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Bad Bunny Tops Artist 100 Chart for Fourth Week, SEVENTEEN Hits Top Five

Bad Bunny returns to No. 1 on the Billboard Artist 100 chart (dated Aug. 6), reigning as the top musical act in the U.S. for a fourth week, thanks to his latest album, Un Verano Sin Ti.

The set spends a seventh week at No. 1 on the Billboard 200 with 98,000 equivalent album units earned in the week ending July 28, according to Luminate.

The star concurrently charts 10 songs on the latest Billboard Hot 100, the most among all acts, and 23 on Hot Latin Songs. Here’s a recap of his entries on the Hot 100:

Hot 100 Rank, Title

  • No. 8, “Me Porto Bonito,” with Chencho Corleone
  • No. 16, “Tití Me Preguntó”
  • No. 26, “Moscow Mule”
  • No. 44, “Efecto”
  • No. 54, “Party,” with Rauw Alejandro
  • No. 58, “Después de La Playa”
  • No. 64, “Ojitos Lindos,” with Bomba Estéreo
  • No. 73, “Tarot,” with Jhay Cortez
  • No. 93, “Un Ratito”
  • No. 100, “La Corriente,” with Tony Dize

Elsewhere on the Artist 100, SEVENTEEN vaults 71-4, reaching a new high on the strength of its new SEVENTEEN 4th Album Repackage: Sector 17. The set debuts at No. 4 on the Billboard 200 (34,000 units), becoming the group’s highest charting album and second top 10.

Plus, Jack White re-enters the Artist 100 at No. 10 thanks to his new LP Entering Heaven Alive, which opens at No. 9 on the Billboard 200 (27,000 units), becoming his sixth solo top 10. White spent a week at No. 1 on the Artist 100 in 2018. He’s also led the list (dating to the chart’s 2014 inception) as a member of The Raconteurs, in 2019, and reached No. 32 as a member of The Dead Weather and No. 52 as half of The White Stripes.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

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Katy Perry Has the Best Reaction to Orlando Bloom’s Shirtless Photos: ‘I Have a Heat Rash’

It’s getting dangerously hot in the Perry-Bloom household. Commenting on Orlando Bloom’s recent Instagram photos and videos –which he’s very much shirtless in four of — Katy Perry hilariously shared her appreciation for her fiancé’s muscles.

In his post, the 45-year-old Pirates of the Caribbean star is shown meeting animals, exploring nature, cleaning litter from beaches, and hitting the gym in Australia, where he’s currently filming A24’s upcoming pothead-meets-adventure film Wizards! starring Pete Davidson, Naomi Scott and Franz Rogowski. In the first photo, he cozies up to his friend and fellow movie star, Frozen‘s Josh Gad.

“Friend’s become family,” he wrote in his caption. “Werk-outs & beach cleaning. WILD wildlife. @australia you gotta lot to offer.”

It was the shirtless photos and videos from Bloom’s time on the beach and working out specifically, though, that seemed to catch the attention of Perry. “Babe where did you put the cortisone cream I have a heat rash,” she joked in the post’s comments section.

The “Firework” singer and Bloom first began dating on and off in 2016 before eventually getting engaged in 2019. In March 2020, the couple revealed they were expecting a baby — a daughter named Daisy whom they welcomed the following August.

Though they haven’t yet tied the knot, Perry confirmed in February that their destination wedding was simply being delayed by new variants of COVID-19. Then, in May, she gushed about the Lord of the Rings star on the Dear Chelsea podcast.

“I got to see what a great dad he was with his first child, Flynn, who is now 11,” the American Idol judge said of the son he shares with ex Miranda Kerr. “So that definitely, primally influenced me [to want kids]. Something inside of me said, ‘You, mid-30s. This man is nice. Must breed. He is a kind man.”

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Shania Twain, Hillary Lindsey, Gary Nicholson Among Nashville Songwriters Hall of Fame Inductees

Since making her first entry on Billboard’s country chart in 1993, Shania Twain has earned seven No. 1 Country Airplay hits, three RIAA Diamond-certified albums (1995’s The Woman in Me, 1997’s Come On Over and 2002’s Up!) and was named the Country Music Association’s entertainer of the year in 1999. Her groundbreaking career and female-empowering music was recently chronicled in the Netflix documentary Not Just a Girl.

Later this year, Twain will twice be honored for her craft of songwriting — as previously announced, she will be honored with the ACM Poet’s Award during the ACM Honors on Aug. 24. Later this year, she will also be inducted into the Nashville Songwriters Hall of Fame.

Joining Twain will be Steve Wariner, Hillary Lindsey, Gary Nicholson and David Malloy as the Nashville Songwriters Hall of Fame Class of 2022, as announced by Sarah Cates, chair of the organization’s board of directors, as well as Mark Ford, the organization’s executive director.

“This is always one of my favorite days of the year — when we announced our incoming class and begin their journey to the Nashville Songwriters Hall of Fame Gala in October,” Cates said during the inductee announcement. “I’m especially gratified to note that — for the first time since 2009 — two of our inductees-elect are women.” Kye Fleming and Tammy Wynette were among the inductees in 2009.

 This year’s five inductees-elect will join the 223 members the organization has inducted since its launch in 1970, including writers such as Felice and Boudleaux Bryant, Don and Phil Everly, Harlan Howard, Kris Kristofferson, Loretta Lynn, Dolly Parton, Willie Nelson, Bill Monroe, Bobby Braddock, Don Schlitz and Cindy Walker.

Twain, who has written or co-written the majority of her own hits, will be honored as the newest member of the contemporary songwriter/artist category. The Canada native earned her first No. 1 Billboard country hit in 1995 with the two-week chart-leader “Any Man of Mine,” and has earned seven No. 1 Billboard Country Airplay hits, including “Love Gets Me Every Time,” “You’re Still the One” and “Come On Over” (the latter two earned Grammy honors for best country song in 1998 and 1999, respectively). Twain was not in attendance at the inductee announcement.

The inductee in the veteran songwriter-artist category this year is Wariner. In addition to his talents as a vocalist and an in-demand instrumentalist, Warner has written many of his own recorded songs, including “You Can Dream of Me,” “Where Did I Go Wrong,” and “Holes in the Floor of Heaven,” which was named single and song of the year by the Country Music Association in 1998. Wariner also co-wrote Keith Urban’s hit “Where the Blacktop Ends,” the Clint Black hit “Nothin’ But the Taillights,” and his own collaborative hit with Garth Brooks on “Longneck Bottle.”

Wariner spoke glowingly in tribute to the late country singer-songwriter Dottie West, who gave him his big break.

“I worked with Dottie for about three years. I would get on the bus, and she would ask me, ‘What did you write this week? I want to hear your songs.’ She was like a teacher, so I tell people I went to the Dottie West School of Music,” Wariner said. He also smartly noted that West became the first female country artist to win a Grammy, for her self-penned song “Here Comes My Baby.” He added, “This is like a dream come true. There’s so many other writers that probably deserve this more than I do, but none that will appreciate it any more, I can guarantee you that.”

“Lindsey and Nicholson will be inducted under the contemporary songwriter category. Lindsey is known for penning hits including Carrie Underwood’s “Jesus Take the Wheel,” (which earned Lindsey a Grammy win), “Church Bells” “So Small” and “Wasted,” as well as Martina McBride’s “Blessed,” Little Big Town’s “Girl Crush,” Keith Urban’s “Blue Ain’t Your Color” and Lady Gaga’s “Always Remember Us This Way,” from the A Star Is Born soundtrack.

“This is just absolutely mind-blowing to me,” Lindsey said during the inductee announcement press conference. “Thank you, Nashville Songwriters Hall of Fame, for this incredible honor. I am extremely humbled to be part of this year’s class, truly. Just the thought of my name even being thrown into the hat is mind-blowing to me. Thank you guys for always taking care of all of our songwriters and artists in the way that you do, with such a beautiful tradition like this.”

Nicholson has penned songs including Vince Gill’s “One More Last Chance” and Don Williams’ “That’s the Thing About Love.”

“I’ve been to Hall of Fame induction ceremonies through the years and just never imagined that…this would actually occur,” Nicholson said. “I am a product of this environment, this community of amazing songwriters and publishers. It was that synergy, that community that shaped me. I had not co-written before I got here and co-writing became the thing to do. I learned so much from every one of my collaborators and still do learn from all of them, but the main thing I want to hold up is the value of our songwriting community. It’s amazing. Thank you so much for this amazing honor.”

Malloy will be inducted under the veteran songwriter category, and is known for his work on a string of hits for including Eddie Rabbitt, including “I Love a Rainy Night,” “Suspicions” (also recorded by Tim McGraw), “Gone Too Far” and “Drivin’ My Life Away,” as well as Kenny Rogers’s “Love Will Turn You Around.”

The announcement took place Tuesday (Aug. 2) at Columbia Studio A in Nashville, with the official induction set to take place during the 52nd anniversary Nashville Songwriters Hall of Fame Gala on Sunday, Oct. 30, at Nashville’s Music City Center.

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25 Year Sentence for Texas County Man

A man from Texas County has been sentenced to 25 years in Prison for the kidnapping and murder of a woman.

Kenneth Clark was sentenced to 25 years for second degree murder, and 15 years for kidnapping in the death of Susan Campbell.

The sentences will run concurrently, so Clark will spend a total of 25 years in prison.

A charge of armed criminal action against Clark was dismissed.

This article is provided by Ozarks News – 93.3 KWTO
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One Dead, Two Injured in Shooting Sunday

Springfield Police are investigating a deadly shooting on South Scenic early Sunday morning.

At 2:43 am, an SPD officer responded to the scene when he heard the shots fired. When arriving on scene, multiple vehicles sped away.

One vehicle was located in a parking lot off West Chestnut, and inside were 3 males, all with gunshot wounds.

Two males were transported to a local hospital with life threatening injuries, one of which became fatal. The third male refused medical treatment at the scene.

No suspects have been identified, and the victims names have not been released at this time. SPD is still investigating, and anyone with information is asked to call Crime Stoppers at 417-869-TIPS (8477).

This article is provided by Ozarks News – 93.3 KWTO
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‘Running Up That Hill’ Isn’t Just a Viral Revival – It’s Also Becoming One of Radio’s Biggest Hits of the Summer

In late May –  just before influential radio programmer-turned-Spotify exec Kevin Weatherly returned to Los Angeles alt-rock station KROQ after a two-year stretch with Spotify – an old friend, Warner Records’ Mike Chester, called. At that point, thanks to the fourth season of Netflix’ Stranger Things, Kate Bush‘s 1985 single “Running Up That Hill (A Deal With God)” was improbably turning into a contemporary streaming hit. “I know you haven’t started yet,” Chester, the label’s executive vp of commerce and promotion, told Weatherly. “But this is wild. And you’re someone who would get this.”

Weatherly added “Running Up That Hill” to KROQ rotation even before he started his job as the Audacy station’s senior vp of programming. Quickly, other top programmers, including KIIS-FM’s Beata Murphy in Los Angeles, KYLD’s Mark Adams in San Francisco and iHeartMedia’s Mike McCoy in Columbus, Ohio, did the same. Within days, thanks to robust streaming and sales, Bush’s track – which had peaked at No. 30 on the Billboard Hot 100 during its mid-’80s run, reached No. 4 on the chart. The only barrier left for it to become a massive, Harry Styles-level smash, was to cross it over to radio. Chester reported to his boss, Tom Corson, the label’s chairman and COO, and said: “We got one.” He adds, “It was becoming clear that this was bigger than all of us.”

Although the track’s streaming numbers have recently declined – down 12.5% in official U.S. streams since last week, according to Luminate – copious radio airplay has more than compensated for the dip, making “Running Up That Hill” an even bigger hit than it was during the peak of Stranger Things hype in May and June. For the Aug. 6 charts, the track held at No. 3 for a second week on the Hot 100, and climbed from No. 10 to No. 7 on Billboard‘s Radio Songs listing, an increase of 17%, to 48.4 million impressions. The crossover to massive radio success is a rarity for recent viral catalog hits – from Fleetwood Mac’s “Dreams” on TikTok in 2020 to Nirvana’s “Something in the Way” from The Batman earlier this year to Metallica’s “Master of Puppets” in the same Stranger Things season last month, none of which have made it to Radio Songs this decade – making “Running Up That Hill” a sort of unicorn.

“Somehow we’ve been able to traverse that Stranger Things moment,” Chester says. “It’s transcended and bridged to passive audiences.” Adds Michael Martin, Audacy’s senior vp of programming, as well as program director for pop station Alice@97.3 in San Francisco, which has played the track 1,100 times — more than any other station, according to Luminate — “This is a rarity. This happens few and far between.”

Radio programmers continue to successfully test “Hill” in callout research, in which they play snippets of the song to listeners along with other potential playlist staples. Also, it’s unusually strong on several top radio formats, rising from No. 5 to No. 3 this week on the Alternative Airplay chart, and from No. 10 to No. 8 on the Pop Airplay chart.

“The audience isn’t tired of this thing,” Martin says. “I’ve heard it on pop radio segueing into a Doja Cat record, I’ve heard it on Hot AC segueing into an Ed Sheeran record, and I’ve heard it on alternative segueing into Glass Animals — and it sounds great.”

Like many radio veterans, Tom Poleman, iHeart’s chief programming officer, recalls airing “Running Up That Hill” on rock and alternative stations in the ’80s and ’90s. But the radio activity back then was nothing compared to the last few weeks. “It was a great song to begin with. Sometimes you need a spark to ignite certain songs. You need something to bring it to the surface,” he says. “A lot of things just have to be right for the moment in time. Stranger Things put it in the spotlight and we just jumped on that momentum.” The track, he adds, is in power rotation, or repeat airing, on “a significant portion of our Top 40 stations.”

Although Poleman believes the song is starting to “burn a little bit” after a month and a half, like any contemporary smash that dominates pop culture, Warner’s Chester remains hopeful it’ll still rise to No. 1 on the Hot 100. “It’s got legs,” he says. “It’s not moving anywhere. It moved to power rotation at KIIS-FM. It plays every hour next to Lizzo. Kate Bush is more relevant now than ever.”

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Luke Combs Extends Career-Opening Top 10 Record on Country Airplay Chart With ‘The Kind of Love We Make’

Luke Combs scores his 15th consecutive career-opening top 10 on Billboard‘s Country Airplay chart, counting proper singles that have been promoted to country radio, as “The Kind of Love We Make” rises from No. 12 to No. 10 (on the list dated Aug. 6). The song drew 17.1 million audience impressions, up 13%, in the week ending July 31, according to Luminate.

The track, which Combs co-wrote with Jamie Davis and brothers Dan and Reid Isbell, could also extend his record streak of career-opening Country Airplay No. 1s, as his first 14 singles all topped the tally, most recently “Doin’ This” for a week in May. Combs started his run with “Hurricane” in May 2017.

On the multi-metric Hot Country Songs chart, “Kind” ranks at No. 2 after topping the ranking dated July 9, becoming Combs’ fifth No. 1. It drew 12.6 million official U.S. streams and sold 4,000 downloads in the week ending July 28.

‘Night’ Moves

Jon Pardi nets his ninth Hot Country Songs top 10, as “Last Night Lonely” lifts 12-9. It holds at its No. 8 Country Airplay high, as it increased by 6% to 18.9 million in audience. It also drew 5.9 million streams (up 31%) and sold 1,000 downloads (up 15%) in the tracking week.

Written by Jimi Bell, Joe Fox and Dylan Marlowe, the song is the first single from Pardi’s fourth full-length, Mr. Saturday Night, which he co-produced and is due Sept. 2.

“Lonely” follows Pardi’s Lauren Alaina duet “Getting Over Him,” which hit No. 35 on Hot Country Songs in February. His most recent unaccompanied single, “Tequila Little Time,” reached No. 14 in December 2020, after “Ain’t Always a Cowboy” became his eighth top 10, rising to No. 6 in December 2020. Pardi first ascended to the top 10 with “Up All Night,” a No. 10 hit in February 2014.

1 for 11

Morgan Wallen’s “Wasted on You” dominates Hot Country Songs for an 11th week. The track drew 12.2 million streams and sold 4,000 in the tracking week. On Country Airplay, where the song reigned for three weeks beginning July 2, it descends 3-5 (22.9 million, down 7%).

Now being promoted to pop and adult radio, “Wasted” advances 32-26 on Adult Pop Airplay and 40-36 on Pop Airplay, after bowing as Wallen’s first entry on each ranking.

Meanwhile, the track’s parent LP, Dangerous: The Double Album, rules Top Country Albums for a record-extending 67th week (49,000 equivalent album units, up 1%).

Career ‘Progress’

John Rich posts his highest debut on Hot Country Songs (including with Big Kenny as part of the duo Big & Rich), as his new independently released single “Progress” opens at No. 14. With 41,000 first-week downloads sold, Rich also earns his biggest sales week for a song.

Released July 22, the song has drawn buzz on right-leaning social media platforms Truth Social and Rumble. Rich also performed it on Fox & Friends July 25.

“Progress” launches atop both Country Digital Song Sales and the all-genre Digital Song Sales tally. Rich scores his fourth No. 1 on the former, following his and Mike Rowe’s “Santa’s Gotta Dirty Job,” which debuted at No. 1 in December; “Earth to God” (October 2020); and “Shut Up About Politics,” featuring The Five, from Fox News (June 2019). On Digital Song Sales, Rich claims his second leader, following “Job.”

Rich logged his prior highest start on Hot Country Songs thanks to Big & Rich’s “When I Pray,” which started at No. 24 in June 2012 before hitting No. 16.

As a soloist, Rich achieves his second-best Hot Country Songs rank, after “Shuttin’ Detroit Down” hit No. 12 in 2009. Big & Rich boast one No. 1 on the survey, among 20 entries: “Lost in This Moment,” for two weeks in 2007.

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SEVENTEEN Scores Fourth No. 1 on Top Album Sales Chart

SEVENTEEN scores its fourth No. 1 on Billboard’s Top Album Sales chart (dated Aug. 6), as the act’s SEVENTEEN 4th Album Repackage: Sector 17 debuts atop the tally. The set, which is the act’s second chart-topper in 2022, sold 31,000 copies in the U.S. in the week ending July 28, according to Luminate. All four of the South Korean group’s charting efforts have hit No. 1 on Top Album Sales.

On the June 18 chart, SEVENTEEN debuted at No. 1 with SEVENTEEN 4th Album: Face the Sun. The new Sector 17 release contains all of the songs on Face the Sun, but adds additional tracks.

Also debuting in the new top 10: Jack White’s Entering Heaven Alive at No. 2, and ODESZA’s The Last Goodbye at No. 3.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of the 31,000 copies sold of Sector 17, physical format sales comprise effectively all of that sum (all on CD; the album was not released on any other physical formats). Only 0.2% of the album’s first-week sales were digital album purchases.

Like many K-pop releases, the CD configuration of Sector 17 was issued in collectible deluxe packages (six total, including an exclusive version for Target), each with a standard set of items and randomized elements (such as photocards and photobooks).

White snags his second top 10 on Top Album Sales in 2022, as his new album Entering Heaven Alive debuts at No. 2 with 25,000 copies sold. In April, his Fear of the Dawn set debuted at No. 1. Notably, of Entering Heaven Alive’s 25,000 sold, vinyl LP sales comprise 16,000 – yielding a No. 1 debut on the Vinyl Albums chart. (The tally ranks the top-selling vinyl albums of the week.) It’s White’s sixth No. 1 on the Vinyl Albums chart.

ODESZA’s The Last Goodbye is the third and final debut in the top 10 on Top Album Sales, as the duo’s latest effort bows at No. 3 with 16,000 sold. Vinyl sales comprised a majority of the set’s first-week, with 13,000 sold on wax. It starts at No. 2 on the Vinyl Albums chart.

Harry Styles’ former No. 1 Harry’s House falls 3-4 with 11,000 sold (down 14%), ITZY’s Checkmate: Mini Album dips 2-5 in its second week with nearly 11,000 (down 65%), Lizzo’s Special descends 1-6 in its second week with 10,000 (down 75%) and TOMORROW X TOGETHER’s chart-topping Minisode 2: Thursday’s Child is a non-mover at No. 7 with 8,000 (down 6%).

A trio of former leaders round out the top 10, as Tyler, the Creator’s Call Me If You Get Lost dips 6-8 (7,000; down 17%), Aespa’s Girls: The 2nd Mini Album falls 4-9 (nearly 7,000; down 36%) and Olivia Rodrigo’s Sour rises 11-10 (6,000; down 13%).

In the week ending July 28, there were 1.696 million albums sold in the U.S. (down 8% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.341 million (down 7.9%) and digital albums comprised 355,000 (down 8.6%).

There were 615,000 CD albums sold in the week ending July 28 (down 7.4% week-over-week) and 715,000 vinyl albums sold (down 8.4%). Year-to-date CD album sales stand at 19.434 million (down 9.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 22.350 million (down 0.2%).

Overall year-to-date album sales total 53.956 million (down 8.4% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 42.079 million (down 4.8%) and digital album sales total 11.878 million (down 19.5%).

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Archie Roach, Iconic Aboriginal Songwriter and Activist, Dies at 66

Archie Roach, the legendary Indigenous Australian artist whose song “Took the Children Away” was recognized with a Human Rights Medal, died Saturday (July 30) after a long illness. He was 66.

The Gunditjmara (Kirrae Whurrong/Djab Wurrung), Bundjalung senior elder, songman, prolific storyteller and First Nations champion was surrounded by his family and loved ones at Warrnambool Base Hospital, according to a message from Mushroom Group.

“We are so proud of everything our dad achieved in his remarkable life,” reads a statement from the late artist’s sons Amos and Eban Roach. “He was a healer and unifying force. His music brought people together.”

In a career spanning more than 30 years and eight albums, Roach, or Uncle Arch as he was lovingly known, “contributed more songs to the Australian canon than many other writers could dream of,” reads a statement on behalf of National Aboriginal and Torres Strait Islander Music Office and APRA AMCOS.

“He carried his people and their stories with him wherever he went and we are all richer as a musical community because of the many truths he revealed about our shared history through his songs.”

Those truths were crystalized in “Took The Children Away,” a heartbreaking tale of the enforced separation of First Nations children from their families.

It was a song penned from personal experience.

Roach’s life and career was celebrated on numerous occasions. He was made a Member of The Order of Australia (AM) (in 2015), and received the Ted Albert Award for Outstanding Services to Australian Music (in 2017).

When presenting the Ted Albert Award, broadcaster Stan Grant shared what Roach had told him about the creation of “Took The Children Away.” “When I first wrote that, it was my story. Then I saw it as an Aboriginal story. And, now it’s an Australian story,” Roach said.

At the 2015 APRA Screen Music Awards, Roach and co-writer Shane Howard won best original song composed for the screen for “A Secret River” from The Secret River.

The songsmith was inducted into the ARIA Hall of Fame in 2020, marking the 30th anniversary of the release of Charcoal Lane, his debut full length album which carried “Took The Children Away.”

The album received two ARIA Awards in 1991 and “Took The Children Away” received an international Human Rights Achievement Award, the first time that the honor had been bestowed on a songwriter.

The song is now preserved in the National Film And Sound Archive Of Australia.

All told, Roach won nine ARIA Awards, including the best male artist honor in 2020.

Australia’s prime minister Anthony Albanese led tributes to Roach.

“Our country has lost a brilliant talent, a powerful and prolific national truth teller,” he recounts in a social media post. “Archie’s music drew from a well of trauma and pain, but it flowed with a beauty and a resonance that moved us all.”

He continues, “We grieve for his death, we honor his life and we hold to the hope that his words, his music and his indomitable spirit will live on to guide us and inspire us.”

“We are all deeply saddened to hear this news. Archie Roach’s powerful, unifying storytelling has had an immeasurable impact not only on the Australian music community, but music lovers everywhere,” comment ARIA and PPCA CEO Annabelle Herd.

“His resounding talent and tireless dedication have left a legacy that will continue to inspire for many generations to come. Our thoughts are with his family, and all the countless lives he impacted for the better, as we celebrate his extraordinary life.”

Uncle Archie, says Dean Ormston, CEO of APRA AMCOS, was “already a national treasure, and his voice has never been more poignant and powerful.”

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Beyonce Challenges LF System For U.K. Singles Chart Crown

Never, ever count Beyonce out of a popularity contest.

The superstar U.S. singer is on the brink of a fourth U.K. No. 1 album with Renaissance (via Columbia/Parkwood Entertainment), and its single “Break My Soul” is inching towards the singles chart summit.

In its sixth week, “Break My Soul” lifts 6-2 on the midweek chart, behind LF System’s “Afraid to Feel” (Warner Records), the U.K.’s best-selling single for the past month.

“Break My Soul” is one of three Renaissance tracks aiming for the Top 20. Further down the list, “Cuff It” is poised to start at No. 11, for the week’s highest debut; and “I’m That Girl” could bow at No. 14. 

Expect Renaissance to take the U.K. Albums Chart title, with considerable ease. Based on midweek sales and streaming data, the album is outselling the rest of the Top 5 combined.

Finally, two club numbers are dancing their way up the Official Singles Chart Update. James Hype & Miggy Dela Rosa’s “Ferrari” (The Cross) drives 44-25 on the midweek chart, while Australian DJ and producer Luude’s update of “Big City Life” (Warner Records) with Mattafix could lift 37-27.

Luude’s latest release became his second Top 40 hit in the U.K. after his drum ‘n’ bass update of Men At Work’s “Down Under” roared to No. 5 earlier in the year.

The Official U.K. Singles Chart is published late Friday.