Edgerunners (Netflix)
  2. “Body,” Megan Thee Stallion, She-Hulk: Attorney at Law (Disney+)
  3. “Wildest Dreams,” Taylor Swift, Fate: The Winx Saga (Netflix)
  4. “Seize the Power,” Yonaka, She-Hulk: Attorney at Law (Disney+)
  5. “Home,” John Legend, Good Trouble (Freeform)
  6. “Who’s Ready for Tomorrow,” Rat Boy & IBDY, Cyberpunk: Edgerunners (Netflix)
  7. “ZOOM,” Jessi, She-Hulk: Attorney at Law (Disney+)
  8. “Nite and Day,” Al B. Sure, Monster: The Jeffrey Dahmer Story (Netflix)
  9. “Let You Down,” Dawid Podsiadlo, Cyberpunk: Edgerunners (Netflix)
  10. “Turtles All the Way Down,” Reservation Dogs (Hulu)
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Keith Urban Gives a Nod to Iconic ‘Say Anything’ Scene in the Artwork for His New Song

Keith Urban released his new song, “Street Called Main,” on Friday (Oct. 28), and the single artwork will look a tad familiar to fans of a certain 1980s movie.

On Instagram, Urban shared a photo of himself in a long trench coat and standing in the middle of a street, holding a boombox over his head. The image is strikingly similar to the iconic scene in the Cameron Crowe-directed 1989 romantic teen comedy movie Say Anything.

In the movie, the character Diane Court (played by Ione Skye) is awakened by the sound of music and looks out her bedroom window to see Lloyd Dobler (played by John Cusack) standing in front of his car outside of her house, holding a boombox over his head as it plays Peter Gabriel’s “In Your Eyes.” The gesture is meant as a reconciling moment between the couple, who had previously broken up.

Urban said of “Street Called Main” via a press release, “Some memories are triggered by the simplest of things, like finding yourself anywhere in the world – even on a ‘street called main’ – and suddenly ‘she’ comes flooding back.”

The country star is currently in the studio working on a new album slated to release in 2023, and recorded “Main” in Nashville with his longtime producer Dann Huff. He has also been criss-crossing the country on his The Speed of Now World Tour 2022, which will conclude its U.S. run with shows in Wisconsin, Illinois and Minnesota, before heading to Australia.

Urban’s current radio single, “Brown Eyes Baby,” is at No. 34 on Billboard‘s Country Airplay chart.

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Niall Horan Promises New Album, Tour in 2023

Niall Horan is gearing up for a return in 2023. After releasing his his second studio album, Heartbreak Weather, at the beginning of the COVID-19 pandemic, the former One Direction singer and solo star told fans on Thursday (Oct. 27) that he’s ready to step back into the spotlight.

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“Hello lovers, it’s Niall here. It’s been a while, which I know you’re very aware of,” the singer said in a video posted on Twitter. “But I just wanted to give you an update as to what’s going on. I’m back. I’ve got new music coming in the new year that I’m really, really proud of, and I appreciate you being so patient with me while I’ve done it.”

He noted that he’s shooting the upcoming 23rd season The Voice, which is slated to air in the spring. He’ll be slipping into the red chair alongside fellow newbie Chance the Rapper, as well as returning judge Kelly Clarkson and Blake Shelton, who will step down at the end of the upcoming season after holding down a coaching position since the series’ 2011 premiere.

“I’ve got a whole new album too,” he added, noting that he will also be doing something he’s wanted to try his entire career: playing festivals. “I’ve never really had the opportunity to do it. So I think we will be announcing some festivals in the next couple of days and weeks and months for next year, which I’m really excited about. Can’t wait to get back on the road and see you guys all over the world.”

And, as promised, Horan revealed his first festival date on Friday morning. The singer will join Pulp, Sam Fender, The 1975, Royal Blood, Kasabian, George Ezra and more at next July’s TRNSMT fest in Glasgow. The singer’s 2017 solo debut, Flicker, debuted at No. 1 on the Billboard 200 album chart, while Weather landed at No. 4 in its first week.

See Horan’s announcement video and festival poster below.

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Jerry Lee Lewis Dead at 87

Jerry Lee Lewis, piano-bashing rock n’ roll founding father, swaggering country shouter and the last surviving member of the inaugural (1986) class of the Rock and Roll Hall of Fame, has died. His death was announced on Friday (Oct. 28).

Lewis is known for recording such rock standards as “Whole Lot of Shakin’ Going On,” “Great Balls of Fire,” “Breathless” and “High School Confidential.”  Both “Whole Lot of Shakin’ Going On” and “Great Balls of Fire” have been named to the Grammy Hall of Fame. Sometime collaborator Kris Kristofferson told USA Today that Jerry Lee Lewis is “one of the best American voices ever.” A 2022 inductee into the Country Music Hall of Fame, Lewis is one of just 16 people to have been inducted into both the Country and Rock and Roll Halls. 

Lewis was born on Sept. 19, 1935, in East Louisiana to indigent parents Elmo and Mamie Lewis.  He was brought up Christian and raised on a family farm in Ferriday that “produced more famous people per square mile than any other American small town.” The young Lewis taught himself to play piano at the age of 8 and sang gospel music in church. His two cousins, Mickey Gilley, who became a successful country singer, and Jimmy Swaggart, eventually a renowned TV evangelist, shared similar musical interests. Lewis’ formative influences included listening to the Grand Ole Opry radio broadcasts, which featured the likes of Jimmie Rodgers, Hank Williams and Moon Mullican.

Lewis moved to Memphis in 1956 to audition for Sam Phillips, the owner of Sun Records and the man who first recorded Elvis Presley, Johnny Cash and Carl Perkins. Phillips wasn’t there when Lewis arrived, so producer Jack Clement recorded Lewis’ debut single, a rockabilly version of Ray Price’s “Crazy Arms.” Lewis went on to work at the studio as a session musician, playing piano on numerous recordings including records by Cash, Billy Lee Riley (“Flyin’ Saucers Rock ‘n’ Roll)” and Perkins (“You Can Do No Wrong” and “Your True Love”), among others. The Million Dollar Quartet sessions, recorded by Phillips, was the result of a spontaneous jam session at Sun involving Presley, Cash, Perkins and Lewis. He was also part of the legendary Class of ’55 album with Cash, Perkins, Elvis and Roy Orbison.

As a piano player, Jerry Lee had a very unique style, blending rockabilly, gospel, blues and country while feverishly banging away on the keys, his long blond hair flying around, as he jumped on the bench, a veritable whirling dervish, and unabashed rock star. “No one wanted to follow Jerry Lee onstage,” said Cash. “Not even Elvis.”

Jerry Lee Lewis was nicknamed “The Killer,” and his “wild” man performances were kinetic, filled with flamboyant flair as he pounded the higher keys with his right hand, kicking and standing on top of the piano, knocking over the bench and anything left standing on the stage. He even lit his piano on fire, making it impossible for anyone to upstage him, a forerunner of the likes of The Who and Jimi Hendrix.

Lewis’ rockabilly version of “Whole Lot of Shakin’ Going On,” first recorded by Big Maybelle, hit No. 1 on Billboard‘s country and R&B charts, as well as No. 3 on the (pre-Hot 100) pop chart in ’57.  It was the first song played on the national edition of American Bandstand on Aug. 5, 1957. Said Lewis: “I knew it was a hit when I cut it, but Sam Phillips thought it was too risqué.” Wrote Memphis critic Robert Gordon: “Jerry Lee began to show that in this new emerging genre called rock ‘n’ roll, not everybody was going to stand there with a guitar.”

The follow-up, “Great Balls of Fire,” was an even bigger hit, reaching No. 2 on Billboard‘s pop chart. From this point until 1961, the billing on Lewis’ singles was “Jerry Lee Lewis and His Pumping Piano.” “Breathless” followed, reaching No. 7. Hollywood took notice: Lewis appeared in the 1957 film Jamboree! In 1958, Lewis sang the title song in the film High School Confidential, starring Russ Tamblyn. The result was another hit (No. 21 on the pop chart).

Lewis’ career stumbled in 1958 with a media backlash, led by British journalist Ray Berry, who revealed that Lewis secretly married his 13-year-old cousin Myra Gale Brown, who became his third wife. Lewis was 22 at the time and was quickly blacklisted by the music industry. Radio stations boycotted Lewis’ music. Dick Clark himself canceled Lewis’ appearances on American Bandstand. Before his marriage, venues paid him nearly $10,000 a night; the scandal lowered his asking price to a rock-bottom $250 an engagement.

He was still under contract to Sun Records, though, and a subsequent recording of Ray Charles’ “What’d I Say” reached No. 30 on the Hot 100 in 1961. His contract with Sun ended in ’63 and he went on to release other songs with Smash Records, but nothing hit the crossover peaks of those first releases, even if he did continue to experience success on the country charts. His Live at the Star Club, Hamburg album in 1964 is considered one of the most spectacular live concert discs ever released.

In ’68 he transitioned into country, recording the top 10 hit “Another Place Another Time,” which reached No. 4 on Billboard‘s Hot Country Singles chart, as it was then called. Four subsequent singles reached No. 1 on that chart: “To Make Love Sweeter for You,” “There Must Be More to Love Than This,” “Would You Take Another Chance on Me” and a cover version of  The Big Bopper’s 1958 smash “Chantilly Lace.” (The latter song brought Lewis his first Grammy nomination, for best country performance, male.) In 1981, he released “Thirty Nine and Holding” on Elektra Records and then briefly signed to MCA Records.

In February 1987, Lewis won his only competitive Grammy — best spoken word or non-musical recording as one of the narrators of Interviews From the Class of ’55 Recording Sessions. His co-winners were Johnny Cash, Chips Moman, Rick Nelson, Roy Orbison, Carl Perkins and Sam Phillips. Lewis received a Lifetime Achievement Award from the Recording Academy in 2005.

Winona Ryder, Dennis Quaid and Alec Baldwin starred in the 1989 biopic of Lewis life, Great Balls of Fire!, which brought Lewis’ career back into the limelight. The movie was based on Myra Lewis’ book detailing his life and controversy. Jerry Lee recorded the songs for the soundtrack.

In 2006, Lewis’ aptly titled Last Man Standing album reached No. 26 on the Billboard 200, his highest-charting title on that chart. Raw concert footage was put together in the companion DVD, Last Man Standing Live, featuring duets with Mick Jagger, Rod Stewart and Jimmy Page, among others. He teamed up in 2010 with Eric Clapton and Merle Haggard, along with Jimmy Page and others, on Mean Old Man, which reached No. 30 on the Billboard 200.

In April 2013, he opened Jerry Lee Lewis’ Café & Honky Tonk on Beale Street in Memphis. He also released Rock & Roll Time and was the subject of Jerry Lee Lewis: His Own Story, a biography written by Pulitzer Prize winner Rick Bragg. Lewis’ version of the title track, originally co-written and recorded by Kris Kristofferson, features guitarists Doyle Bramhall, Jon Brion and Kenny Lovelace, along with vocalists Vonda Shepard and Bernard Fowler. “This is a rock ‘n’ roll record,” he told Rolling Stone. “That’s just the way it came out.” The rest of the album is cast with many artists he inspired, including Keith Richards and Ron Wood, Neil Young, Robbie Robertson, Nils Lofgren and Shelby Lynne, among others. The album included covers of Chuck Berry, Bob Dylan, Lynyrd Skynyrd, Paul Rodgers and old pal Johnny Cash (“Folsom Prison Blues”), one of two songs on which he played guitar.

Lewis had six children by seven wives, and his personal life was marred by several tragedies. He married Dorothy Barton in ’52 when he was just 17 years old. They divorced in ’53, one month before he married Jane Mitchum, with whom he had two children, Jerry Lee Lewis Jr. and Ronnie Guy Lewis. Jerry Lee Jr. died at 19 in 1973 in a car accident when his Jeep overturned. Lewis married Myra Gale Brown, his teenage cousin, and had two children, Steve Allen Lewis and Phoebe Allen Lewis. Steve drowned when he was 3 years old in 1962. His fourth wife, Jaren Elizabeth Gunn Pete, gave birth to their daughter Lori Lee Lewis before dying in a friend’s swimming pool before their divorce was final. He married Shawn Stephens in ’83 before her untimely death — just three months after they were married. His sixth marriage, to Kerrie McCarver, lasted 20 years, from 1984 to 2004, producing one son, Jerry Lee Lewis III. He married his seventh wife, Judith Brown, in 2012 with whom he spent his final days on their Nesbit, Mississippi, ranch. Jerry Lee Lewis is survived by his wife, sons Ronnie and Jerry Lee Lewis III, and daughters Phoebe and Lori Lee.

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First Spin: The Week’s Best New Dance Tracks From Fred again.., Alison Wonderland, CamelPhat & More

This week in dance music: we recapped the whirlwind that was ADE 2022, the dance world mourned the loss of producer Mighty Mouse, we went inside the Kyiv club that opened for one night amidst the ongoing war, we got exclusive Dirtybird Campout West 2022 sets from a trifecta of acts, we met the production wizards behind Porter Robinson’s Second Sky festival this weekend, David Guetta and Bebe Rexha hit the apex position of Dance Mix/Show Airplay and the CW Network announced that it will air the U.S.’s first ever all electronic awards show in May.

As for new music, we’ve got that too. Let’s dig in.

Fred again.., Actual Life 3 (January 1-September 9 2022)

It’s here. After months of waiting and what’s felt like an open faucet of singles — including scene-uniting collaborations with Four Tet and Swedish House Mafia — Fred again..’s Actual Life 3 is out today. AFter becoming the moment’s most relevant electronic producer following a post-pandemic run of buzzy, teary sets including Coachella and record-setting Boiler Room performance, Fred Again..’s latest album makes good on the considerable hype, providing 13 sonically and emotionally nuanced tracks cobbled together from digital ephemera, pulling off the rare achievement of being as rich in meaning as they are effective on the dancefloor. — KATIE BAIN

Alison Wonderland, “Down the Line”

When you’re feeling low and the future looks dark, one of the best forms of medicine is a scream-along anthem about being down in the pits. Alison Wonderland is a magician when it comes to moody lyrics and spirited drops, and her latest single “Down the Line” is exactly the sort of re-energizing depression candy any good “I can’t get off of the couch because life sucks” moment requires. 

“We need the dark times in order to get to the light,” the artist says. “We need that experience to know that it’s going to be okay one day. The track is me acknowledging that I was alone during a difficult time but knew that I was going to get through it and be okay, down the line. We’re all going through a dark time right now, and sometimes we need to be reminded that it’s going to be okay. No matter what happens, we will be okay.” – KAT BEIN

Jimmy Edgar Feat. LIZ, “EUPHORIA”

With his new single “EUPHORIA,” Detroit producer Jimmy Edgar shares another preview of his forthcoming album LIQUIDS HEAVEN, out on November 11 via Innovative Leisure. The track is a concentrated dose of ear candy, made of pastel synths that swirl with the richness and silkiness of milk chocolate, and bright background melodies that sparkle like sonic Pop Rocks. And like how eating sweets leads to a woozy sugar rush, “EUPHORIA” too is about chasing that buzzy peak in love. Through the track’s chest-swelling builds, vocalist LIZ declares: “I’ll keep looking for you / I’ll keep looking for euphoria.” Edgar’s latest is all confectionary goodness without the risk of cavities. — KRYSTAL RODRIGUEZ

Anyma & CamelPhat, “The Sign”

CamelPhat make their debut on Tale of Us’ Afterlife Recordings with “The Sign,” a collaboration with producer Anyma. A moody, multi-movement progressive house soundscape made for that moment late night turns to early morning, “The Sign” delivers a lot of head nodding deep in the dancefloor moments along with a few satisfyingly crunchy synths, all over an urgent beat that sounds like it’s being beamed to your earholes from deep space. — K. Bain

Ten City, “Love Is Love” 

When you know, you know, and true love can’t be stopped by parents or friends or ne’er-do-well of any kind — not when it feels this silky smooth. True Chicago house and R&B legends Ten City come through with a jazzy, feel-good number that’ll get you real cozy on the dance floor with your favorite cuddle buddy, and remind you that “Love Is Love,” no matter what form is takes. In the words of Ten City co-founder and vocalist Byron Stingly, it’s a “modern Romeo and Juliet meets West Side Story!” This is for the grown and sexy among us, but it’s a message that will resonate with anyone who’s found themself enamored or thinks they’ve found the one, and certainly those among us who have been told their choice in partner isn’t “right,” even though nothing about it could ever feel wrong. It’s the second and titular single from Ten City’s forthcoming album Love Is Love, due out in 2023. – K. Bein

J. Worra feat. Nathan Nicholson, “Lightning to Strike”

From opposite sides of the Atlantic, Los Angeles’ Insomniac Records and London’s D4 D4NCE—Defected Records’ imprint for rising stars—have joined together in a new collaborative venture. Their first joint release, the single “Lightning to Strike,” comes from J. Worra, who’s previously graced both labels with her modern house sound. On “Lightning to Strike,” J. Worra dips into a bolder palette with a bouncy, retro-futuristic bassline; melodic keys and laser-beam synths which balance out Nathan Nicholson’s breezy croons and wispy vocals. Altogether, they create a song that’s as mellow and melancholic as it is hopeful. — K.R.

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Don McLean Calls Kanye West an ‘Attention-Seeking Fool’ Over Antisemitic Rants

“American Pie” singer Don McLean has added his name to the list of artists calling out Kanye West for the rapper’s recent barrage of antisemitic hate speech. The singer released a statement on Friday (oct. 28) strongly condemning Ye (as the MC is now known) for a weeks-long series of interviews in which West has repeatedly made comments disparaging of the Jewish people, actions that have resulted in Kanye losing nearly every aspect of his once-formidable music and fashion empire.

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“Lately a flood of antisemitic invective has been triggered by the ranting of a stupid attention-seeking fool we all know,” McLean wrote in the statement that did not mention Ye by name. “I want to say I stand with my Jewish friends and I stand with the state of Israel. When this kind of thing happens we should realize why the state of Israel must be respected and protected.”

McLean noted that he lived in Israel on-and-off from 1978-1982 and he “grew to love the country and the people. Living there changed my life forever.” The Anti-Defamation League, which tracks antisemitic behavior in the U.S. recently reported that there were 2,717 antisemitic incidents in 2021, a 34 percent rise from the year before for an average of more than seven such attacks per day.

The Washington Post reported this week that longtime watchdogs of antisemitism say the type of overtly derogatory comments made recently by Ye — as well as former president Donald Trump — are not new, but that the unapologetic manner in which they’ve been delivered in public forums is concerning at a time when incidents of harassment, vandalism and violence against Jews is at its highest level in the U.S. since the 1970s.

“Empirically, something is different. The level of public animosity towards Jews is higher than it’s been in recent memory,” Jonathan Greenblatt, CEO of the ADL told the paper. “While at a generalized level, antisemitic attitudes have dropped, the incidents have risen because there is less shame. People feel they can say and do anything.”

Over the past several weeks West has been on a bizarre media tour in which he has doubled and tripled-down on comments disparaging Jews after already raising eyebrows by promoting a “White Lives Matter” shirt at his recent Paris Fashion Week show. As a result, over the past week West has been dropped by his reps at CAA, lost partnerships with Adidas, The Gap and Balenciaga, had his Essentials playlist pulled from Apple Music, his products taken off shelves at TJ Maxx and was cut off by Foot Locker. The end of the Adidas deal will reportedly result in a $246 million loss for the company this year and is believed to be the linchpin in Ye’s loss of billionaire status.

In further blows to the once-esteemed rapper’s tattered public image, he was unceremoniously escorted out of the Skechers office on Tuesday (Oct. 26) after showing up “uninvited,” even as his wax figure was removed from Madame Tussauds London and his Donda Academy basketball team was bounced from a tournament over his hate speech.

Lately a flood of antisemitic invective has been triggered by the ranting of a stupid attention-seeking fool we all know. I want to say I stand with my Jewish friends and I stand with the state of Israel. When this kind of thing happens we should realize why the state of Israel must be respected and protected.
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Charlie Puth Takes His Acoustic ‘Unholy’ Cover to the Body Shop: Watch

Charlie Puth may feel turned on like a “Light Switch,” but his latest performance shows him getting downright naughty with an assist from a chart-topping song.

On Thursday (Oct. 27), Puth stopped by the studios of SiriusXM to promote his latest album Charlie, which debuted at No. 10 on last week’s Billboard 200. While at the studio, the singer decided to offer up his own acoustic rendition of “Unholy,” the record-breaking Sam Smith and Kim Petras collab that sits atop this week’s Billboard Hot 100.

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Before kicking off his performance, Puth said that he “loves this song,” and that his decision to perform it was pretty spur-of-the-moment. “The first song we’re going to do is something I decided to do on the car ride over here,” he said. “I love the people involved in this song, and I just spoke to Sam this morning and told them that I would be doing this.”

Unlike the clanking, industrial-pop sound of the original, Puth’s version simply paired his voice with an acoustic guitar, as he crooned out the seductive lyrics to the hit track, including Petras’ Balenciaga-flexing verse.

The star also made sure to give fans a couple songs off of his new album, delivering live acoustic renditions of “Loser” and “Left and Right,” this time joining in the fun with some light piano. Speaking about the latter song (his collaboration with BTS’ Jung Kook), the singer said that he had a very specific band in mind while writing it. “I wrote this song thinking about the Beatles, because sometimes their voices would be on one side of the speaker due to the limitations of recording at the time,” he said.

Check out Puth’s cover of “Unholy,” as well as his live renditions of “Loser” and “Left and Right,” below:

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Silver Dollar City Investing Over 30 Million on Park Projects

Silver Dollar City says it is spending more than 30 million dollars on projects throughout the park.

SDC says the plan will include parking and road improvements, new restaurants, and housing for student-employee personnel. The building will house close to 300 people, with 4 students per room.

This article is provided by Ozarks News – 93.3 KWTO
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Billboard Explains: The Rise and Fall and Rise Again of CDs

Before MP3s and streaming services entered the conversation, there were CDs — the shiny disk that made history and an impact on music.

In Japan on Oct. 1, 1982, Billy Joel’s 52nd Street became the first CD to go on sale. The CD format offered everything vinyl and cassette tapes didn’t: digital audio with no surface hiss, while offering clean sound, longer playing time, and immediate access to any track.

“The CD had this sort of futuristic mystique to it,” says Steve Knopper, Billboard editor at large. “It was a pristine sound for most of us who spent our childhood carrying crates of records. … Having CDs was so much more convenient and efficient.”

But CDs weren’t always loved.

There was pushback from labels, manufactures, and retailers who didn’t immediately embrace this concept of digital audio. It wasn’t until the late ’80s when CDs surpassed LPs in volume and revenue for the first time.

CDs sales then jumped in the U.S. during the 2000s, with 730 million sold. However, in the mid-2000s, thanks to MP3s, Napster and other music-sharing sites started to replace CDs. By the 2010s, streaming became the go-to, and in 2020, only 40 million CDs were sold in the U.S. — the lowest in 35 years.

Nonetheless, there could be a comeback with artists such as BTS, Billie Eilish, and Olivia Rodrigo giving new life to CDs. The shiny plastic disc is still sentimental to those looking to support their favorite artists, and remains the music format of choice in places like Japan.

Watch the latest episode of Billboard Explains above to learn more about the rise and fall and rise again of CDs.

After the video, catch up on more Billboard Explains videos and learn about the evolution of girl groups, BBMAs, NFTs, SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.