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Happy Birthday, Billboard Charts! On July 27, 1940, the First Song Sales Survey Debuted

On July 27, 1940, Billboard published its first chart ranking the sales of recorded songs.

In that Billboard issue (nearly 46 years after Billboard began), the maiden 10-position “National List of Best Selling Retail Records” paved the way for 82 years – and counting – of Billboard‘s hallmark tracking of music popularity.

Subsequently, the Billboard 200 would begin showcasing the top-selling weekly albums as of March 24, 1956. The premise introduced on July 27, 1940, of ranking the best-selling songs in the U.S. would expand to include a radio airplay component, spurring the birth of the Billboard Hot 100 as the premier national songs chart in the Aug. 4, 1958, issue.

Meanwhile, more recent years have brought the Billboard Artist 100, Global 200 and Global Excl. U.S. charts, among others.

Prior to July 27, 1940, Billboard had highlighted the national “Sheet Music Best Sellers”; “Records Most Popular on Music Machines” (compiled from national reports from phonograph operators); and, “Songs With the Most Radio Plugs” on a handful of New York radio stations.

The “National List of Best Selling Retail Records,” however, was the first to poll retailers nationwide on record sales.

The new chart was billed as a “trade service feature,” based on the “10 best selling records of the past week” at a selection of national retailers from New York to Los Angeles. In addition to stores specifying in recordings, the potpourri of contributors included Sears, Roebuck & Co. in Chicago, J.B. Branford Piano Co. in Milwaukee and Nolen’s Radio Service Shop in Birmingham, Ala.

Tommy Dorsey crowned the inaugural retail list with “I’ll Never Smile Again.” The eventual standard, featuring vocals by Frank Sinatra, would total 12 weeks at the summit. Not only did Dorsey top the first Billboard song sales chart, but the bandleader also placed at No. 8; his older brother Jimmy Dorsey ranked at No. 2. Glenn Miller claimed three of the first tally’s top 10.

Here is a look at the introductory Billboard songs chart dated July 27, 1940:

Position, Title, Artist
No. 1, “I’ll Never Smile Again,” Tommy Dorsey
No. 2, “The Breeze and I,” Jimmy Dorsey
No. 3, “Imagination,” Glenn Miller
No. 4, “Playmates,” Kay Kyser
No. 5, “Fools Rush In,” Glenn Miller
No. 6, “Where Was I?,” Charlie Barnet
No. 7, “Pennsylvania 6-5000,” Glenn Miller
No. 8, “Imagination,” Tommy Dorsey
No. 9, “Sierra Sue,” Bing Crosby
No. 10, “Make Believe Island,” Mitchell Ayres

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SPS Back to School Bash

The Springfield Public School District will hold a back to school bash this Saturday in preparation for the upcoming school year.

Doctor Ron Woodward, Executive Director of Secondary Education says there will be activities for all ages of students, free sports physicals, and immunizations. Parents must register online for sports physicals, and you can do that by clicking here.

The event is for families of Springfield Public Schools only.

This article is provided by Ozarks News – 93.3 KWTO
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Billy Corgan and Chloe Mendel Discuss Livestream Event to Benefit Highland Park Community: ‘We Had to Do Something’

Smashing Pumpkins frontman Billy Corgan and clothing designer Chloé Mendel know that they could’ve very easily been at the Independence Day parade this year in Highland Park — the Illinois community where they live and operate the tea house Madame Zuzu’s, and where dozens of people were injured and seven killed in a horrific July shooting.

“The only reason we weren’t there was that [Chloe] was on a plane, and our business was closed,” Corgan explains. “It just happened to be [that way]. We were fortunate in that.”

Still, the two long-time partners also immediately knew they wanted to do something to benefit the victims of the attack, many of whom they knew or were connected to in some way. They ended up deciding to put on the Together and Together Again benefit concert at Madame Zuzu’s, which they’ll be livestreaming for free on Wednesday night (July 27) — while encouraging viewers to donate, with all proceeds going to the Highland Park Community Foundation (and specifically, its July 4th Highland Park Shooting Response Fund.)

We felt helpless, right? We knew there were so many people hurting,” Mendel says. “And so we knew we had to do something. And it was, ‘What can we do in a quick turnaround?’ And I think it was like, two days later, we decided we were gonna do this.”

The event will of course feature a performance from the alt-rock legend Corgan — as well as his Pumpkins bandmate, drummer Jimmy Chamberlin — but will also include a variety of special guests, including electronic duo Bob Moses, jazz saxophonist Frank Catalano, classical group The Lincoln Trio, singer-songwriter Billy Swan (and daughter Sierra) and alt-rock veteran Perry Farrell, whose Jane’s Addiction will be heading out with the Pumpkins on the Spirits on Fire tour starting in October. “Everybody who’s coming is very excited to be there,” Mendel says. “Everybody’s changing their travel plans… people are moving everything around to be there and help.”

Below, Corgan and Mendel talk with Billboard about a tragedy that very literally hit close to home for them, and the event they’re putting on Wednesday night to try to help bring unity at such a terrible time.

I know you both have roots in the Highland Park area – what are your respective histories there?

Billy Corgan: I moved up here about 20 years ago, and Chloe about 10 years ago. So we’re pretty deep in the community, and we’ve had a business here for eight years – Madame Zuzu’s, which is the tea house where the benefit’s taking place. So we’re pretty steeped in the local community, and we know people in the local government… we’re not just sorta living up here, we’re kind of intertwined in the society up here. 

Chloé Mendel: This is a small community. Pretty much everyone we know was either there or had a family member there. It’s pretty traumatic when most of your neighbors, or people around you when you go to a restaurant, were witnesses, and running for their lives. And children, too. 

BC: Yeah. Mayor [Nancy] Rotering testified before Congress just a few hours ago, and she said there were 3,000 people at the parade. And just to give a little context – they’ve been doing free counseling services here at the high school, and 1,200 people were going, last I heard. So the trauma on the local community is almost immeasurable. So literally every time you turn around, you’re talking to someone who was there, or their kid was there… it’s inescapable here. 

CM: Even the business next door to us, multiple family members were shot who worked there, and one died. And they had to have a closed casket… it’s awful. And they’re the people we see everyday. And it’s beautiful how people come together and are really motivated, now more than ever, to support each other, and to help heal and be remembered for that, not for the tragic event. 

When did it occur to the two of you that a benefit concert would be a good thing to do to help here? 

BC: I think when we started hearing about the level of mental health crisis in the community, and the different funds that were being set up, I think it just became a natural extension of what we do in the community here, of “How can we pitch in?”

CM: And what we have, that a lot of other people don’t have, is the ability to reach a lot more people in the world. And so we felt like, the best platform to do that is online – to make a free event on YouTube, so that as many people [as possible] could participate, listen to great music — an event that no one else would hear anywhere else, really. It’s just kind of special to what we can do…  And people can donate just by clicking a button. And honestly, everything makes a difference. There are so many people – victims, I believe 50 people were injured, and seven people deceased. And so the effects of that on our community are tremendous. 

BC: Even the psychological damage is just… I mean, the people that we know personally that we talked to that were traumatized by being at the event, being in the direct line of the shooting… just that alone is just horrific. And so for the families that are grieving… it just goes on and on.

Have you worked with the Highland Park Community Foundation before?

BC: No, but we have a lot of ties to the local government, so we vetted through the people that we know what would be the appropriate way to do this. And we talked to the people who head the foundation, and were given assurances – not only that there was a particular fund within the community fund that was for July 4th victims, but that secondarily, and more importantly I think, that the resources allocated are gonna be presented in a transparent way. So it’s not like we just give the money and then it’s gonna go where it’s gonna go. We’re actually gonna see where the money goes, which is fantastic.

Where did the name Together and Together Again come from?

BC: Uh, you know, I just liked the idea of something that sorta signaled unity. I think the way it reads in my mind is, you know, “Love is always gonna win.” It doesn’t matter what the devil throws at us, we’re gonna keep coming together. And I think you gotta keep putting that message out there.

You know, the person who [is suspected of committing] this atrocity was local, was well-known to the community. I certainly saw him in the community. So, you know, you have to send this message out, that.. what you think you’re gonna get out of it, you’re not gonna get out of it. You’re not gonna win. Whatever you think, whatever weird thing’s going on in your head, you’re just not gonna win. And I think that’s the enduring message that I would like to send – that our community, and our love and respect for one another, trumps this. 

CM:  We have an incredibly diverse population in Highland Park. I know the North Shore tends to have a rep of being a certain way – Highland Park really is on its own, kinda separate. We have a diverse community – we have a pretty large community. And people from all different walks of life. And typically, everybody is welcomed, loved… serves the business, the beaches. You know, it’s just a happy, very family-friendly town… [people] come here to raise their children. 

BC: Especially young people. You see a lot of young people moving here because they want, of course, a safe community. 

Was it always the obvious choice to host the concert at Madame Zuzu’s?

BC: No, we talked about different things. In fact, we had people blowing us up when we announced – probably not a good choice of word – people giving us a little bit of guff about it, because they wanted us – and I kid you not – they wanted us to hold a free outdoor concert. And the idea of holding a free outdoor concert, literally weeks within a horrible event… I mean, just the logistics alone…

But Highland Park needs this event, and it’s just too soon, too close and too difficult to pull off [as an outdoor concert]. We looked at it more as, “Well OK, how can we generate resources quickly, and put those resources in the hands of people who know how to distribute them properly?” And so once you kinda did all the math on that, it became pretty readily apparent that [we needed a venue] that we could control, which is our own environment.

CM: I mean, I also want to say… Madame Zuzu’s is within the crime scene perimeter of the shooting. So it was most important for us – because we were there, we were closed, the FBI locked us down for about six days – and it’s a one-block radius, so we were right in the heart of it. So it was really important for us to embrace our space, our venue, the people working for us in our community, and just be there.

And again, raising funds is the goal, so we needed to involve as many people as possible — and make this a special event, for anybody to enjoy from their home, from their phone… I know friends are just sitting on their couches, having like a party, and gonna watch it on their screens.

When you’re trying to figure out a setlist for a benefit like this, do you try to focus on one part of your catalog, or a certain tone of songs? Or do you just kinda play the songs you know people want to hear, because it’s more likely to make them donate? 

BC: I certainly feel like half my catalog is not appropriate. So for me, it’s doing a kind of deep dive and trying to find those songs that I think express the way I feel. And mix them with a few songs people I’m sure want to hear. But more so, more reflective of the event. 

Was there a song of yours that really struck you as resonant for this event?

BC: Not yet, because I really almost have to sit and play them. You know, some of the songs I think, “Oh, well, this would work,” and then I start playing it sitting on my bed, and I’m like, “Ah, this lyric doesn’t really match what I’m after,” or there’s something in there that… coz y’know, we are gonna have people that are gonna be there that were affected by the event. The last thing I wanna do is be singing something and I say something, something comes out of my mouth that reminds them of something horrible that just happened. So I’m hyper-sensitive to that.

And just related to the larger issue, is there anything you’d like to see changed at the governmental level or anywhere else in terms of gun control?

BC: You know, I have a lot of personal feelings on that, but I think for this event, we’re just really focused on trying to get people on the same page. What I can say is: When these things happen, and they happen far too regularly in our culture, I watch on with horror – including what goes on consistently on the south side of Chicago, with all the horrible violence – and there’s a certain sort of spectator thing that goes on, where you have your feelings, you have your opinions, and you lean into the things that you believe in. When you’re actually sort of in the middle of it, it certainly has a different feel and tenor.

And my personal response at this point is unity. I need everybody on the same page. I feel like all I live is a divided country. And we’ve all had those dinner conversations, family conversations, where somebody is on one side, and somebody’s on the other, and one person watches this network and one person watches that network. I really feel like, having been in the epicenter of this, and still standing in the epicenter of this, I wanna preach unity. I feel like, the words of John Lennon in multiple songs never resonated more deeply to me than they do now. We really need to lean into that first to get people moving in the same direction.

And I would rather it not be, “How many tragedies does it take before things change?” As opposed to, “You know what? It’s enough, let’s get together, let’s move in the same direction, let’s find some common ground, so we can start moving these things in the right direction, politically and socially.” Because we really do need to be on the same page when it comes to these things, because it is such a divisive issue. And I just don’t want any part of that divide right now. 

The Together and Together Again benefit starts at 9:00 ET / 8:00 CT this Wednesday, July 27 on YouTube

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Metallica Finally Release a ‘Master of Puppets’ Video And It’s Filled With All Kinds of Strange Things

It only took 36 years, but Metallica have finally released a music video for the title track to their 1986 Master of Puppets album. Of course the song has gotten a major bump lately thanks to its inclusion in the thrilling season 4 finale of the Netflix mega-hit series Stranger Things, so the timing is perfect.

And, in keeping with the pioneering speed metal song’s relentless assault, the long-awaited animated lyric video for the punishing track is full of darkness-sucking imagery. The visual for the eight-and-a-half minute tour de force opens with the band’s logo outlined in night-vision green, followed by a fly-over of a massive maze made up of giant crucifixes and the ominous hands of an unseen puppet master pulling strings.

The song’s intense lyrics — including the pummeling chorus, “Come crawling faster/ Obey your master/ Your life burns faster/ Obey your master, master, master of puppets…” — fill the screen in bold all-caps over images of a marching parade of singer James Hetfield’s signature Gibson Explorer guitars. The clip from UK design agency ILoveDust comes as “Master” has unexpectedly blown up thanks to a now-iconic scene in the action-packed two-part Stranger Things season finale in which character Eddie Munson (Joseph Quinn) rips the song on guitar in order to save his pals from the dreaded monster Vecna.

The signature song from the band — who are among the headliners at this weekend’s Lollapalooza festival in Chicago — flew onto the UK top 40 for the first time this week, jumping 47-23 in its first appearance in the top 40 more than three decades after its initial release. The song also soared onto the Billboard charts dated July 16 thanks to Things, making its first appearance on the all-genre Billboard Hot 100 at No. 40, marking the rockers’ first time on the chart since “The Day That Never Comes” wrapped its run in November 2008, after reaching No. 31 that September.

In the July 1-7 tracking week, “Master” earned 9.6 million official U.S. streams and sold 7,000 downloads, according to Luminate. Those sums reflect vaults of 603% and 3,722%, respectively, over the previous frame. “Master” also becomes Metallica’s first No. 1 on the Hot Hard Rock Songs chart (which began in 2020), exceeding the No. 4 peak of the group’s “All Within My Hands,” with the San Francisco Symphony, in September 2020. “Master” also arrives at Nos. 4 and 6 on Hot Rock Songs and Hot Rock & Alternative Songs, respectively, also new peaks for the band on both surveys.

Check out the “Master of Puppets” lyric video below.

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Lt. Governor Signs State of Emergency Due to Flooding

Lieutenant Governor Mike Kehoe declared a State of Emergency because of severe flooding in the St. Louis area.

He signed Executive Order 22-05 on Tuesday, on behalf of Governor Mike Parson, who is out of the country on a trade mission.

The order declares an emergency exists and activates the Missouri State Emergency Operations Plan, which allows for local jurisdictions to receive help from state agencies.

This article is provided by Ozarks News – 93.3 KWTO
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Division Street To Close For Construction

The City of Springfield will close the westbound lane of Division Street to traffic between National and Glenstone avenues beginning Wednesday, as part of the Division Street Reconstruction project.

Eastbound traffic will be allowed using a single open lane.

Westbound traffic is advised to follow the posted detour utilizing Glenstone Avenue, Commercial Street, and National Avenue.

The work zone is expected to remain one-way eastbound for a significant portion of the one-year duration of project construction.

This article is provided by Ozarks News – 93.3 KWTO
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Wizkid Leads 2022 Headies Awards Nominees: See Complete List

The 15th annual Headies Awards are coming to America from Nigeria for the first time. The star-studded event will take place live from Atlanta’s Cobb Energy Performing Arts Center on Sept. 4.

With categories including rookie of the year, best West African artiste and best R&B single, the Headies will honor some of the most notable acts in the globally rising Afrobeats genre. Wizkid is the most nominated artist for the big night, with 10 nods; followed by Ayra Starr (a first-time nominee) and Tems, each with eight nominations. Adekunle Gold and Davido are tied as the third most-nominated artists, with seven nods each.

“After 14 years, I’m thrilled the show is expanding beyond Nigeria,” Headies Awards co-executive producer Ava L. Hall tells Billboard. “The Afrobeats movement is truly global and this show is celebrating Pan-African music excellence and the collaborative connection it has made with the U.S. music industry. Art has always been an entry point to culture and connection. This genre certainly helps to solidify that even more. I’m honored that the founder, Ayo Animashaun, reached out to me help bring the 15th Annual Headies to fruition.”

Billboard recently partnered with Afro Nation, a music festival and global Afrobeats brand, to launch the first-ever U.S. chart for Afrobeats music. The Billboard U.S. Afrobeats Songs chart went live on March 29, and has since spotlighted hit artists including CKay, Tems, WizKid, Omah Lay, Burna Boy and Fireboy DML.

This year’s awards ceremony introduces three new categories: international artiste of the year, best inspirational single and digital artiste of the year.

See the complete list of nominees below:

Rookie of the Year

Av
Fave
Magixx
Portable
Ugoccie

Best Recording of the Year

“Celebrate Me” – Patoranking
“Essence” – Wizkid Feat. Tems
“Joy” – Falana
“Loving Is Harder” – Johnny Drille
“Meji Meji” – Brymo
“Somebody’s Son” – Tiwa Savage Feat. Brandy

Producer of the Year

Beats By Jayy – “Golden” (A-Q)
Blaise Beatz – “Sinner” (Adekunle Gold Feat. Lucky Daye)
Niphkeys – “Feel Good” (Mohbad)
P Priime – “Ozumba Mbadiwe” (Reekado Banks)
Pheelz – “High” (Adekunle Gold Feat. Davido)
Sarz – “Monalisa” (Lojay & Sarz)

Songwriter of the Year

Adekunle Gold – “Sinner”
Ajebo Hustlers – “Loyalty”
Brymo – “Meji Meji”
Falana – “Joy”
Fireboy Dml – “Peru”
Omah Lay – “Understand”

Best R&B Single

“Baby Riddim” – Fave
“Beggie Beggie” – Ayra Starr  Feat. Ckay
“Essence” – Wizkid Feat. Tems
“Running (To You)” – Chike  Feat. Simi
“Promise” – Niniola
“Sinner” – Adekunle Gold Feat. Luck Daye

Best Rap Single

“Breathe” – A-Q Feat Chike
“Crown Of Clay” – Vector & Mi Abaga Feat. Pheelz
“Early Momo” – Vector Feat. Goodgirl La
“Feeling” – Ladipoe  Feat. Bnxn
“Tycoon” – Show Dem Camp Feat. Reminisce & Mojo
“Loading” – Olamide  Feat Bad Boy Timz

Best ‘Alternative’ Song

“Doings” – Flavour
“Free Your Mind” – Made Kuti
“Gonto” – Ibejii
“Hustle” – Basketmouth, The Cavemen, Bez, Dice Ailes
“Meji Meji” – Brymo
“Selense” – The Cavemen

Best Vocal Performance ( Female )

Ayra Starr – “Toxic”
Liya – “Alari”
Niniola – “6th Heaven”
Simi – “Running (To You)”
Tems – “Essence”
Waje – “Last Time”

Best Vocal Performance (Male)

Brymo – “Meji Meji”
Johnny Drille – “Loving Is Harder”
Oxlade – “Ojuju”
Ric Hassani – “When I’m Gone”
Tay Iwar – “Peaking”

Lyricist on the Roll

A-Q – “The Last Cypher”
Blaqbonez – “The Last Cypher”
Jesse Jagz – “Vipers”
Ladipoe – “Providence”
Payper Corleone – “In Don We Trust”
Vector – “Crown Of Clay”

Best Music Video

“Champion” – (Fireboy Dml Feat. D Smoke) Directed By Tg Omori
“Ginger” – (Wizkid Feat. Burna Boy) Directed By Meji Alabi
“Roju” – (Chike) Directed By Pink
“Rain” – (Yemi Alade Feat. Mzansi Youth Choir) Directed By Ovie Etseyatse
“Bling” – (Blaqbonez Feat. Amaarae & Bnxn) Directed By Tg Omori
“Running” – (Ladipoe Feat. Fireboy Dml) Directed By Director K

Best Collaboration

“Beggie Beggie” – Ayra Starr Feat. Ckay
“Bling” – Blaqbonez Feat. Amaarae & Bnxn
“Early Momo” – Vector Feat. Goodgirl La
“Essence” – Wizkid Feat. Tems
“Feeling” – Ladipoe  Feat. Bnxn
“Running (To You)” – Chike Feat. Simi

Best Street-Hop Artiste

Bella Shmurda – “Cash App” Feat. Zlatan & Lincoln
Rexxie & Mohbad – “Kpk”
Mohbad – “Feel Good”
Naira Marley – “Koleyewon”
Nektunez & Goya Menor – “Ameno Amapiano (Remix)”
Poco Lee, Portable & Olamide – “Zazoo Zehh”

Best Afrobeats Single of the Year

“Bloody Samaritan” – Ayra Starr
“Bounce” – Ruger
“High” – Adekunle Gold Feat. Davido
“Monalisa” – Lojay & Sarz
“Ozumba Mbadiwe” – Reekado Banks
“Peru” – Fireboy Dml

Headies’ Viewer’s Choice

Ayra Starr – “Bloody Samaritan”
Fireboy – “Peru”
Joeboy – “Sip”
Lojay & Sarz – “Monalisa”
Nektunez & Goya Menor – “Ameno Amapiano (Remix)”
Olamide Feat. Omah Lay – “Infinity”
Rema – Soundgasm
Wizkid Feat. Tems – “Essence”

Best West African Artiste of the Year

Amaarae (Ghana)
Angelique Kidjo (Benin)
Aya Nakamura (Mali)
Gyakie (Ghana)
Kidi (Ghana)
Nelson Freitas (Cape Verde)

Best East African Artiste of the Year

Diamond Platinumz (Tanzania)
Eddy Kenzo (Uganda)
Harmonize (Tanzania)
Meddy (Rwanda)
Nikita Kering (Kenya)
Zuchu (Tanzania)

Best North African Artiste of the Year

Emel Mathlouthi (Tunisia)
Elgrandetoto (Morocco)
Latifa (Tunisia)
Manal (Morocco)
Muhamad Ramadan (Egypt)
Soolking (Algeria)

Best Southern African Artiste of the Year

Black Coffee (South Africa)
Dj Tarico (Mozambique)
Elaine (South Africa)
Focalistic (South Africa)
Jah Prayzah (Zimbabwe)
Sha Sha (Zimbabwe)

Best Central African Artiste of the Year

Calema (Sao Tome & Principe)
Blanche Bailly (Cameroon)
Dadju (Dr Congo)
Fally Ipupa (Dr Congo)
Innoss’b (Dr Congo)
Soraia Ramos (Cape Verde)

Best Afrobeats Album

19 And Dangerous – Ayra Starr
A Better Time – Davido
Barnabas – Kizz Daniel
Made In Lagos (Deluxe Edition) – Wizkid
Kpos Lifestyle – Ajebo Hustlers
Wondaland – Teni

Best Reggae & Dancehall Album

Gratitude – Timaya
Love Is War – Prettyboy D-O
Rainbow Riddim – Shank
Three – Patoranking
Yaadman Kingsize – Yung L

Best R&B Album

Before We Fall Asleep – Johnny Drille
If Orange Was a Place – Tems
Love Deep High Life – Omawumi
Rising – Falana
The Prince I Became – Ric Hassani
Water And Garri – Tiwa Savage

Best Alternative Album

9: Esan – Brymo
Intermission – Ibejii
Legacy + – Femi Kuti & Made Kuti
Love and Highlife – The Cavemen
P.S. Thank You for Waiting – Wavy The Creator
Yabasi – Basketmouth

Best Rap Album

Carpe Diem – Olamide
Clone Wars Vol. 5 – The Algorhythm – Show Dem Camp
Golden – A-Q
Mafia Culture, Vol. 2.0 – Idowest
Providence – Ladipoe
Sex Over Love – Blaqbonez

Album of the Year

9: Esan – Brymo
19 & Dangerous – Ayra Starr
Carpe Diem – Olamide
Legacy + – Femi Kuti & Made Kuti
Made In Lagos (Deluxe Edition) – Wizkid
Yabasi – Basketmouth

Song of the Year

“Celebrate Me” – Patoranking
“Doings” – Flavour Feat. Phyno
“Essence” – Wizkid Feat. Tems
“High” – Adekunle Gold Feat. Davido
“Monalisa” – Lojay & Sarz
“Peru” – Fireboy Dml

Best Female Artiste

Simi
Tems
Tiwa Savage
Teni
Niniola

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Here Are the Lyrics to Cole Swindell’s ‘She Had Me at Heads Carolina’

Cole Swindell was in a throwback mood when he wrote his latest single, “She Had Me at Heads Carolina,” which features an interpolation of the 1996 Jo Dee Messina hit “Heads Carolina, Tails California.”

The song is featured on his new album, Stereotype, released on April 8, 2022, via Warner Music Nashville.

If you need a guide to follow along with Cole Swindell’s “She Had Me at Heads Carolina,” find the lyrics below:

(Heads Carolina, tails California)

I was out with the boys, catchin’ up in a neon light
Didn’t know ’til we walked in it was karaoke night
She was in a circle of girls, chasin’ a shot with a lime
She was laughin’, they were darin’ her to get on the mic
One of ’em walked up and turned in her name
Next thing I knew, man, she was up on the stage, singin’

“Heads Carolina, tails California”
Maybe she’d fall for a boy from South Georgia
She’s got the bar in the palm of her hand
And she’s a ’90s country fan like I am
Hey, I got a Chevy, she can flip a quarter
I’d drive her anywhere from here to California
When this song is over, I gotta find her
‘Cause she had me at “Heads Carolina”

(Heads Carolina, tails California)
Yeah, she knew every word by heart, didn’t need no screen, no
I was raisin’ my glass up for her, I saw her smilin’ at me, yeah
She had me down in the front by the end of verse two
Like there wasn’t no one else in the room, we were singin’

“Heads Carolina, tails California”
Maybe she’d fall for a boy from South Georgia
She’s got the bar in the palm of her hand
And she’s a ’90s country fan like I am
Hey, I got a Chevy, she can flip a quarter
I’d drive her anywhere from here to California
When this song is over, I gotta find her
‘Cause she had me at “Heads Carolina”

Yeah, I bought her a round and we talked ’til the lights came on (lights came on)
I still see that girl every time I hear that song

“Heads Carolina, tails California”
Maybe she’d fall for a boy from South Georgia
She’s got the bar in the palm of her hand
And she’s a ’90s country fan like I am
Hey, I got a Chevy, she can flip a quarter
I’d drive her anywhere from here to California
When this song is over, I gotta find her
‘Cause she had me at “Heads Carolina”

(Heads Carolina, tails California)
Yeah, she had me at “Heads Carolina” (somewhere greener, somewhere warmer)
(Heads Carolina, tails California)
Yeah (somewhere greener, somewhere warmer)
(Heads Carolina)
(Somewhere together, I’ve got a quarter)
(Heads Carolina, tails California)

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Written by: Ashley Gorley, Cole Swindell, Jesse Frasure, Mark D Sanders, Thomas Rhett, Tim Nichols

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Here Are the Lyrics to Luke Combs’ ‘The Kind of Love We Make’

Luke Combs unveiled his newest album, Growin’ Up, back in June, and an immediate standout track from the album is the grown up “The Kind of Love We Make.”

The country star jumped from No. 7 to No. 1 on the Billboard Artist 100 chart (dated July 9), returning as the top musical act in the U.S. for a third total week, thanks to the opening week of Growin’ Up.

If you need a guide to Luke Combs’ “The Kind of Love We Make,” find the lyrics below:

We’ve been burnin’ both ends
Keepin’ the lights on
So I’ve been thinkin’ we need
A little time alone

So whatcha say we cancel our plans?
Tonight, I’m only gonna be your man

Let’s get some candles burnin’
And some records turnin’
All the lights down low
Take it nice and slow
The way your body’s movin’
Keep doin’ what you’re doin’
To me all night long
Writin’ our love song
Girl, I want it, gotta have it
Let the passion take us to a higher place
Makin’ the kind of love we make

Well, there ain’t no way, baby
To get me out this house
When you look this good
What could I even think about? Oh
Besides turnin’ round and lockin’ the door
Watchin’ your red dress fall to the floor

Let’s get some candles burnin’
And some records turnin’
All the lights down low
Take it nice and slow
The way your body’s movin’
Keep doin’ what you’re doin’
To me all night long
Writin’ our love song
Girl, I want it, gotta have it
Let the passion take us to a higher place
Makin’ the kind of love we make
Kind of love we make

So whatcha say we cancel our plans?
Tonight, I’m only gonna be your man

Let’s get some candles burnin’
Some records turnin’
All the lights down low
Take it nice and slow
The way your body’s movin’
Keep doin’ what you’re doin’
To me all night long
Writin’ our love song
Girl, I want it, gotta have it
Let the passion take us to a higher place
Girl, I want it, gotta have it
Let the passion take us to a higher place
Makin’ the kind of love we make
Kind of love we make
Makin’ the kind of love we make

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: Daniel Paul Isbell, Jamie Davis, Luke Albert Combs, Reid Isbell

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Here Are the Lyrics to Steve Lacy’s ‘Bad Habit’

Steve Lacy jumped to No. 1 on Billboard‘s Emerging Artists chart (dated July 23) to become the top emerging act in the U.S. for the first time, thanks to his new single, “Bad Habit.”

The song also marked Lacy’s first entry on the Billboard Hot 100 as a recording artist, surging from No. 100 to No. 50 in its second week. “Bad Habit” is from Lacy’s new LP Gemini Rights, released July 15.

If you need a guide to follow along with Steve Lacy’s “Bad Habit,” find the lyrics below:

I wish I knew you wanted me
I wish I knew
I wish I knew you wanted me
I wish I knew
I wish I knew you wanted me

What you, ooh, uh, what you do?
Made a move, could’ve made a move
If I knew I’d be with you
Is it too late to pursue?

I bite my tongue, it’s a bad habit
Kinda mad that I didn’t take a stab at it
Thought you were too good for me, my dear
Never gave me time of day, my dear
It’s okay, things happen for
Reasons that I think are sure, yeah

I wish I knew
I wish I knew you wanted me (I wish I knew)
I wish I knew (oh)
I wish I knew you wanted me
I wish I knew (yeah)
I wish I knew you wanted me (oh)
I wish I knew
I wish I knew you wanted me

Please say to me (please, just say to me)
If you still want it
I wish you wouldn’t play with me
I wanna know (I wanna know)

Uh, can I bite your tongue like my bad habit?
Would you mind if I tried to make a pass at it?
No, you’re not too good for me, my dear
Funny you come back to me, my dear
It’s okay, things happen for
Reasons that I can’t ignore, yeah

I wish I knew
I wish I knew you wanted me
I wish I knew (wish I knew)
I wish I knew you wanted me (oh)

You can’t surprise a Gemini (I wish I knew)
I’m everywhere, I’m cross-eyed-ed (I wish I knew you wanted me)
Now that you’re back, I can’t decide (I wish I knew)
If I decide if you’re invited (I wish I knew you wanted me)
You always knew the way to wow me
F— around, get tongue-tied-ed
I turn it on, I make it rowdy
Then carry on, but I’m not hidin’
You grabbin’ me hard ’cause you know what you found
It’s biscuits, is gravy, babe

You can’t surprise a Gemini
But you know it’s biscuits, it’s gravy, babe
I knew you’d come back around
‘Cause you know it’s biscuits, it’s gravy, babe
Let’s f— in the back of the mall, lose control
Go stupid, go crazy, babe
I know I’ll be in your heart ’til the end
You’ll miss me, don’t beg me, babe

Lyrics licensed & provided by LyricFind

Lyrics © Warner Chappell Music, Inc.

Written by: Brittany Foushee, Diana Gordon, John Kirby, Matthew Castellanos, Steve Lacy